Author Archives: Averell Ivan Leiking

An Omnichannel Strategy: How it’s Shaping the Retail Beauty Landscape

Image: Glossier

When beauty company Glossier launched in 2014, it was entirely new, both in its messaging — “be you, just dewier” — and its exclusively online sales strategy, which at the time was an unconventional way to sell beauty. The vertical business strategy, also known as the direct-to-consumer (DTC) approach allows brands to sell directly to their customer; they would be in complete control of aspects such as pricing, branding, messaging and the type of features and services the brand would offer — they’re also mostly done online.

Founder and chief executive Emily Weiss’ approach worked. Suddenly, Glossier became the gold standard for startups, who forewent once-coveted shelf space at department stores and Sephora in favour of selling directly to customers. But for all the Glossier mania, their inability to keep up with beauty’s retail evolution eventually led to their downfall and eventual shift to an omnichannel strategy.

On a joint Instagram post, Glossier announced its first external retail partnership with multinational retailer, Sephora. The deal ramps up Glossier’s push into physical retail, allowing them to significantly expand the brand’s retail distribution and contribute to changing the beauty industry’s landscape.

However, Glossier’s choice to expand into the retail industry is not uncommon. In the past few years, internet-born beauty brands such as The Ordinary, Fenty Beauty and Drunk Elephant have all transitioned from selling exclusively online to utilising brick-and-mortar stores with beauty retail giants: Sephora, Ulta and Nordstrom.

The change in business models from these beauty powerhouses and cult brands signals a significant shift in the way customers are shopping and the way products are being sold in the beauty industry. Now with an omnichannel strategy in place, the potential to reshape the market is bigger than ever and all the parties involved have the opportunity to reap the benefits of both a digital and physical shopping experience.

The Start of a New Retail Era

Image: The Ordinary

Historically, large legacy brands have ruled the beauty industry in market share and prestige. But recently, internet-born brands have become the big growth story. These companies base their operating models on exploiting technological and analytical capabilities — often adopting the direct-to-consumer approach to take advantage of the e-commerce benefits it offers.

Due to the pandemic, the rise of online shopping, and social media’s impact on consumer trends, the shift to online retail was one of the most significant accelerations in consumer behaviour. It seemed as if a new online-only beauty brand was being created every day. Brands now have full control over how they want to conduct their business — from shipping policies to visual branding — and consumers have a more efficient, effective and personalised shopping experience, all from the comfort of their home.

However, for the past four years, Diffusion, a PR agency based in London, has monitored consumers and their affinity for DTC brands. They witnessed a climb in interest during pandemic times, followed by a subsequent fall in their annual DTC Consumer Purchase Intent Index. Inflation, ongoing supply chain woes and an increase in competition are taking a bite out of native direct-to-consumer brands, forcing them to dip in consumer interest and lose billions within their market cap. With the DTC craze slamming into reality, brands are now looking for ways to minimise their loss.

Meanwhile, the future is looking bright in the world of retail and in-store commerce. Consumers who craved real-life shopping experiences during the pandemic are driving back to the stores. “Going out to shop is still part of the whole experience,” says Erik Nordstrom, who has seen a 18 per cent increase in foot traffic to the retail store this June. “It’s entertainment, it’s a family thing to do on the weekends and it’s bound to bounce back from the struggles we faced in the pandemic.” The US Census Bureau reported that retail sales rose more than 28 per cent in May compared to last year and expects it to grow as much as 13.5 per cent this year, with research firm Zenreach, predicting a full return to normalcy in the US retail industry by September of this year.

With the re-opening of stores, many consumers waited in line to experience the pleasure of physical retail. The human connection, the ability to feel and try on, and the immediacy of the purchase were what they had missed. This downward trend created a huge opportunity for traditional retailers to modernise and expand their presence to online marketers and retailer sites, creating an effective omnichannel strategy.

The Omnichannel Revolution

Image: Sephora

Using both digital and traditional marketing, the omnichannel strategy embraces a customer from multiple directions with the same messaging. Essentially, when a brand uses a multi-channel sales approach and integrates it throughout the customer’s shopping experience, it creates a seamless experience. The benefits of an omnichannel marketing strategy are clear — studies have shown that marketers that integrate three or more channels into their marketing campaigns increase their purchase rates up to 287 per cent and see more than 18 per cent engagement in their campaigns, compared to only 5 per cent for single-channel campaigns.

Online-only brands creating partnerships with big retailers offer many benefits to both parties. For example, to bring DTC beauty products closer to the buyer, Sephora has introduced several in-store merchandising activities, showcasing digitally native or otherwise up-and-coming brands. The first fixtures for Sephora’s “The Next Big Thing” was an in-store space set aside for displaying new makeup brands — launched at its Time Squares store in June 2019. It was a clever attempt to drive customers lured by popular brands they encounter on the internet into a physical space where they can try them out and purchase samples.

Image: Sephora

On the other hand, DTC brands that have shifted to retail, such as Glossier, Kylie Jenner Beauty, The Ordinary and Drunk Elephant, can reap the benefits of retail marketing. They’re able to access a more extensive customer base, and there’s a sharpened shopper focus that DTC brands lack. Customer data power today’s retail marketing platforms, and everything that happens on those platforms is focused on meeting actual shopper needs and responding to known behaviours. This has the possibility to increase sales due to ease and efficiency of the shopping experience.

“Consumers are now operating within a total omnichannel ecosystem and all the touchpoints that we’ve been fortunate to have been developing have helped us as we went into the pandemic and now it’s helping us as we’re coming into the endemic stage,” said Alia Gogi, managing director of Sephora Asia.

Clearly, the lines between online and offline have blurred over the years and both retailers and DTC brands are working toward creating a seamless experience for the consumer. The beauty retail space has shifted drastically over the past couple of years, and it is unlikely to stop evolving. Elements like personalisation and experiences will continue to play huge roles and the digital aspect of retail will continue to influence brick-and-mortar retailers moving forward.

For more beauty reads, click here.

TAG Heuer Carrera X Porsche Limited Edition: Racing Colours

Image: TAG Heuer

TAG Heuer and Porsche continue on the second year of their famed road trip together with the 2022 Carrera X Porsche Limited Edition. The TAG Heuer and Porsche partnership is possibly the most authentic, and certainly the most organic, of all such relationships between watchmakers and automakers. The horological conversation this year has revolved around the Aquaracer and Monaco, as well as a certain Carrera worn by Ryan Gosling, but the Carrera X Porsche Limited Edition will not be left in the dust. We saw this model at Watches and Wonders Geneva, alongside the others mentioned here, and it reminds us that the automatic chronograph Heuer 02 movement really is the spiritual successor to Calibre 11.

Calibre 11 is of course quite famous, but it might be a little obscure since it is no longer in production. This retired engine debuted across all the chronograph models in Heuer’s range back in 1969 (it was known as plain old Heuer back then) as the brand staked its claim to developing and debuting the world’s first automatic chronograph. A limited edition of 1,500 pieces, this black and yellow 44mm watch looks the part of a speed fiend. The glossy black dial, asphalt-textured subdials, DLC steel case and yellow highlights leave one in no doubt about the Porsche connection. The colour was reportedly inspired by the Porsche Pantone, which Porsche reserves for its raciest cars.

Image: TAG Heuer

Here we also see the Porsche automotive influence on the movement more clearly, especially with regards to the steering wheel design of the automatic winding rotor. This happens to be a common feature shared with the Monaco models as well, uniting the racing TAG Heuer models. The rotor and movement architecture of the Heuer 02 calibre are quite different to the old Calibre 11, but this is only to be expected. Calibre 11 was just the starting line after all, and more than 50 years have passed since that special moment in Geneva. The Heuer 02 has its own story too, which we have examined at length before but here is the tl;dr.

Having gotten its start under a different name in 2013, it retains some characteristics from that debut. From 2016, it gained notice as calibre Heuer 02T, the world’s most accessible chronograph-tourbillon. The current Heuer 02 retains the integrated chronograph bit, complete with column wheel and vertical clutch, 80 hours of power reserve and 4Hz or 28,000 vph balance. As others have noted, the calibre also has a date function, although this sometimes gets covered up (as it was in the Carrera 160 Years Limited Editions). In the present generation of calibres, the column wheel gets a bit of visual boost, being lacquered in a specific colour. Here it is in the same yellow as the other elements on the watch, as mentioned earlier.

TAG Heuer’s CEO Frédéric Arnault goes beneath the hood of the partnership with this explanation in the presser: “For this second chapter of our partnership, it seemed natural to continue to weave the thread of our cocreation through the TAG Heuer Carrera Chronograph but with a completely new approach. For this new limited edition, we wanted to emphasise the racing side of the sporty Porsche Carrera. Our teams, in partnership with Porsche, have combined their expertise and creativity to create a timepiece with a powerful design and a bold, sporty look.”

“The Carrera myth plays an important role in Porsche’s heritage and is also one of the many aspects our brand has in common with TAG Heuer,” said Robert Ader, Chief Marketing Officer at Porsche AG. “After a successful year of partnership, we are pleased to have created another tangible symbol of the special connection between the two iconic brands.”

For more watch reads, click here.

Record-breaking Ring Set With 24,679 Diamonds

Image: SWA Diamond

How many diamonds can fit in a single ring? The answer is 24,679, according to the new Guinness World Records Book.

SWA Diamonds, an Indian-based jewellery company, set the record with their impressive design in May. Shaped to mimic a pink oyster mushroom, the ring represents immortality and longevity. Its computer-generated design took nearly three months for SWA Diamonds to complete before starting the build for the ring. After meticulous research and consideration, the ring was created by pouring gold into a plastic mould in order to form the 41 unique mushroom petals before adorning it with natural diamonds by hand.

Image: SWA Diamond

“There is no greater joy than to live your dreams the way you were meant to. Our team feels accomplished and satisfied after knowing we have earned a new Guinness World Records title,” says Abdul Gafar Anadiyan, SWA Diamond’s managing director.

While the number of carats were not specified, it was revealed that the ring weighs in at 340 grams and is valued at US$95,243. A team of independent gemologists verified the ring; evaluating and confirming the stone’s weight, carat, clarity, type and cut.

The ring was also given a name, “The Touch of Ami”. Anadiyan continued, “It marks the triumph of entrepreneurship in the diamond sector of our state.”

The Indian Gems and Jewellery sector is one of the largest in the world, contributing around 29 per cent to the global jewellery consumption. Diamonds are India’s third-largest source of export revenue, earning the country US$16 billion in 2020. Nine out of every ten diamonds in the world journey through India, and the city of Surat, perched on the country’s Arabian Sea coast, where most of them are cut and polished. Filled with talented jewellers, it is no doubt that three of the previous world records were set by jewellers located in India.

Image: Guinness World Records

Harshit Bansal, founder of Renani Jewels in Meerut, India, was given the title on 21 December, 2020. The ring, named the Marigold, or “The Ring of Prosperity”, has a circular band with an ornate floral design, complete with 12,638 diamonds of 38.08 carat natural diamonds.

Image: Lakshikaa Jewels

Previously, in 2019, Lakshikaa Jewels from Mumbai, India, created an eye-catching ring over 18 months with 7,777 diamonds on an 18k fold base. It’s been valued at US$4.9 million and was meticulously crafted by a team of twelve crafters and one experienced jeweller and designer to recreate the Lotus Temple in Delhi on a piece of jewellery.

Richa Singh, Managing Director of India’s Diamond Producers Association quoted, “Diamonds have a very deep connection to the history, culture and fashion of India. We will continue to be innovative and daring in the path of jewellery crafting.”

For more jewellery reads, click here.

How to Save Money on Clothes Shopping

For a lot of people, regardless of whether they are men, women, or anyone in between, shopping for clothes is a rather fun experience. Going to the mall, trying on clothes, having fun with your friends, there is a lot to enjoy with clothes shopping. What isn’t fun, however, is the cost you ultimately pay when going clothes shopping. If you are going to higher-end places, getting a full wardrobe can be quite an expensive trip. If you can’t afford to deal with such expensive trips, however, we are here to help you save money where you can.

Wait for sales

If you are a “professional” clothes shopper, you must already be aware of the fact that sales are the best way to get a good deal on clothes. Not all sales are going to be strong, but even a reduction of price to some extent is better than paying full price. Sales on clothes manifest in many different ways, with two of the most common being either clearance items that have not sold well, and storewide deals. These kinds of sales encourage shoppers to spend more than they normally would, especially if it is a “Buy 2 Get 1 Free” deal.

A Buy 2 Get 1 Free deal is basically what it says on the tin: if you buy three eligible items, one of those items will be free. The free item will be the one with the lowest price, which also encourages you to spend more than you normally would to get the most out of the deal. Variations of this deal include Buy 1 Get 1 50 Percent Off and Buy 2 Get 2 Free.

There is one tactic that you should watch out for, however. Some businesses have a tendency to make their sales seem better than they actually are. The way they do this is actually quite simple. Before they actually do a sale, they increase the advertised prices of items that will go on sale, and then they “put it on sale,” when, in fact, the sale price is the same as it was before the price was raised. In order to avoid this kind of trick, check to see whether the business you are shopping at has a history of this kind of scheme. If others are reporting this tactic, the best thing to do would be to find somewhere else to buy your wares.

Consider Signing Up for a Rewards Program

If you shop at one store a lot over others, it may be worthwhile to join their rewards program. Rewards programs typically give you cash back, store credit, and/or other perks for shopping at their store. The more you shop there, the more value you get back from your purchases. Once again though, be careful about not falling into the rewards card rabbit hole. Don’t over-shop just to get more rewards back.

Compare Prices From One Store to Another

While it may be convenient to do all your shopping at one store, especially if you have been a loyal
customer of the store for years. However, it’s important to remember that customer loyalty can
sometimes come at a cost. You may not even realize that there are better options out there for your
needs, and thus make the mistake of never bothering to look. Look up the prices of the same item
from one store to the next.

Intersperse Buying New Clothes With Used Clothes

This is an easy step to take – honestly, the only thing you really need to make sure of is that you find the right used clothing store to buy from. To do that, the best strategy would be to simply ask your friends, family, and look online at reviews of used clothing stores. Some will have a better reputation than others, and qualities you should look out for include how much they charge, the quality of the clothing, and their location. While some used clothing stores do allow you to shop online, we recommend that you shop in person. Buying used clothing is a lot more slapdash than buying new, so trying on clothes is even more important than it already is. It’s especially true for women shopping for plus-size clothing.

Do Sales and Programs Actually Save You Money?

The answer to this question is inconclusive, mainly because there is no one answer that fits everyone. This is because sales can affect people in certain ways. These kinds of deals and programs are great, but ultimately, every clothing company is doing them because it is profitable for
them to do so. In truth, when you use coupons, join rewards cards, or shop sales, people often wind
up spending more money than they would if no sales were occurring. In truth, the best way to save
money is to be careful about your spending. If you navigate these things smartly, you can get the
most value out of them without spending too much more money.

For more fashion reads, click here.

The Noses Behind Iconic Fragrances

Image: cafleurebon

2021 saw a surge in many people’s interest in self-love and self-care, it may have been due to the pandemic where we were restricted to the confines of our own homes and the most immediate needs to address were the two. Then, there was the growing trend of emulating “going-out” habits to preserve our sanity — why wear perfume only when one is heading out, how about smelling yourself when you’re WFH?

As several borders are opening up, the inward introspection is slowly and naturally translated back to their outgoing nature. Also, we are going back to the most asked question when it comes to fragrance: what does smelling good mean to someone other than yourself?

In a market where every leading pop star has their own fragrance, it can be difficult to identify just one that might suit a particular mood or even one that you will strongly identify for a long time to come. Therefore, we thought it would be interesting to shed light on some iconic fragrances and the erudite noses behind them who have set almost insurmountable precedents for modern perfumes, to provide a base and further narrow the search for the elusive ideal scent of you.

Chanel N°5 by Chanel, Perfumer Ernest Beaux, 1921

Image: Chanel

In the world, there is only one Chanel N°5 and it stands uniquely apart from other contemporary perfumes. It was Coco Chanel’s vision of authenticity that birthed the legendary scent and Chanel N°5 has become largely synonymous with a luxurious lifestyle, elevating vanities all around the globe for the past 101 years.

The master perfumer behind this scent was Ernest Beaux. The origin of this iconic fragrance began when Beaux created a scent that would allow the wearer to not just smell like a rose, a typical floral note, but to conjure a scent that elicits a modern woman.

Ylang Ylang flower. Image: Beezzly

The final formula, which debuted in 1921, has notes that include jasmine, ylang-ylang, may rose and sandalwood, along with a copious amount of aldehydes that give the perfume its distinctive easy and simple scent much like fresh laundry. The aldehydes content in Chanel N°5 makes it outstanding with the right balance of raw materials that together concocts a smooth and complex smelling fragrance with beautiful development. The result is an unforgettable signature of Ernest Beaux and Coco Chanel.

Ernest Beaux. Image: Fragrantica

Traditionally, respectable women wore perfumes that smelled like singular flowers while salacious and more racy ladies stuck to more bold scents such as musk or jasmine. By choosing a scent that blended the sensual attraction of jasmine and musk, sweet-smelling flowers and aldehydes, Beaux created a scent that pushed the boundaries of perfumes as an indication of social status and demonstrated the contrast of the ingredients used.

The high percentage of aldehydes of Chanel N°5 allowed the fragrance to linger on the wearer’s skin for a long period of time and this became the golden standard for later scents as modern-day women entered the workforce.

However, some consider Jicky by Aimé Guerlain which was released in 1889, to be the first modern perfume. Instead of emulating the smell of flowers, Jicky was also a combination of natural and synthetic ingredients that created a scent that was versatile for any occasion.

Jicky by Guerlain, Master Perfumer Aimé Guerlain, 1889

Image: paris la douce

Jicky was created in 1889 by Aimé Guerlain. The interesting tale behind the creation of this perfume was that Aimé Guerlain created it in memory of a lady he loved whose nickname was “Jicky”. It was considered to be one of the very first “modernised” creations of fragrances along with Chanel N°5, in terms of its use of synthetic extraction and production. But unlike its counterpart, Jicky was a unisex scent.

Aimé Guerlain. Image: Fragrantica

In fact, Jicky was originally promoted as a men’s fragrance before the family-run company struggled with sales and decided to market the scent to women to boost sales. In the following years, there were winds of change in the fragrance world. Synthetic ingredients were gaining prominence and Aimé Guerlain gladly embraced this new trend. Soon, including new man-made materials became a unique style of Guerlain’s perfumery which endures even to the modern day.

Aimé Guerlain’s most famous creation, Jicky, was the first to include the identifiable “Guerlinade”, a secret accord of notes that is like a secret “code” to recognise a Guerlain scent on someone. The addition of a blend of coumarin and vanillin offers a new dimension to its otherwise vibrant citrusy-herbal nature. The newly discovered synthetics ingredients and a blend of gourmand elements give Guerlain its distinctive signature scent through its range of perfumes.

Coumarin. Image: Dr. Axe

Aimé Guerlain’s Jicky opens up the way for such distinctive and trendsetting scents like Guerlain Shalimar (1925), Chanel Bois des Iles (1926), Must de Cartier (1981), and Christian Dior Dune (1992).

Shalimar by Guerlain, Master Perfumer Jacques Guerlain, 1925

Image: Guerlain

There are many famous and beautifully created perfumes over the century. Some are iconic but only a few are legends and Shalimar is the few that lived as one. Being Guerlain’s most talk about and romantic fragrance, it is quite unbelievable to think that Shalimar is approximately 100 years old and is still being worn to the present day. Of all the Guerlains, the most prolific perfumer, Jacques Guerlain, reigns supreme in his works which lasted for an astounding 65 years, taking over from his predecessor and uncle, Aimé Guerlain in 1890. Jacques has been the heart of almost every fragrance the company ever produced since the early 1920s.

Jacques Guerlain. Image: thereaderwiki

There are many stories about the creation of Shalimar. An accident or pure experiment is one interesting anecdote. The master perfumer added ethyl vanillin to a bottle of Jicky which sparked a moment of inspiration. There were also sources stating that the creation of the fragrance was Jacques’ personal gift to his wife and those other women are unlike his wife, making it extra exclusive. However the most popular story behind the creation of this one-of-a-kind fragrance revealed that Jacques was inspired by Mumtaz Mahal, the wife of Shah Jahan, Mughal emperor of India. The shapes and architectural structures of the Taj Mahal in Agra and the Shalimar Gardens in Lahore may have also inspired the bottle of the Shalimar.

Image: MouthShut

Although we will never know the true creation story of 1925, but what we do know is that, in that year, Jacques Guerlain created a fragrance that would carry the legacy of the Guerlain family for over 90 years after. Almost a century later and newly introduced perfumes in the market that brings to mind comparisons to Shalimar, the scent is so unique that it still stands on its own. The noteworthy aspect of Shalimar’s classic 20th-century accord of citrusy notes is to be engulfed in the richness that it offers to whoever wears it.

Image: Jan Moran

Jacques Guerlain’s astute olfactory senses created the distinctive scent that contains close to 30 per cent bergamot oil, paired with a rich oriental blend of vanilla, tonka bean, musk and castoreum. Shalimar had produced a very wide range of categorised smells such as the gourmand orientals like Chopard Casmir (1991) and Thierry Mugler Angel (1993), the fruity orientals like Chanel Allure (1996) and the leathery orientals like Must de Cartier (1981) as mentioned in the creation of Jicky.

Modern niche perfume launches like Frédéric Malle Musc Ravageur, Cartier L’Heure Mystérieuse and Atelier Cologne Vanille Insensée pay a particularly interesting homage to Jacques Guerlain’s Shalimar in terms of subsidiary ingredients, synthetic extracts and notes. However, none could come close or be on par with this special scent and in this case, Shalimar is one of the more successful Guerlain formulations anyone has come across.

Diorissimo By Christian Dior, Master Perfumer Edmond Roudnitska, 1956

Image: Voyage en Beauté

The market today is saturated with many fresh or floral scents which owe their existence to the elegant fragrance of Dior. The legendary French perfumer Edmond Roudnitska, the creator of some of the most popular perfumes including Eau Sauvage, Diorissimo, Diorela, Femme and Le parfum de Therese. He was titled the mastermind among perfumers in the industry, creating fragrant compositions not only for Dior but also for Hermès and Rochas. Perfumers today still glean his works to learn the genius creations of his mastery and are preserved by the perfumery world.

Edmond Roudnitska. Image: fragonard parfumeur

Highlighting Diorissimo of Dior, creativity emerged from the magical creation of this fragrance through the breakthrough of its remarkable formulation. Interestingly, Roudnitska created Diorissimo for the needs of Monsieur Dior personally, creating an exceptionally special scent for his friend, who loved the lily of the valley. Although Roudnitska was challenged in extracting the fragrant oil, it could not be extracted from the lily easily but his determination pulled through. Roudnitska planted lilies in his garden laboratory known as Cabris that he established for his lab works and still exists today. The Nose’s outstanding sense of smell made Diorissimo possible as he experimented and realised the aromachemical compound formula could be used to create an elusive smell and history was made.

Lily of the Valley flower. Image: cafleurebon

Before the early 20th century, many fragrances incorporated simple blends representing a nature-like scent of violet, rose, orange and rosemary. With new materials found and introduced to perfumers’ palettes, the change in tastes toward the complex fragrances took on a new kind of character. As Diorissimo was inspired by the fragrance of lily of the valley; the muguet evokes the smell of forest during dawn and is enhanced with the addition of jasmine, lilac and rose. A spritz of the Diorissimo would conjure the feeling of stepping into a mild sunny day in Paris. The natural scent comes through from Roudnitska’s eagerness to amalgam both natural and synthetic odorants. The bottle represents his conceptual search for the meaning of perfumery and the art of it.

As much as it is delicate, Diorissimo showcased a strong character and extraordinary complexity of smell. The current version today is somewhat finer and sharper to the nose due to the European safety rules (IFRA) where the formulation had to be tweaked more than a decade ago. On the contrary, the parfum concentration is much closer to what Diorissimo used to be when Roudnitska first created it. Although Diorissimo is a pioneer of lily scents, the modern scents of Guccy Envy (1997), Kenzo Parfum d’Été (1992) and Ormonde Jayne Tiare (2009) are worth exploring for their wonderful lily of the valley notes that possess the same gracefulness that Edmond Roudnitska’s Diorissimo harmoniously created for Monsieur Dior.

From the 18th century Guerlain and Dior, to the 19th century “modern” fragrances like Gucci and Kenzo, a century-long of ultimate curation by expert perfumers led the way for other scents we see today. Because of these legendary noses, it has paved the way for a myriad of scents that are individually catered to every occasion imaginable. Now, it would be your onus to take a pick.

For more beauty reads, click here.

Transforming the Soundscape: Luxury Speakers

Image: Bang & Olufsen

It’s Friday night and you’re relaxing in the comforts of your own home after a long day. You turn on the speaker to listen to the track that always has the power to move you and just like that, your evening has been transformed. The right music can instantly elevate your mood and the right home speaker means you can enjoy these mood-lifting moments whenever you need them the most.

Whether you’re an audiophile or just someone who loves a good tune, we can all agree that the ubiquity of music has permeated the life of the modern man. Now with technology evolving faster than ever, the desire for innovation and creativity skyrockets to create new and better ways to access and experience audio.

Image: Devialet

Existing in the form of high-end, luxury speakers, they’re able to completely transform and revolutionise the way you hear music. From Devialet’s one-of-a-kind, patented Analog Digital Hybrid Intelligence to Bang & Olufsen’s meticulously designed statement, high fidelity (hi-fi) speakers, these luxury brand speakers allow the listener to have full control of their soundscape and immerse themselves in the audio.

But what differentiates a high end speaker from a budget model? And what are the key qualities that make them unique?

The Dedication To Craftsmanship And Design

Image: Bang & Olufsen

There is an artistic aspect that exists within high-end speakers. Oftentimes, there is a triumph of form marrying function to create a product that is able to improve the audio performance while enhancing the atmosphere of the space.

Image: Bang & Olufsen

Bang & Olufsen’s Beolab 90 is a great example. After extensive research and design over three years, it features a 360-degree design with 8,200 watts and more than 10 speakers. An average speaker only holds 500-1,500 watts. The amount of wattage plays a large part in the volume of the speaker, however, the challenge with a higher speaker wattage is that it lacks a specific definition. Oftentimes, the sound comes out without clarity or sharpness. In order to counter this issue, Bang & Olufsen’s speaker is equipped with 18 premium drivers, 14 channels of ICEpower amplifiers and 4 additional class D amplifiers. The amplifiers reduce the amount of distortion in sound while the premium drivers allow it to reach an impressive volume. From a visual aspect, there is nothing else quite as unique, its geometric and bold design is based on a complex aluminium cabinet with a rock-solid structure and its curved base allow for easy placement anywhere within your home, but it wasn’t designed this way by coincidence. The casing and housing are set at angles that have been calculated by acoustical engineers to provide the best possible performance. The frequency range is controlled by tweeters and midranges that are strategically placed in the tower to ensure an immersive sound delivery that is second to none.

Image: Bowers & Wilkins

Similarly, Bowers & Wilkins’ Nautilus speaker is filled with revolutionary design and technology. Right from the outset, John Bowers, one of the founders of the company, recognised that the shape and structure of a loudspeaker cabinet exerted a huge influence on the overall sound of his loudspeaker designs. He wanted to create a loudspeaker that didn’t sound like a loudspeaker at all — rather, it would deliver a performance so realistic that the listener would believe they were experiencing the live event itself, or the best-possible recording of that event. That led to a lot of innovative thinking. Thus the Nautilus speaker was created. At a glance, the Nautilus is no ordinary speaker; shaped in abstract and contemporary form, it features multiple spirals and tubes that sit atop a shell-shaped body. The long, tapered damping tubes proved to be a revolution, allowing the drive units to work optimally by gently absorbing stray energy, it soaks up wayward energy and reduces resonance to the point of insignificance. To package the Nautilus tubes, their designers developed a striking, space-efficient, spiral form from which the speaker takes its name.

This merge of design and functionality leads to one purpose: the enhancing and creation of a fully immersive and customisable audio experience.

Rising Above The Noise With Technology and Innovation

Image: bang & Olufsen

Other than design, audio technology plays a huge part in ensuring outstanding sound quality. Brands dedicate years of research to create softwares and systems that are able to bring clarity, volume, customisability and power into their speakers.

Image: Devialet

Devialet is no stranger to inventing unique audio technology. With a variety of patented formulas, they incorporate complex technologies to enhance their products. Known as equalisers, it allows users full control of certain frequencies that are found in audio. For example, if you prefer a more bass-heavy focus, Devialet’s RAM® technology allows you to adjust accordingly with unrivalled accuracy. With countless settings and full stereo compatibility, it’s able to custom fit the exact characteristics of your turntable or stereo, creating a fully personalised listening experience. Additionally, their ADH® Intelligence is the world’s first hybrid amplification technology. An industry-defining invention, it reduces distortion and harnesses the linearity of Analog amplification (Class A) while taking advantage of the compact nature and power of Digital amplification (Class D). It maintains the analogue amplifier’s voltage generating function (to maintain their excellent audio performance levels), while entrusting the current generation function (and accordingly, that of generating power for the load) to an amplifier equipped with drastically superior energy efficiency, maintaining the same performance despite the stereo size.

Another important aspect of audio technology is the ability to create spatial audio. Spatial audio has the ability to make sound feel as though it’s coming from all around you. While surround sound gave our music a sense of horizontal direction, spatial audio takes this one step further by adding height cues to film soundtracks and music. Combined with extensive research on audio technology, hi-fi speaker brands have now accomplished this mission to create some of the most luxurious, complex sound systems.

Image: KEF

Ross Lovegrove’s design for the MUON by KEF encapsulates spatial audio technology perfectly. Tasked with turning the finest acoustic engineering into the ultimate loudspeaker, the MUON is fabricated from super-formed aluminium to deliver a seamless midrange, full and open sound. Its signature Uni-Q® drive unit array uses highly sophisticated CAD (computer-aided design) and CAM (computer-aided manufacturing) software to control, contain and emphasise the power of its bass. Using a CAD/CAM software allows more variety and customisation in a design. Since it’s completely manufactured by machines, it adds a degree of precision and control in the speaker’s system, allowing KEF to deliver seamless imaging throughout the room, resulting in music with unprecedented three-dimensional presence.

Image: Focal

In terms of customisation and preference, Focal’s Aria 900 speaker collection allows music lovers to choose their listening style. The Aria 926 focuses on a well-balanced listening experience while the Aria 948 focuses on emphasising denser acoustics. If the user prefers more bass in their music, they could opt for the Aria 936. This range marks the return of high-fidelity which is expressive and accessible to all.

The amount of engineering precision, innovation and craftsmanship that comes with high-end speakers set them apart from their counterparts. With complex technology and units that look more like pieces of art than sound systems, the appeal of luxury sound systems are ever-present — and these brands are setting a high standard for innovation while pushing the boundaries of what can be achieved with audio engineering.

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Furniture & Decor Industry’s Young Rising Design Talents

We look at burgeoning young designers who are making their foray into the international furniture scene. Here are some of them and their intriguing creations. These young designers are part of 16 new talents from the SuperSalone fair of 2021 — The Lost Graduation Show to show at this year’s SuperSalone fair. With the emphasis on using sustainable materials, these students were handpicked from 48 design schools across 22 different countries.

Oneseo — South Korea

Pattern of Industry Stool designed by Oneseo Choi. Image: Oneseo Choi.

Based in Seoul, “Oneseo” specialises in the manufacturing of furniture and objects. He delves into experimentation by exploring new materials or creating different furniture styles in order to add oomph and variety to our daily living. His Pattern of Industry collection includes two items: a stool and a bench.

Pattern of Industry bench designed by Oneseo Choi. Image: Oneseo Choi.

The artistic element of these objects is appreciating the anodised aluminium profile of this metal often used in industrial sites. The cross-sectional shape offers a veiled aesthetic. The geometric patterns are highlighted by the designer by exposing the cut profile. Suitable for indoor and outdoor use, these seating solutions will prove to be eye-catching in any setting.

Chiaki Yoshihara — Japan

Seam of Skin furniture collection designed by Chiaki Yoshihara. Image: Yunosuke Ishibashi.

By taking polystyrene foam and turning it into two-toned coloured stools, a seat, and a box, all embellished with a wood grain-like texture, interior and product designer Chiaki Yoshihara’s “Seam of Skin” collection caught the eye of design heads. The tedious process of cutting thin slats of polystyrene by using a hot wire needs delicate and stable hands. The polystyrene foam itself and the colour of the paint are alternately exposed on the cut surface of the laminated material, and a wood grain texture is created. The designer hopes to bring new value to everyday objects in our spaces.

Hemmo Honkonen — Finland

Embossing furniture collection designed by Hemmo Honkonen. Image: Emilia Pennanen.

A Finnish design student  Hemmo Honkonen went on an experimental research journey to discover the age-old technique of embossing wood. This unique technique has been used by old carpenters to repair indents on wooden surfaces by swelling them back up using moisture and heat. Using empirical experiments, the embossment technique was achieved through key parameters such as type of wood, gain orientation, plus the shape and height of the embossments. Thus, the fruit of Honkonen’s labour revealed three furniture embossment pieces – a wall feature, cabinet, and chair.

Jaffrey Lambert — United Kingdom

Shift chair designed by Jeffrey Lambert. Image: Simone Sandahl

Hailing from the UK, Jeffrey Lambert worked as a model maker, designer, and fabricator, developing furniture, interiors, and structures for artists, architects, and designers. He gained much experience working at Cecilie Manz studio in Copenhagen and at Industrial Facility in London. His Shift chair idea was spurned during the pandemic when people pivoted to a remote working culture or work-from-home situations. The chair is a functional, everyday work chair that’s flexible to fit into work and living environments. The Shift chair is designed as a flat-pack piece that can be purchased online and its parts are easily replaceable and can be recycled.

Michal Kleiner — Israel

Objects designed by Michal Kleiner. Image: Michael Shvedron.

Tel Aviv designer Michal Kleiner’s ideas were spawned during the pandemic, too. Her creations are about objects that brought about personal comfort during lockdown life. The project produced a series of three products: a hot water bottle, a sourdough starter container, and a kit for growing plants. All three creations require water and work together as one system.

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Bell & Ross BR 05 Artline: Streamlined Appeal

Image: Bell & Ross

If you had to define Bell & Ross watches in a few words, it would be cool tool watches. The new BR 05 Artline challenges this long-dominant view of Bell & Ross, while furthering the promise of the BR 05, which leans heavily on bringing urban architecture to the wrist. We have covered the BR 05 extensively since its launch in 2019, which you can see right here, so we will keep the introduction short. The BR 05 emerged directly from the BR 03, and looks more to city skylines for inspiration rather than technical specification manuals for aviators and a variety of different sorts of military operators. With its relief engraving decorated bezel and bracelet, the BR 05 Artline very clearly channels what is known as Streamline Moderne (aka style paquebot in France, which is more relevant for the Franco-Swiss watchmaker).

Image: Bell & Ross

In the specific instance of the Bell & Ross BR 05 Artline, Streamline Moderne is specifically referenced as the brand literally describes the watch as a jewel. “We wanted to launch a watch that is dressed, decorated. The BR 05 had potential. Its case indeed offers a vast surface to decorate”, said Bruno Belamich, co-founder of Bell & Ross. The firm certainly has big plans for the BR 05 Artline, already confirming (in writing) that the Artline is “destined” to become its own collection, with other references soon to come. Bell & Ross have clearly decided that this is a momentous watch, and we can definitely see the potential.

Image: Bell & Ross

The gadroon decoration, to use its traditional name, is very cleverly deployed here to create what is admittedly an ornate watch, but one still tied to aviation. “Several references were running through my head while creating this piece”, said Belamich, also the Creative Director of Bell & Ross. “The first of these concerns air travel.” Indeed, the gadroons not only bring to mind similar decorations on famous Art Deco designs such as the Reverso, but also the corrugated aluminium fuselage of the first transport planes of the 1940s. This is explicitly spelt out by Bell & Ross in the accompanying press information for the BR 05 Artline, and also serves to underline the point that Bell & Ross is still driven by its aviation obsessions. A quick check on the dial confirms that the cockpit instrument aesthetic is still very much in play, despite the fact that numerals have been replaced with baton indexes. These indexes and the baton hands are both SuperLuminova treated for improved legibility, day and night.

Image: Bell & Ross

The 40mm BR 05 Artline in steel is a study in elegant robustness, being water-resistant to 100 metres. It is powered by the in-house self-winding calibre BR-CAL 321, which includes a steering wheel-inspired rotor design. The watch is limited to 250 pieces and is a boutique exclusive.

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Raketa’s “Big Zero” Makes a Grand Return

Image: Raketa

Of the many different watches out there, the ones that stood the test of time are those that are ladened with history. One such watch is the Raketa “Big Zero”, which has been relaunched recently to reflect the changing consumer tastes. The new version of the Big Zero is a progression from its classic model but still retains the original bold design.

The watch was first launched around the 1980s and the story goes that it was worn by Mikhail Gorbachev during his trip to Italy in 1985. As a public figure, Gorbachev was photographed by the press and the Big Zero was seen everywhere. While looking somewhat simple, the watch is anything but. One has to look beyond the surface to fully grasp the hidden meanings and appreciate the minute details that have been made.

Perhaps the most prominent and unique feature of the Big Zero can be found on the dial. At the 12 o’clock mark, the manufacture chose to start with 0 instead of the traditional numerals “12”. By common standards, this is not a classic watch design but nonetheless, a radical design. Considering the happenings of that time, it was fitting.

When asked about what inspired this bold decision, old specialist of the Raketa factory answered that “it is simply more logical to start counting time from 0”. The brand further elaborated that just like everything else in life, everything inaugurates with 0.

Image: Raketa

Moving to the other parts of the watch, the original typography and triangle markers have been entirely recreated but its black and white colour palette remains. The sobriety of the watch is juxtaposed with thick embossed printing that brings a touch of three-dimensionality and elegance.

Coupled with a newly designed case that is more “cushioned”, the Big Zero’s dial is spotlighted. The short case preserves the roundness seen on the predecessor model, but the construction is more voluminous and offers a lot of surface where its brushed sides contrasts beautifully with the polished ones.

Image: Raketa

Before Raketa ventured into horology, the manufacture had been a royal jeweller with 300 years of history. The Imperial Peterhof Factory was founded by Peter the Great in 1721 and served as the progenitor of the current brand. It functioned as a lapidary where diamonds were cut for the imperial crown and produced gemstone luxury goods. In 1936, in celebration of the successful space mission by Yuri Gagarin, watches were produced under the moniker, Raketa. Its heritage is reflected in the synthetic ruby stone that is cut and fixed on the side of the crown; just behind the brand’s logo.

Image: Raketa

On the caseback, deep engravings are seen around the back and display the water resistance rating at 10 ATM, the brand’s logo as well the name of the watch. Just like how the watch front showcases Big Zero’s affinity to black and white, Raketa’s traditional red colour dominates the back of the watch with the red rotor and red strap lining.

The Raketa Big Zero will set you back €958, without tax. For the comfort of customers, Raketa watches are delivered worldwide free of charge by DHL. Visit the website here to get it.

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Rolex to host an exclusive watch exhibition at Pavilion KL

Stop daydreaming about it. You can now witness the Explorer and Explorer II because the Swiss watchmaker is bringing two of its most iconic watches in its chronicle to the heart of Kuala Lumpur.

Happening from 6th August until 14th August 2022, the exhition titled “A Watch Born to Explore” will be held at Pavilion KL, Centre Court for the first time ever in Malaysia. During the exhibition, you will not only able to see the emblems of Rolex for yourself, but also brush up on the history of Rolex through illustrated panels and films.

Created in 1953, the Explorer was moulded by modified Oyster Perpetual, the history-making pieces that Sir Edmond Hillary and Tenzing Norgay wore during the conquer of Mount Everest. A feat of performance in extreme conditions, the signifier of Rolex’s success has undergone multiple iterations. The 2021 version is a model with 36mm Oyster case and luminious Chromalight hour markers, which takes cue from its predecessor.

Born in 1971, the Rolex Explorer II, on the other hand, was made exclusively for the expedition of speleologists. Designed with fixed 24-hour bezel and orange GMT hand, the Explorer II has allowed the devotees of unconventional pursuits to differentiate day and night. The 42mm Explorer II powered by calibre 3285 can also display the time in two distinctive time zones.

Vertically Integrated Businesses Ensures Stability in the Market

Image: Leathercraft Masterclass

Most businesses conform to economic theories such as production efficiency and retaining manufacturing profit margins. Companies buy out its external suppliers or make long-term deals as it sees the importance of achieving high-level growth through acquiring external parties. This acquisition reassures companies that production capacity is maximised. Companies such as VolkswagenPrada and Hermès have incorporated forward and backward vertical integrations for further growth and stability within its own markets. Also, this strategy would help the industry leaders be a frontrunner when competing with the others.

Economies of Scale: Production Efficiency & Quality Control

When luxury companies lower its per-unit fixed cost, “economies of scale” is achieved. This is done through consolidating manpower, optimising operations and eliminating intermediaries where expensive markups tend to be present.

While most fashion companies outsource raw materials to third parties, Hermès go to great lengths and keep the process in-house wherever possible as quality and heritage are of utmost importance for the Maison. A reason why the French luxury leather goods maker pays special attention to securing its fabric supply and material production is to ensure its products are of the highest quality and that prompts the quest for resources worldwide.

Image: Gaspar Ruiz Lindberg

For example, back in 2010, Hermès reportedly purchased crocodile farms in Australia so that it has its own standardised source of croc leather. As for the fragrance supply chain, Hermès set up its perfumery labs which could potentially spur innovations and enable it to gain additional know-how. Doing so allows Hermès to pay close attention to details that are fundamental to its success in the luxury market.

Long-term association with partners also enables strict supply chain traceability and tight supply control, which could potentially help the companies to mitigate any potential issues. This gives the buyers confidence in the brand knowing that it is self-sustained even during unfavourable circumstances.

Image: Prada Group

With Prada Group’s acquisition of Car Shoe, a business that creates exclusive driving moccasins, the luxury fashion brand stand to gain expertise in high-performance design, leathers and craftsmanship that Car Shoe is already known for. Furthermore, it aligns with Prada’s business model that goes from the creative process to the sourcing of raw materials, manufacturing and up to distribution. While Prada Group manages its own supply chain, the benefits outweigh the shortfalls.

In essence, a vertically integrated business implies more control over a brand’s supply chain, pricing and improves customer satisfaction. A way that Prada forward integrates its business is through the usage of Sprinklr, a leading customer experience management platform to reach the new generation of luxury customers through modern channels. With this step forward in integrating Sprinklr, Prada Group can study the data provided and fine-tune its advertising objectives to create effective marketing content and reach relevant audiences. This builds a foundation for future growth, creating an effective digital and social media communications strategy for greater consumer interest.

A Change Of Strategy: Anticipating The Future

In the ongoing Covid pandemic, there are shortages in materials like nickel and labour, extreme weather events, war and sanctions have all contributed to the disruptions in the supply chain.

In the ongoing Covid pandemic, the supply chain is under a crunch where shortages in labour and materials abound. Extreme weather events, wars and sanctions have exacerbated the disruption and put even more pressure to the already distressed state of affairs. The timely supply of raw materials and components is crucial for smooth production — profits are also at stakes in the long-run.

For example, many carmakers have taken action to switch up their strategy by securing supplies through vertical integration.

Image: Mining

Earlier this year, Tesla confirmed a long-term supply agreement with Vale, one of the largest nickel producers globally, with mines in Brazil, Canada and Indonesia. Aside from the agreement, the electric vehicle company is equally invested in securing its own source of nickle and thus it is actively looking for mines in Indonesia.

Not only Tesla is adopting vertical integration in its business plans, German carmaker Volkswagen (VW) had also signed two memorandums for cobalt and nickel supplies. The first joint venture will be a three-way partnership between VW, Huayou Cobalt and Tsingshan Group for the extraction of these raw materials from Indonesia. The second is for refining sulphates from nickel and cobalt that are needed for battery cathode production.

Employing a multiple sourcing strategy like Tesla and VW, carmakers safeguard its future supply to avoid any potential problems from arising when newer and more advanced technologies are created in the future.

These strategies will be beneficial at improving cost efficiency and shortening the lead time to manufacture cars. Forward integration of car manufacturers is popular for many brands. The usage of distributors around the world could lift the burden off the carmaker’s shoulders of having to deliver the cars to its customers living away from the headquarters.

Building business-to-business relationships is pertinent as carmakers can leverage on the distributors’ wide network and its knowledgement of the regional market for access to a new market of buyers. The time that the products take to reach its customer determines the satisfaction levels and in a time of global disruptions, carmakers are evermore reliant on distributors.

Expanding Business Through Direct Acquisition

Global coffee brand, Starbucks uses a vertically integrated supply chain to surpass its rival, Dunkin’ Donuts. The company is involved in every step of its supply chain process, from the coffee beans to the cup of coffee sold. With this system, Starbucks works directly with its nearly 300,000 coffee growers worldwide. The coffee giant also works with growers as the company is committed to having its suppliers meet quality standards.

Image: Starbucks

After vertically integrating its business plans with plantations, Starbucks also commits to providing its suppliers with special training and education programs. The interaction with growers, along with the company’s sourcing and social responsibility standards allow the suppliers feel they are key players in the corporation.

Having close connections and frequent communication between its suppliers ensure the supply chain is less susceptible to major disruptions in the present or future, such as overplanting or lack of workers. Once supply chain disruptions are kept to the minimal, the market can anticipate steady growth. The Starbucks franchise is ever-growing, adding locations around the world for greater accessibility will allow the company to flourish in the coming years.

How Starbucks forward integrates its business after securing the backward integration process is by working with large retailers like Walmart and 7-11 convenience stores. This makes it easier for coffee lovers to have access to bottled Starbucks coffee, sachets and capsules on the go. Consumers are happy when they find something they want in a short amount of time. The partnerships with third-party businesses and with more physical stores at ideal locations offer a greater reach to consumers. With this expansion, which strengthens the business, it would allow more third-party investors and retailers to be drawn towards Starbucks.

Increased production efficiency and anticipating the future are the main reasons why companies adopt vertical integration in their business model. However, on all the good sides of a vertically integrated business, it is difficult to do so unless the company possesses large resources to execute this strategy.

However, successful vertical integration is a mammoth task to take up and the company needs to have the financial means and determination to see it through. In the short term, the company may incur higher costs from buying other smaller players in the market, but in the long run, the benefits will prove to be a worthwhile investment that will take the company to greater heights.

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The Fusion of Classical and Contemporary Architecture With ORA Studio

Image: ORA Studio

Understanding the relationship between past and present is fundamental to offering the many different experiences that architecture can provide. When trying to create a space that reflects the needs of today, ORA studio’s Giusi Mastro is able to draw the language of classicism to compose a design that merges timelessness, functionality and modernity.

Established in New York in 2001 by Italian architect Giusi Mastro, ORA studio specialises in contemporary high-end interiors, space planning, and product design for residential and commercial projects. Its projects reflect a vital creative process: the synergy of client, designer, challenges, and solutions. From restoring an old home, a redesign of a combination of three apartments, or creating a new home, every project tells its own distinctive story.

Image: ORA Studio

Trying to find the delicate balance between classical and contemporary design is extremely complicated; with differences in style and form, creating that perfect marriage of old and new is a skill that requires attention to detail and innovation. Giusi Mastro, managed to merge the two design styles in perfect unity for its latest project.

The Long Island Residence is an expansive and lush 24,000 square foot French style estate surrounded by an Italian garden with sweeping views of the NYC skyline. Embodying the refined balance between classical architecture and contemporary interior, it makes the property one of the most unique and successful projects of ORA studio. Mastro moves easily between periods and styles — with inspired designs for living, working and hospitality. She is a master of transformation, reinventing spaces and turning visions into the realities of volume, line, texture and colour.

Image: ORA Studio

“The client wanted to interact with an interior architect with European sensbility — with knowledge of the classical architecture that he reveres and with extensive experience in contemporary design that he envisioned for the interiors,” Mastro states. “Being an Italian and an international architect and designer living in New York City, I could identify what the feeling of the residence needed to be and I encouraged the client to adopt a series of pragmatic choices in order to bring to life a home that the family would feel deeply connected to.”

Image: ORA Studio

The space features richly detailed, high-end Italian furniture that reflects the sophistication and appreciation of craftsmanship from both the client and Mastro. Natural lime-based Grasello di Calce stucco was used on the walls of the rooms while Bianco Lasa marble lines the floors of the mansion. Accompanied by a fireplace, a state-of-the-art kitchen by Boffi and a grand staircase, the place exudes the elegance of modernity while incorporating aspects of classic architecture and design. “When we speak about classic design, it is not necessarily related to any style, but more an approach to design,” Mastro explained. “It is how the space is arranged, how alignment between space is created and how the proportions of openings like windows, doors, or stairwells create balance — sometimes with symmetry or asymmetry — making sure that each shape is in the space, with deep understanding of what the roof of classic architecture is and the ability to reinterpret these fundamentals for the present time’s aesthetic and needs”.

Additionally, in the UN Plaza Duplex, a historic building designed in 1966 by Harris, Abramowitz and Stevens, Mastro accommodates a contemporary interior approach that preserves the history and classic design of the space, combining both modernity and heritage. “When instead we work in an existing building and the client asks us to renovate their space and include the needs of a contemporary time, we identify the original attribute of the space and do the best possible to preserve that to make the space pleasant and functional.” There was an immediate feeling of a well-balanced layout upon viewing the place and to keep that structure, Mastro created an elegantly designed open-layout concept that keeps features of the original design — such as the spiral staircase — while refining it to fit the client’s desire for elegance and chic; leading to a beautiful bleached zebra wood floor, a space drenched with light from the large windows that decorated the space and an open-layout concept that made the space look much larger and palatial.

Image: ORA Studio

This appreciation for classic design and art is further showcased in the Sutton Place South Apartment project in a duplex on the top floor of a well-known building filled with heritage and history. The apartment was already underway when the clients employed ORA to redesign their space. They had a passion for interior design with a sophisticated minimal aesthetic and owned an extensive art collection in various mediums, which needed a complementary backdrop and environment. Working with these guidelines, Mastro’s challenge was to create elements of unity that made sense within the limits of the client’s wishes. This resulted in a dual-sided marble fireplace; a custom designed wall unit and a floating ceiling with recessed lighting; evoking a warm, luxurious feeling that encompasses the home.

Image: ORA Studio

Buildings that are well designed with harmonious proportions are likely to become classics staying beautiful over time, retaining some of the classic fundamentals such as; how to organise the plan, symmetry, relation between different scales and proportions and the flow of the space.Giusi Mastro on how to make a contemporary-classic architect style

With a passion for design, eye for detail and a commitment to delivering beautiful architectural concepts that combine modernity with heritage, Mastro is able to merge that bridge between classical and contemporary architecture; creating innovative, forever homes and showcasing her lifelong passion for the tradition of art and design.

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Catching Up With the A. Lange & Söhne 1815 Rattrapante

Image: A. Lange & Söhne

When A. Lange & Söhne introduced the 1815 Rattrapante in honeygold in 2020, we missed it online (bar a line about its introduction), in favour of the 1815 Thin, also in honeygold, and the still-developing story of the Odysseus. The Glashütte manufacturer is bringing the split-seconds chronograph back this year in another limited edition of 200 pieces, this time in platinum. To the best of our knowledge, this new version is not limited to existing customers of A. Lange & Söhne also makes it a little more relevant to wider audiences. It is a boutique exclusive though and you will have to pop in and ask about the price, which is only disclosed upon request.

In any event, we will use this opportunity to correct our original omission on the 1815 Rattrapante. This is an important note because we do not typically feature new iterations of older models. In the case of the 1815 Rattrapante in honeygold, this watch happened to be the first time the manufacturer sent out its split-seconds chronograph by itself. Yes, this really was the first time A. Lange & Söhne introduced the split-seconds chronograph, or doppel chrono, without any other complication, and it must have been a great success because it is back for seconds. To be fair though, what else could we expect when the honeygold watch was limited in the way that it was — do not hold your breath for a steel version.

Image: A. Lange & Söhne

To begin with, the split-seconds chronograph is a big deal at A. Lange & Söhne, being something of a speciality of the watchmakers. We will not get into the specifics of a split-second chronograph, but you can think of it this way. A standard chronograph measures elapsed time for one timing event; the split-seconds allow one to extend that to two timing events, including measuring two sprinters against each other or, more traditionally, seamlessly measuring lap times in motor racing or distance running. There are two chronograph hands here, and as shown in the video but not quite in the standard images, both start together (precisely synchronised so it looks like there is just one hand). When the rattrapante function is engaged (via the pusher at 10 o’clock), the split-seconds hand (here in rhodiumised steel while all other hands are in blued steel) stops while the chronograph hand continues on its merry way. The same pusher also restarts the split-seconds hand, immediately jumping it back into place and pace with the chronograph hand.

Image: A. Lange & Söhne

It all makes for a nice bit of visual poetry, if you have ever seen it — or if like us you have tried to get those hands into the classic configuration you might have seen in pictures. As you might imagine, there is a lot of complexity here, which on the manual-winding calibre L101.2, you can see via the exhibition caseback, totally unobstructed by an automatic winding rotor. There are 365 individual parts here, all arranged like a mechanical funhouse; yes, there are two column wheels here, which is a signature of split-seconds chronographs. Now, the finish here is a bit different to the honeygold version because the signature Glashütte stripes and standard hand-engraving on the balance cock are both back.

Returning to the action dial-side, the 1815 Rattrapante is still the only watch from A. Lange & Söhne to feature this configuration of subdials, with an elapsed 30-minute counter at 12 o’clock and running seconds at 6 o’clock. The words Glashütte in Sachsen are also unique to the 1815 Rattrapante, at least in this full form. It might seem a little excessive in something like a chronograph, but it did not bother us when we handled the watch in person. Check out the video below, if you want all the key characteristics of the watch in 30 seconds flat.

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Luxury Beauty Collections and the Importance of Colour Branding

Image: Hermès

Pantone 1837. Pantone 186C. Pantone 1448. These labels may seem unfamiliar, but you’ll be surprised to find out you’re actually more acquainted with the colours these numbers represent than you realise — that’s because they’ve been patented by some of the fashion industry’s biggest brands. Think Tiffany’s iconic blue shade (Pantone 1837), Valentino’s classic crimson (Pantone 186C) and Hermès’ luxurious orange (Pantone

For years, many of the world’s greatest luxury brands have each embraced a particular shade as a signature colour code. This hue is not only recurrently expressed throughout their runway shows but through every aspect of their brand’s visual identity. It increases brand recognition by 80 per cent and has the unique ability to communicate a feeling immediately. Whether it’s to signify elegance or preserve its history and heritage, it’s not difficult to see why brand’s choose to stick to one shade to help define themselves. 

Especially in a time when digital media is on the rise, companies have more opportunities to get its signature colours in front of consumers and build the psychological bridge between hue and brand quicker than before. 

Image: Valentino

When Valentino’s creative director, Pierpaolo Piccioli turned Le Carreau du Temple into a pink-scape during for its Fall Winter 2022 collection, the future of colour and fashion was inevitably changed and heightened. What stood out wasn’t the extreme colour-blocking evident in the show, but the collaboration with Pantone that caused a stir. For years, Pantone has collaborated with some of the world’s most recognisable fashion brands in using colours as its visual adjectives to communicate its brand ethos. The shade, dubbed “Valentino Pink PP”, was developed by Piccioli, his design team and colour specialists at Pantone. Valentino described the pink-out as “an experimental yet deeply human gesture that enhances individuality, capturing values and feelings” and accentuated the trend of fashion brands claiming specific colours to communicate who they are and what they stand for.

As brands diversify and branch out into other sectors and industries, some of the world’s most directional and well-loved, fashion-first luxury companies have been making bold moves into beauty. From Gucci’s “Gucci Beauty Rouge à Lèvres Satin lipstick collection” to Tom Ford’s latest “Bitter Peach” makeup collection inspired by the same peacy hue as its signature eponymous fragrance, the pivot into designer beauty is at an all-time high. It’s become part of the bigger picture when it comes to fashion, individuality and artistic expression, and over time, has become an extension of the fashion house’s identity.

Image: Gucci

When claimed by fashion companies, colours play an important role in acting as a visual shorthand for a brand that can easily be spotted from a distance. It powerfully communicates the brand’s visual identity and heritage — appearing in everything from their packaging to interior design, but regardless of how common it is to be used in a brand, it’s seen to be absent in one category: the beauty collection. 

The shades synonymous with a fashion house present a unique opportunity to experiment and incorporate the colour into newly launched beauty products. It makes for a powerful branding tool and feels like a natural progression for the house. There are only a handful of fashion brands who take advantage of this strategy.

For example, Hermès does this beautifully with its cosmetics line. Its iconic Rouge Hermès and nail varnish collection offer a shade in the brand’s signature colour; known simply as Hermès’ Orange Boîte, the colour has become a symbol of luxury and ultimate refinement for the house. Applying it to beauty products allows Hermès-lovers to fully immerse themselves in the brand and create a stronger sense of unity and harmony across all aspects of the house. 

Similarly, Valentino’s signature crimson has been embedded in their beauty products. Red has been a signature for the label since Italian couturier Valentino Garavani set out on his own in 1959, with iconic appearances in runway shows and an illustrious history behind the shade, the colour is filled with heritage, symbolism and perfectly encapsulates the house’s DNA. Sensual, elegant and powerful, Valentino’s red embodies the type of women that wear the fashion brand’s pieces. By incorporating them into their beauty products, customers can now fully radiate what it means to be a Valentino woman.

Image: Valentino

Besides existing in beauty products, signature colours are also present on the runway in the form of makeup looks worn by models. For Valentino’s pre-fall 2019 runway, models can be seen wearing the brand’s signature red to highlight the eyes — bold eyeliner and shadow frame their corners and cheeks, perfectly complimenting the red dresses and theme of the show — elevating the look and conveying the designer’s vision. They continue the trend of incorporating their iconic shade in runway looks with their most recent pink show — unveiled by creative director Pierpaolo Piccioli. It serves as a reminder of the importance of contemplation, and the profound impact that colour can have on the senses.

“Fashion has a great communication power, but this power is strongly linked to contemporaneity. To be relevant, you should be aware of and witness the world around you. Evolution is a fundamental part of what I like about fashion so to re-signify is a natural attitude to the future. Re-signify means to look at what you know through a new lens. Inspiration needs to be directed and worked with a different approach.” said Pierpaolo Piccioli. “Colour is transformative. Used in the right way, it is the essential tool for not only representing Valentino’s persona but is integral in connecting to human emotions and experiences.”

For more beauty reads, click here.

Part of the Cycle: NFTs, Cryptocurrencies Can Still Hang On

Without a doubt, the past two years have been a rewarding period for those who have ventured into the Nonfungible tokens (NFTs) space. Trading in this new asset reached a peak of US$40 billion last year and its 2022 figures so far have already broken that record at more than US$42 billion, according to crypto research firm Chainanalysis.

For those unsure of this nascent asset class, NFTs are tradable digital assets coded on the blockchain, Ethereum, and can take up forms such as works of art, videos or images. The term made its way into mainstream consciousness last year and has since caught the attention of seasoned and casual investors. 

CryptoPunk

One of the most talked about sales was a collage by digital artist Beeple, which had been sold for a record US$69 million at a Christie’s auction. Other notable transactions include collections from Bored Ape Yacht Club (BAYC) and CryptoPunks, both lured massive followings from celebrities and KOLs.

Despite gaining clout through media representation and endorsements, NFTs and the broader cryptocurrency have come under pressure amid volatility in the wider stock markets where sentiments are bearish. Rising inflation and higher interest rates have dampened the appetite for riskier investments such as tech stocks and digital assets. The recent collapse of TerraUSD and Luna, both stablecoins that are pegged to the US dollar, sparked off greater scepticism about the nature of crypto assets. Additionally, the liquidation of hedge fund Three Arrows Captial spawns further cynicism in the crypto world.  

Image: David McBee/Pexels

“Crypto winter,” is perhaps the most common phrase when chatting with crypto investors. Overall, the cryptocurrencies’ values have plummeted and erased about US$2 trillion from the market as per a report by CNBC. Bitcoin, the world’s leading digital currency saw its value drop by about 70 per cent since reaching its all-time high in November 2021 at US$69,000. Also going in tandem with the general downward trend are NFTs and Bloomberg reported that sales have plunged this June to below the US$1 billion mark. OpenSea, the largest NFT marketplace saw sales volume fall by 75 per cent since May and this underperformance prompted the company to slash 20 per cent of its job in a bid to reduce costs.

Facing multiple headwinds, many are questioning whether the NFT market will be able to recover from this ordeal. In business terms, it is said the market is undergoing a consolidation period to correct the “errors” that were created. Of the many pressing problems, oversupply appears to be the most pertinent that needs to be addressed. This crash could perhaps have a silver lining because the inherent corrective measures filter out NFT projects that do not possess utility and potentiality.

The days of merely investing in NFTs for its aesthetic appeal are gone. Investors today are more discerning with what is considered a sound investment and a trend that has emerged from this is a newfound emphasis on utility. A tangible outcome has to be offered along with the purchase of an NFT, this is to complete the link between the physical and virtual. If one were to look at the performance of blue-chip projects like Bored Ape Yacht Club (BAYC), the key differentiating factor is community building. 

Besides just buying an NFT, investors get to join an exclusive circle that boasts celebrities like Eminem, Paris Hilton and Jimmy Fallon as members and the token acts as a membership card that confers members-only benefits. And these extra “goodies” are what makes it desirable. For example, NFT holders have full commercialisation rights to their Bored Apes, which means you can use the tokens to be part of a product launch. 

Apart from fixing a utility aspect to the NFTs, it is also good to explore these tokens’ potential in the future. As the market is still maturing, new research are being made to realise the full benefits of these tokens. In a traditional stock market, investors not only look at the usefulness of the companies against the backdrop of the current demand; astute investors are hedging their money on the future of these companies in an attempt to gain a first mover advantage.

Image: Beeple

For example, during the nascent days of Web 2.0, companies like Meta (then Facebook), Google and Twitter had undergone the same phrase as what the NFT markets are facing now. These tech stocks were compared against established players like JPMorgan Chase, Goldman Sachs, P&G, Ford, GM and others. But in current times, the former are dominating and are at the forefront and desired by many. This runs parallel with NFTs, and if confidence remains buoyant, the market should be able to tide through these choppy waters and enjoy smooth sailing thereon. 

It is true that the NFT market is undergoing one of its darkest periods since its inception, but this also presents an opportunity for creators to relearn what these tokens can do and implement these lessons to safeguard against potential pitfalls again. On a broader note, the situation with cryptocurrencies is part of a business cycle and if investors can ride out this turbulent period, better days will hopefully be around the corner.  

For more reads on the Business of Luxury, click here.

Promising Outlook — Cambodian Real Estate Market

Cambodian property market. Image: B2B Realty

Cambodia was the only country in Asia that skipped the Financial Crisis in the 1990s. It also avoided the tech bubble of the early 2000s and even ducked the 2008 Financial Crisis. So why is this country so lucky? It’s because the country is a frontier market and is less associated with the global economy.

Being in the frontier market means the country undeniably attracts many foreign real estate buyers and investors. The bustling capital of Phnom Penh is also attracting many multinational corporations to set up their businesses there. With droves of well-paid expats spending their six-figure salaries there, that means finding residential projects to meet their standards might become a problem. Foreigners can own strata titles for condominium units under their own names. However, strata titles are not permitted for land or shophouse apartments. Annual property taxes are 0.1 per cent of the property’s market value in excess of 100,000,000 Khmer riel (approx. US$25,000). Foreigners enjoy freehold ownership and total control over their properties if they follow the books. Quite simply, you can profit by investing in such frontier markets especially if they are not overrun by foreign capital and large investment firms. One can buy a Cambodian property in Phnom Penh for merely US$1,000 per square metre. That’s in the same league as less developed cities such as Dhaka, Bangladesh, Pakistan, and Karachi.

The country currently offers expat-quality housing in several key areas such as Daun Penh, Chamkarmon, and 7 Makara. Without a doubt, Cambodia remains one of the most exciting places in Asia to plonk your money in real estate investment.

Sky Villa is a luxury residential condominium in 7-Makara district, Phnom Penh. Photo: Knight Frank

The Cambodian real estate market in 2022 looks set to be a hotbed of activity, especially for expats and local investors. In a clipping from The Phnom Penh Post, Minister of Economy and Finance Aun Pornmoniroth stated with optimism that despite the economic uncertainties of the pandemic, investors can still benefit from its moderately low prices, particularly in areas that have received growing interest and witnessed a progressive surge in investment activity.

Cambodia’s real estate sector has been attracting interest from neighbouring countries with reasonable low prices for investment. Backed by findings from the Annual Global Retirement Index by International Living (IL), Cambodia (tied with Bolivia) is the third-cheapest place in the world to live in 2022.

Cambodia’s bustling metropolis is replete with high-end retail options, restaurants, malls, skyscrapers, and a robust healthcare system. Even with Phnom Penh being the most expensive place to live in the country, expats and foreigners still live well for a fraction of the cost one would spend “back home”.

Other flourishing localities include Siem Reap for its investment potential and touristy sights, while Preak Sihanouk province with its upcoming new airport and major development projects is catching the eye of many investors.

Leedon Heights, in the Sen Sok district of Phnom Penh, next to Aeon2. Photo: CBRE Cambodia

Local investors are wooed by carrots dangled by developers as borders remain shut. Developers have to re-evaluate their sales and marketing tactics to meet the demands of local buyers, including lowering prices.

Some developers are looking to pull back from the mid-range segment’s growing competition in 2022 and focus their strategies to create higher-quality residential units with unique differentiation. In the next 12 months, it will be a buyer’s market with many developers poised to increase their prices. “As condo prices become more accessible to not just expats and foreigners, but also to locals, the more stable and less prone to risk the market is going to be,” opined Cambodian real estate investment specialist Peter V. Guboglo.

For more property reads, click here.

Star in Motion: Chanel J12 Diamond Tourbillon Calibre 5

The onlooker’s gaze is at the heart of every tourbillon timepiece. French for “whirlwind”, because it literally spins on itself, the twirling mechanism provides a true spectacle that is at once sensorial, aesthetic and always gratifying. But there are those whose eyes are bigger than their appetites. For these visual hedonists, Chanel ups the showiness and prestige by crowning the complication with a diamond.

Designed in Paris by Arnaud Chastaingt, Director of Chanel’s Watchmaking Creation Studio, and developed and assembled by the Chanel Manufacture at La Chaux-de-Fonds, the J12 Diamond Tourbillon Calibre 5 is a technical and creative tour de force that culminates 35 years of fine watchmaking by the Parisian couturier. The watch features Chanel’s fifth in-house movement, which is also the first to incorporate a flying tourbillon.

Staged against the black circular bridge architecture that is characteristic of Chanel’s haute horlogerie movements, the tourbillon comes alive with the scintillating sparkle of diamonds. The “flying” setup removes the upper bridge of the tourbillon cage for an unobstructed view, allowing a sensational solitaire diamond to take centrestage. As the tourbillon moves through its hypnotic pace, the facets on the revolving gemstone catch and throw light with wild abandon, showering the space with radiance. It doubles as a nonpareil seconds counter, framed with brilliant-cut diamonds.

As with every Chanel timepiece, the design of the J12 Diamond Tourbillon Calibre 5 is paramount down to the smallest detail. Additional drops of diamond adorn the hands and crown, because there can never be an overabundance of the precious stone. The handsome Calibre 5 with 48 hours of power reserve is partially exposed on the front and fully displayed on the caseback, where the lion’s head emblem — the signature of Chanel Manufacture movements — can be found. The watch is dressed in black, the colour of elegance epitomised by the Little Black Dress, in two variations of high-tech ceramic: fully matte to accentuate the spinning showstopper, or glossy with baguette-cut diamonds on the bezel to maximise its brilliance.

Movement: Manual winding in-house Calibre 5 with flying tourbillon; 42-hour power reserve
Case: 38mm in ceramic; water-ressitant to 50m
Strap: Ceramic bracelet
Price: On application

For more watch reads, click here.

Rare 1937 Bentley DHC Restored And Auctioned For £300,000

Image: Silverstone Auction

Most of us enjoy a TV mystery drama, and the story behind the rediscovery of this magnificent car’s lost history would make for an extraordinary film. Filled with modern science, extensive research and dogged determination, this unusual Drophead Coupé (DHC) Bentley by James Young has been forensically restored and re-discovered over a tumultuous five-year period. The classic car world is blessed in having owners who are so passionate about their love for cars that they would dedicate endless amounts of time and money to restoring these vehicles. In doing so, they return to us and the world pieces of the car’s illustrious history.

What started out as the vendor’s quest to get the origins and provenance of B1 72 KT correctly documented has led to the discovery and restoration of an extremely rare DHC Bentley.

Image: Silverstone Auction

“Whilst not quite a barn find, I purchased the vehicle back in late 2013 as a huge jigsaw puzzle,” the vendor started. “Having been advised that the body shell and various other parts were about to be auctioned off at Sotheby’s ‘as is’ with a reserve of just £60,000. The rationale for my interest, despite all the original parts being scattered across several suppliers and restoration companies, was that the shell had been restored by Clanfield Coachbuilding and, most of the mechanical parts, such as the engine, gearbox and rear axle, totally rebuilt by Fiennes Restorations. So clearly a no expense spared exercise.”

Long regarded as the best source of reference for these cars, “Derby built Bentleys”, a book by Bernard King, listed the car as originally being a fixed-head, de Sedanca Coupé and naturally Sotheby’s advertised it accordingly. However, the vendor was not convinced by their reference in the catalogue and set out to find historical records of the car.

“Unfortunately, the James Young buildings, along with all records, had been destroyed during the blitz in 1939. Given the limited time available, I continued with the sale on the basis of it still being a hybrid.” After purchasing the book “The Silent Sports Car” by Ellman Brown, the vendor discovered that the car was referred to as a DHC. He immediately contacted the RREC Derby Bentley Registrar, who assisted in finding certified copies of the original build sheets. These build sheets confirmed that it was built by James Young as a DHC, chassis number B172 KT, delivered to the Pass & Joyce dealership and not the rigid-bodied de Sedanca model referred to. It also confirmed that the very unusual cantilevered “parallel doors” were fitted from new and not a later modification.

Image: Rare Gallery

He stated that the Bentley Drivers Club proved to be as helpful as the RREC assisted him in purchasing all the remaining stock parts of the vehicle. The records of the car only went back as far as post-acquisition of the James Young’s company in 1939, but that didn’t stop the vendor in his quest for truth.

“I sent them the name and address of the second owner, a Mr H. F. Shepherd, who had purchased the car second-hand on the 29th of June 1939, as he resided in SE 19, which suggested he may have had the car serviced at Jack Barclay’s. I received a phone call back, the very next day, confirming that Jack Barclay himself had part-exchanged the vehicle in 1939 to Mr Shepherd and had personally signed the original order form (copy in the file). The vehicle was clearly referred to as a James Young DHC on the order form which, when tied to the build sheets, proved enough evidence for both the RREC and BDC to immediately recognise B172 KT as a James Young DHC. Shortly thereafter, I received similar confirmation from Bernard King, stating that he will amend the data in any future reprints of his book.”

During the call with the Jack Barclay’s researcher, he explained that he also believed the vehicle to be a very rare find, possibly one of only three of this DHC model ever built. The vendor immediately contacted Richard Edgell from the RREC Derby Bentley Register for further advice and Edgell confirmed that only seven parallel-doored, James Young-bodied 4¼ models had been built.

Image: Silverstone Auction

B172 KT was exported to the USA in 1971, although subsequently shipped back to Liverpool in February 1989 requiring a full nut-and-bolt restoration. At that point, in 1992, it was purchased by the owner prior to the current vendor — who spent the following 19 years rebuilding the vehicle — using the best restorers and body builders in the UK.

The current vendor continued, “Several months after the purchase, I contacted his family to see if they knew of the whereabouts of all the chrome bright-work, such as the headlights, fog lamps, horns and radiator mascot, explaining that, as they all had matching numbers, they were unique to the car and crucial in my opinion to retaining the historical provenance. I confirmed I would willingly pay for any items they could trace, only to receive a call several days later saying everything had been located in the son-in-law’s loft and it was all fully restored and bubble-wrapped. I think it’s a testimony to the previous owner and his family’s integrity, that when given the opportunity — despite having to sell the car in an unfinished and clearly uneconomical state — they called to advise me that no payment was required as quote “you never haggled when you purchased the car and the parts clearly belonged to her”, her being a reference to the car’s original vehicle registration, ELA 900.”

Image: Silverstone Auction

Having finally established the provenance of the model type, the most formidable task unfortunately still lay ahead, with the Driver and Vehicle Licensing Agency (DVLA) refusing to re-allocate the original registration to ELA 900. They stated that their records showed it was an imported vehicle and that no information or records at the DVLA went back as far back as 1937, therefore they could only register the vehicle from the date the vehicle was assessed as roadworthy in 2017 on a Q plate. Despite the vendor’s detailed follow-up, providing clear evidence of the delivery of the vehicle to the Pass & Joyce dealership in early October 1937, they once again stated they could only re-allocate the registration if they had the actual day of the first registration document and could not accept a declaration referring sometime between the 1st and 5th of October 1937.

The vendor was unable to trace the original log book sent with the car to America, so he once again approached the Bentley Drivers Club (BDC) out of pure desperation and sought the help of former deputy chairman, Ken Leam and DVLA liaison officer, Brian Rivett. They arranged directly for the Chairman of the Eligibility Committee to state that it was the BDC’s firm view that the registration date must be the 1st of October, as this date corresponds with the guarantee date and no car was ever guaranteed unless the owner had both paid for and taxed the car. Fortunately, the DVLA lost their appetite for a fight and accepted this argument, immediately issuing a replacement log book from 1-10-1937, whilst also reinstating the original registration number ELA 900!

Anyone viewing this magnificent motor car today will undoubtedly agree that this was indeed a happy ending.

For more car reads, click here.

Van Cleef & Arpels’ Seoul Maison Is an Oasis of Nature

Image: Van Cleef & Arpels

French luxury jeweller, Van Cleef & Arpels, announced the inauguration of its latest boutique in the dynamic Cheongdam-dong neighbour. With this prestigious location, Seoul joins Paris, New York, Tokyo and Hong Kong in the elite club of iconic Van Cleef & Arpels addresses. In a building entirely designed by the Jouin Manku Agency, the “Seoul Maison” features refined decor reflecting both Korean artistic heritage and the sources of inspiration dear to Van Cleef & Arpels.

For this new project, Patrick Jouin and Sanjit Manku celebrate their sixteenth year of collaboration with the exceptional French Maison de Haute Joaillerie. It exposes a level of craftsmanship that acts as an ode to the heritage and core values of the brand: a demand for excellence, savoir-faire, and the appreciation for arts and culture, as well as expressing the links between the east and the west, embracing and celebrating Korean culture.

Image: Van Cleef & Arpels

“With the creation of this new Maison, we are celebrating ever stronger bonds with this country, known for a long tradition of craftsmanship that echoes the values espoused by Van Cleef & Arpels. Indeed, the boutique was designed to form a union between the French jewellery tradition and Korean cultural heritage, and to nurture this dialogue for years to come,” explains Nicolas Bos, president and CEO of Van Cleef & Arpels.

Located on the south bank of the Hangang River — which flows through the city from west to east — Seoul Maison Van Cleef & Arpels stands out for its sweeping openwork façade revealing a monumental garden. The grille calls to mind a web of giant reeds fluidly enveloping the building in a lozenge pattern — a tribute to the maison’s hallmark — through which the eye can distinguish the various volumes making up the boutique’s five levels.

Image: Van Cleef & Arpels

The interior of the building is awash in a luxuriant garden that seems to extend through the bay windows, hence the nickname “The Maison Jardin”. An allusion to the seven mountains encircling the city, all five boutique levels thrive in a lush tribute to nature, a special source of inspiration for Van Cleef & Arpels since its creation. In a collaboration with world-renowned landscape architect Seo Ahn, the garden changes with the seasons and reigns as the mainspring of the boutique’s decor, complementing an assortment of earnestly understated furnishings.

“Over five levels, we designed a dreamlike natural decor with spaces suited to hosting artistic functions like exhibitions and conferences, along an itinerary in which lively spaces alternate with intimate islands of tranquility.”

– Sanjit Manku and Patrick Jouin
Image: Van Cleef & Arpels

The visit continues with a wide staircase leading to the first upper level of the maison. Furnished with counters and vertical showcases, the wall and ceiling display iconic examples of Korean craftsmanship: hanji, the exacting art of hand-crafted paper. Complete with a library, it lets visitors discover the poetic universe of Van Cleef & Arpels through a collection of richly illustrated books, all illuminated by a luxurious glass chandelier.

Under the management of Nicolas Bos, we see a brand that is heavily involved in a range of cultural activities, from commissioning dance performances to sponsoring a school of jewellery arts. It is this commitment that has fuelled the Jouin Manku studio. These cultural alliances are interwoven throughout the new boutique, with the entire surface of the boutique’s second level intended to serve as an exhibition venue. It’s meant to host talks and conferences organised by L’ÉCOLE, School of Jewellery Arts, with the added ambition of serving as a platform for Korean artists.

Image: Van Cleef & Arpels

The final two levels of the Van Cleef & Arpels’ Seoul Maison comprise of two exclusive settings: a private salon and a terrace. Surrounded by bay windows on all sides, it offers the lounge area a panoramic view of the city.

Take a glimpse of “The Fairy’s Journey”, an animated film celebrating the opening of the boutique. Illustrator and Director Julie Joseph created the images for the film in collaboration with Creative Director Youngee Suh, both a regular contributor to the Maison’s initiatives.

For more jewellery reads, click here.

Machetazo’s Handcrafted Mezcal Retains Mexican Originality

Image: Mezcal Machetazo

Your background is in chemical engineering. How were you first introduced to mezcal?

Mezcal is something I have always been familiar with. It was ever-present in my rural town upbringing. I grew up in Guerrero, which is one of the states in Mexico that produces mezcal. My memories of mezcal are associated with social gatherings of friends and family. Mezcal makes a regular appearance during popular town celebrations such as El Santo Patrón (the patron saint of the town), día de Los Muertos, and in rural funeral family reunions. When loved ones pass on, we traditionally mourn the body for one to two days and serve mezcal during the velorio candle lighting ceremony.  

I have always been fascinated with mezcal. It is the perfect combination of nature and ancestral processes that have been around for hundreds of years. My initial goal was to create a quality alcoholic authentically Mexican beverage that I could enjoy at home with friends and family.  

So, how long ago did Mezcal Machetazo start, and where is it produced? 

I started the Mezcal business in 2009. Our brands are handcrafted and produced in the states of Guerrero, Oaxaca, and San Luis Potosí in small batch distilleries.  

Tell us about the legend uniting Mayahuel, Goddess of Mezcal, and the mighty warrior named Machetazo? 

Image: Mezcal Machetazo

This is a legend inspired by Mexican folklore. Warrior Machetazo fell in love with Goddess Mayahuel. She had given him a taste of mezcal from the agave plant. He had lost her and in pursuit of trying to feel reunited, he decided to make mezcal for himself to bring back memories of her. He used his machete to cut the leaves of the agave and when he drank, he could see visions of her. 

What is the difference between tequila and mezcal? 

Tequila is made in Jalisco from one specific agave — it is the blue agave. Mezcal is made out of 20+ different agaves. This process is also different. Mezcal is made in a wood-fired hearthstone oven. There is also a difference in taste. Tequila has one taste while mezcal has a variety of tastes; this is why I can never get bored of mezcal.  

Image: Mezcal Machetazo

In comparison to other spirits, mezcal is best when served fresh and joven (young) so you can taste the agave itself and not the flavour of wood in a barrel after it has been aged.  

Mezcal is a product that’s difficult to scale given the long growth cycle of its agave. Why do you choose mezcal?

Image: Mezcal Machetazo

That is true, the right agave plant must be aged for about seven to nine years, making mezcal’s production cycle quite unique in comparison to other spirits. I choose mezcal because of its Mexican authenticity. I am excited to see consumer trends moving away from what is mass-produced and artificially flavoured to fully embracing what is all-natural, chemical free, and organically planted. This is what mezcal is all about: being unique!

What is the defining characteristic of mezcal? 

In general, Mezcal is fresh and natural with earthy flavours. The flavours depend on which Mexican region it is cultivated from.  

Mezcal has a strong smokey flavour that might be a bit “too much” for consumers. Were you concerned about that? How do you recommend people to enjoy Mezcal Machetazo? 

Image: Mezcal Machetazo

Our Mezcal brand is a hand-crafted product; the smokiness depends on the hand of the maestro mezcalero (master mezcal maker).  We took smokiness into consideration when thinking through the consumer experience. In the case of Mayalen and Machetazo, we balance out the smokiness with the flavour so that the smokiness doesn’t take over.  

Mezcal is rather new across Southeast Asia. Are Singaporeans into trying new cocktails? 

Singapore has such a vibrant bar scene. If you need evidence, just look at the list of the best bars in the world. You are likely to find that half of them are in Singapore. People here are open to trying new experiences, cocktails, and flavours. Mezcal fits right in.   

What are your favourite cocktails bars in Singapore? 

Image: Mezcal Machetazo

Foxtail is my favourite cocktail bar in Singapore. You will find that Mayalen and Machetazo are served here. Foxtail has the ability to craft the best cocktails according to the customer’s request.  They are also known for their margaritas and negronis.

What is your favourite cocktail and how would you change it up with Mezcal?  

It is hard to beat a cold Margarita. They are even better with mezcal and a little habanero chili pepper on the side. 

If there is one ultimate thing you’d like people to know about Mezcal Machetazo, what would that be? 

Image: Mezcal Machetazo

You have to try the three different mezcals in the Machetazo and Mayalen collection and go through the journey of finding out the difference in flavour on your own. The mezcal collection is formed of Cupreata, Espadín, and Salmiana agaves. 

For the LUXUO readers wishing to buy Mezcal Machetazo online, where should they head to? 

In Singapore, you can buy directly from our website here.

Moving forward, could a botanical gin made out of agave be your next creation? 

Image: Mezcal Machetazo

This is an interesting idea. By the way, some of the producers in Oaxaca have already started creating this drink with mezcal Espadín and botanical herbals. 

On a more generic level, what is the main quality an entrepreneur should always have? 

My advice is to have passion for what you do and enjoy it to the fullest. Money comes later if you do it right. 

Would you like to name a mentor who is inspiring you in your daily work?  

My mentors and driving forces are my friends and family. They give me feedback and advice and I listen to it. They are my purpose in life. I live for them. 

For more alcohol reads, click here.