Marking the glory of its 22 years in the arena, Branding Association of Malaysia convened 660 of its notable and successful members for a glitzy Gala Dinner at the le Meridian Hotel, Petaling Jaya. Hosted within an ultra-glamourous event hall, the ceremonial occasion was officiated by the Branding Association of Malaysia’s new president Datin Winnie Loo of A Cut Above who was also the first ever female chairperson to be appointed since 22 years of the incorporation’s establishment.
Apart from toasting the great milestone as one of the powerful Malaysia’s business unions, the 2022 BAM Gala Dinner also honoured the success of its members who came from various platform of companies – from fashion to F&B, hospitality, and services namely Pensonic, Fire Fighter, Lewre, Erican, Marrybrown and more – in surviving the challenging business landscape during the pandemic with a special recognition of Lifetime Achievement Award granted towards the Honorary President Dato Lewre Lew for his unwavering support and contribution to the organisation.
A land that offers a triple threat of the beauty of nature’s splendour, medieval heritage and contemporary culture, Switzerland has everything you want and need, perhaps even beyond your greatest desire. With the convenience of Swissair, the preferred airline for all Swiss travel, we can reach the Playground of Europe via a quick 15-hour flight that has just a short transit in Singapore.
So hop on with this journey with us as we take you through the greatest attractions in the region of Montreux and Zurich that gives you the greatest of all three unique flavours of the land – history, contemporary culture and nature.
Upon landing in Zurich Airport, the first thing you need is to obtain the Swiss Travel Pass, which allows you immediate access to all public transportation including bus, train and ferry within the country, along with access pass to an extensive list of local attractions in every city. We highly recommend the First Class category for comfortable, expedited and scenic experience as you traverse through the region.
Now that you have your all-access pass secured, it’s time to take a scenic train ride to the Lake Geneva region, located 3 hours away from the Zurich Airport, to discover Montreux Riviera. A city marked with some of the world’s most iconic pop culture stars, Montreux is an unforgettable destination made for all. Gaining the stamp of approval as Charlie Chaplin’s home for his last 25 years, appearing on Freddie Mercury’s “Made In Heaven” album and even inspired Prince to write a song based on the Lavaux vineyards in the region, Montreux needs no other reason to be one of the most sought-after tourist destinations in the world.
A cruise to Château de Chillon
On top of our Montreux itinerary and one to help us familiarise ourselves with the city is the Riviera Tour, a two-hour paddle steamer boat cruise that lets you take in the scenic landscape of the Lake Geneva region, the charming towns surrounding Montreux including Villeneuve, Le Bouveret, and St Gingolph; and a spectacular first view of the legendary Château de Chillon. After the delectable lunch on cruise, you can simply hop on the bus for a 30-minute ride that takes you right to the doorstep of Château de Chillon, the most visited historic site in Switzerland that dates back to the 12th century.
This magnificent water castle holds a rich history dating between the 12th to 16th century, starting from the original owners, the counts of Savoy, to the later tenants, the inhabitants of Vaud. We highly recommend the guided tour to give you an in-depth and thorough look into the entire architecture and the stories written within the halls. Once you are done with culture and history, you can reward yourself with a dining experience at Café Byron, the famed eatery at the lakeshore that gives a spectacular water view of the castle.
Railway to Rochers de Naye
For nature lovers and hiking enthusiasts, Rochers-de-Naye is the mountainous trail you must visit to witness the majestic of the Swiss and French Alps and the panoramic view of the shores of Lake Geneva. To reach the destination, there is a all-year round cogwheel train, which is also the highest railway in the canton that starts from Montreux, that can take you all to the top of the mountain at over 1,600-meters in altitude.
Once you have reached the end of the railway, the peak is just a short walk ahead. Alternatively, if you want to take a leisure drive up, you can head your way to Col de Jaman and then hop off to take a two to three hour hike to the peak – perfect for hikers and outdoor lovers in the warmer months of spring and summer. There also also various other hiking and mountain climbing trails with varying difficulties to cater to all travellers, but if you are one to skip the hike, then you can take your time take in the beautiful sights and take a leisure walk inside the La Rambertia alpine botanical garden, a place where over 1,000 alpine species are housed, cultivated and preserved.
The power of arts at Plateforme 10
When in Montreux, all connoisseurs of arts and culture must visit Plateforme 10 in Lausanne, one of the rising art district and cultural hub in Switzerland that has recently garnered global recognition. Officially launched in July 2022, Plateforme 10 is one of the nation’s largest cultural development, stretching over 25,000 aquare meters, that currently houses countless outstanding museums including the Cantonal Museum of Fine Arts (MCBA), the Cantonal Museum of Contemporary Design and Applied Arts (MUDAC) and the Cantonal Museum for Photography (Photo Elysee). This is definitely a destination that one should allocate a full day to slowly take in the various cultural identities and exhibits.
Once you are done, you can head back towards Montreux and take a pitstop at Vevey, a town known to be the “Pearls of the Swiss Riviera”, where the esplanade walk along the shores of Lake Geneva will give you an experience unlike any other. One of the main attractions there include the bronze Charlie Chaplin statue and the rising silver fork that spouts out of the lake, both located near the Alimentarium food museum.
The World of Charlie
On the topic of Charlie Chaplin, one of the top must-visit sites within the Swiss Riviera is definitely the Chaplin’s World museum, the only space in the world dedicated to the legendary comic and icon. Housed within the late actor’s former estate, which he stayed after his departure from US in 1953, this interactive museum will shed light to amazing history and lifeworks of Charlie Chaplin including letters, photos and original furnishing owned by the actor.
Along with those, you will also see special wax figures of the icon along with his friends like Albert Einstein, which visitors can interact with to learn more about Chaplin. If you are a big fan of his, be sure to check out the archive of performances and home movies he made and visit the adjacent complex that holds recreations of Hollywood film stages of his movies.
A run around Zurich
After the many exciting ventures in Montreux, it’s time to head back to Zurich to catch your flight home but while you are there, you can make a quick stop at Zurich West, the trendiest district within the city that houses the creative vibes of the city. Start your day at Im Viadukt, a stretch of designer boutiques, art galleries, local food market and more that are housed underneath the famed railway arches of Zurich. From there you can take a leisurely stroll down to the Freitag flagship store, a must for fashion lovers, to get your hands on the signature products made with used truck tarps, before venturing into the strand of vintage stores and diverse furniture boutiques.
Within Zurich West, which is a former industrial quarter, you can also find the most unique architectures that are built by iconic designers. We recommend dropping by the Zurich Tourist Information Centre to ask for a tour guide that can give you a thorough experience on the history and culture of the area. Finally wrapping it up, head down to Frau Gerold Garten, which is just next to the Freitag flagship store, where you will be amazed by the open concept garden that houses various popup restaurants, live music performances and art installations. A perfect way to unwind and relax before hoping back to Zurich Airport for your flight home.
A statement of eco-chic, the launch of Parkroyal Collection was flushed with success and scooped Pan Pacific Hotels Group seventh consecutive Asia’s Leading Green Hotel Award last year. Now, the Singapore-based hotel owner has brought the award-winning concept to the heart of Kuala Lumpur.
Designed by world-renowned FDAT Architecture, the Parkroyal Collection Kuala Lumpur — the first franchise outside of Singapore — is nestled at prestigious shopping hub Bukit Bintang and home to a total of 527 rooms and suites with the luxury of verdant foliage to match. Perfect for city dwellers and tourists who seek to take in the beauty of greenery, the green lung in the form of hospitality beckons with roof terrace greenery and vertical garden facade with sky planters.
A stay at the 5-star hotel is a guarantee of relaxed time whether you are looking for a short getaway after bouts of working days or cosy stay that is accessible to the the capital. At here, an array of mood-boosting facilities awaits such as St Gregory spa for healing therapies, a modern gymnasium and fitness studio for a quick workout session and a swimming pool with lounge area for a balmy sunbathing.
When it comes to the green oasis in the midst of hustle and bustle of city life, the accommodations on offer are something to look forward to. From en suite bathroom with a view of the city and a spacious executive workspace, there is a plethora of rooms and suites to choose from including Urban Deluxe Room, Lifestyle Premier Room, Collection Club Room and Collection Club Premier Room, not to mention the soon-to-be-launched suites catered to different luxury pursuits.
You will be happy to know that the hotel operate with environmental consciousness in mind like sustainable bathroom amenities, biodegradable packaging, filtered drinking water solution in every guestroom, and a food-waste management system.
The Parkroyal Collection Kuala Lumpur is now open. Discover more about it here.
In the realm of writing and mountaineering, German brand Montblanc remains at the forefront of capturing the luxury market, telling captivating stories, and offering the best of exquisite writing instruments.
Montblanc’s artful masters put their souls into creating pieces that symbolise the values that shape the brand and products that are made to withstand the test of time, which clearly shows in the quality and craftsmanship. Like the mountain itself, the Richemont-owned brand is unyielding in being the leader in what they do.
The First Ascent of the Mont Blanc
In honouring the first ascent of the Mont Blanc summit, Europe’s highest peak, and the pioneering spirit of the Maison, Montblanc has unveiled a limited-edition collection of stunning writing instruments. Taking craftsmanship to greater heights, the High Artistry The First Ascent of the Mont Blanc Limited Edition features five detailed and grand designs, each with its unique appeal and shine.
“A tribute to pioneers, glaciers and mountaineering”, indeed. In all five pens, the maîtres d’art of the Montblanc Artisan Atelier showcased a wide variety of time-honoured skills like marquetry, enamelling, and intricate stone setting.
For instance, the Montblanc Limited Edition 5 combines precious metals and gemstones “in a symphony of subtle tributes to the history of alpinism on the Mont Blanc massif”. The cap is wrapped with the majestic mountain in rare artisan marquetry work and seventeen different shades and materials — delicate parchment, sparkling mother-of-pearl, leathers and a selection of premium woods. Its clip is a replica of the alpenstock and axe, two of the most essential tools used by the first climbers to reach the summit of Mont Blanc in 1786. To top it all off, the nib is handcrafted from Au 750 solid rose-tone gold, decorated with a three-dimensional edelweiss flower and a cognac-coloured sapphire.
As for the Montblanc Limited Edition 10, the cap is made from the mountain’s granite and refined with a lacquered engraving of ‘JqB 1786’ — the initials of mountaineer Jacques Balmat and the year of the first ascent. And on the top of the cap is a detachable rounded rock crystal with the Mont Blanc massif beautifully shaped in the centre. In reference to Balmat’s search for gold, the space created within the mountain massif is occupied by unrefined Au 750 solid yellow gold.
These decorative pens are the perfect addition to the pocket of your suit jacket. With proud narratives radiating from every part of these pens, each one is a luxurious accessory to have in hand while you tell new stories and make your mark on paper.
Montblanc Haus
Image: Daniel Schaefer/Montblanc
Another climb up the plateau. On Tuesday, 10 May, the luxury manufacturer officially opened the Montblanc Haus in Hamburg, Germany. The sleek, black building is exactly what one would expect of a classy brand like Montblanc. It is situated right beside Montblanc’s headquarters and its production facilities for its resin writing instruments and hand-ground gold nibs.
During the opening of Hamburg’s newest landmark, VIP guests from around the world attended the special event — having a first look inside the impressive building and being inspired by Montblanc’s role in shaping the culture of writing. The esteemed guests include Oscar Isaac, Peggy Gou, Maggie Gyllenhaal, Daniel Brühl, Feng Tang, Waris Ahluwalia and Jamie Cullum. Like every visitor to step into Montblanc’s world of writing and craftsmanship, these guests were invited to explore the incredible power of handwriting, as well as the creativity, imagination and emotion it unlocks in everyone.
A tribute to the art of writing and reminiscent of the brand’s historic pen packaging, the three-story building houses exhibition spaces, writing ateliers, a café, a boutique, an archive and an academy. The immersive brand experience — which is a must for many as it becomes a norm for luxury houses to push out the most unforgettable experiences — is a place to inspire writing.
Nicolas Baretzki, Montblanc’s CEO, said it is about celebrating writing. “We want people to understand why handwriting is important; what are all the philosophical and cultural ideas behind writing? If people leave with some excitement and inspiration, I believe we have done the right job,” he shared, as per WWD.
Inside, you can find High Artistry pens adorned with diamonds, eye-catching Art Deco advertising posters and clients’ penmanship from across the globe. There is even a small leather book with autographs of The Beatles. Other than the stories of Montblanc, from the founding days to the precise crafters and the brand’s progress, Mountblanc Haus teaches all the art of writing and is devoted to spectacular stories that are yet to be written.
Autographs by The Beatles are on display. Image: Daniel Schaefer/Montblanc
According to executive vice president of marketing Vincent Montalescot, Montblanc Haus was “five years in the making, with teams digging deeply in the archives”.
“The Montblanc Haus has allowed us to uncover some treasures from our archive that we are eager to share with the world. This experience is not only dedicated to all the incredible stories that have been written over time including our very own, but to all the great stories that are yet to be written, as we invite our visitors to be inspired to leave their mark”, said Montalescot.
The digital guestbook experience for visitors to leave their own mark. Image: Daniel Schaefer/Montblanc
The Montblanc Haus will be open to the public from 16 May 2022. The landmark’s first temporary exhibition, “30 Years of the Patron of Arts“, celebrates the Patron of Art limited edition for over 30 years and promotes the idea of ‘collecting’. This exhibition will be open to visitors until October 2022.
Unwavering Growth
Instead of falling short in sales or worrying about convincing customers, Montblanc is seemingly doing well. Baretzki said the company is over pre-Covid-19 figures and that “the big challenge these days is producing enough to meet demand”.
The brand is managing a spike in demand for its high-priced products, not something that most would expect since everything is extremely digitalised now. Additionally, its recent collaboration with Ferrari, a blazing red Great Characters Enzo Ferrari Special Edition Ballpoint Pen, reportedly sold out in a few days. Montblanc, if anything, is sure to stay above and beyond summits while meeting the expectations of its customers.
Moving onwards, Montblanc is uncovering a new theme and collection by its artistic director Marco Tomasetta. The event will be on 22 June in Paris, during Men’s Fashion Week.
As a watchmaker, Breguet has always been deeply tied with the world of fine art, and the preservation of legacy and tradition so the news of its partnership with Frieze, the global art fair, is only natural. The watchmaker is even the subject of a famous book by George Daniels called The Art of Breguet. The partnership with Frieze has a contemporary flavour and will run to 2024.
To kick things off, Frieze New York is just around the corner, May 18 to 22 in fact, and demonstrates how this partnership will work. Frieze has announced that artist Pablo Bronstein will collaborate with Breguet to create response artwork to the watchmaker’s works, world and legacy throughout 2022. These commissions will be featured at the Breguet lounge at each fair, including the one in New York, at The Shed in Manhattan.
Image: Da Ping Lou for Breguet
At this fair, visitors should take the chance to admire a historical “Souscription” pocket watch from the Breguet Museum. This minimalistic pocket watch influenced the business of watchmaking for generations and is still relevant today. The Souscription watch is the inspiration behind the contemporary Tradition collection, which will also be showcased. Another bit of Breguet history, and still a technique marking many haute horlogerie watches, is guillochage, the art of which is also on display at Frieze New York. This style of dial decoration, pioneered by Abraham-Louis Breguet himself circa 1786, is done via a special lathe, which will also be on hand for live demonstrations.
Image: Breguet
“Our brand has always been close to the world of art. Whether through our founder who created the neo-classical style that inspired modern watchmaking or through our craftsmen who, within our manufacture, perpetuate the ancestral know-how of dial and movement decoration. Forming a partnership with a fair such as Frieze, which showcases the talents of today and tomorrow, is meaningful to Breguet. We are happy and proud to start this partnership.” says Lionel a Marca, CEO of Breguet.
Emily Glazebrook, Commercial Director, Frieze added: “We are delighted to launch our new global partnership with Breguet at Frieze New York 2022 by debuting our collaboration with a new commission by artist Pablo Bronstein. Breguet has strong ties to the visual arts, and much like Frieze, is founded upon an enduring appreciation of innovation, creativity and quality.
Harbinger of springtime, cherry blossom is in full bloom at the heart of Roku Gin. Handpicked at the peak of season for its finest flavour, the flower renders the Japanese craft gin its exquisite floral aroma and sweet body. Infused with the wonders of sencha tea, gyokuro tea, sansho pepper and yuzu peel, they create a perfectly balanced, multi-layered spirit that Roku Gin embodies.
To bring a new character to the exceptional spirit, Roku Gin has collaborated with 10 renowned cocktail bars and restaurants in Klang Valley, including Beta KL, Bar Trigona, Three X Co, Concubine KL, Pahit, PS150, Jann’s Bar, BAC, Reka:Bar and Sip Society, where each of them crafts three speciality cocktails reinterpreted by culinary masters using Roku Gin.
Among the stellar lineup of collaborators, Beta KL stands out with its one-of-a-kind food pairing. Drawing inspiration from Malaysia’s cultural diversity, Beta KL presents three palate-whetting cocktails called Roku Spring Tonic, Blossom and Umeshutini. Made from ingredients like Midori, peach, Shiratama brandy and sencha-infused dry vermouth, the cocktails brimming with sweet, floral and fruity notes spice up Beta KL’s Spring menu without taking away the charm from each course.
Pop by the bars & restaurants now until May 31st to savour the limited-edition cocktails and menus.
Fresh and premium ingredients? Drool-worthy menu? Visually-pleasing decor? Ostrea, the Oyster & Seafood Bar ticks all the boxes.
With an ambition to fill the void in the Penang culinary scene, Ostrea is the dining paradise where you can savour an array of fine seafood. In collaboration with The Edison, a colonial boutique hotel located in Georgetown, the food haven with airy alfresco ambience pleases every diner with all things briny such as mussels, scallops, fish, prawns, clams and oysters.
Ostrea quenches the cravings of oyster lovers with molluscs flown all the way from Scotland the likes of Fine de Claire, Loch Fyne Rock and Loch Fyne Angel. Simply savour it on its own without any seasoning for a headily fresh taste or choose your pick between palate-whetting mignonette sauce or citrusy lemon juice to spice up the raw taste of oyster.
Apart from the irresistible bivalve fare, there is a seasonal menu meticulously curated by the master chef of Ostrea, which changes monthly to ensure the gastronomic journey of every diner ends on a delightful and satisfying note.
The menu this month is the Tasting Menu for One. Plating up not one but six remarkably delectable dishes, the menu is an exciting affair made up of fresh seafood and tantalising recipe. If you are sold on the menu, get ready to treat yourself to dishes such as Salmon Roe, Smoked Golden Hebridean Mussels, Loch Fyne Smoked Salmon and Scottish King Scallop – with flavourful condiments like sour cream cheese, basil pesto and garlic cream sauce to bring the dishes to the next level.
For reservations, contact 04-2622990. Discover more about Ostrea here.
In December last year, WOW Malaysia had the privilege of hosting selected guests and VIPs for an intimate session with Blancpain. The event, held over two days, saw the brand unveiling its 2021 novelties, which is then followed by a dinner session.
Opening the novelty presentation is Carrie Poon, the Regional Brand Manager of Blancpain at the brand’s boutique located in Suria KLCC. Following which, Kelvin Tan, editor-in-chief of WOW Malaysia, gave a short introduction on the timepieces such as the two new models from the Villeret line (the Quantième Complet and the Ultraplate), the Ladybird collection and the latest Bathyscaphe in titanium.
After browsing through the 2021 novelties, the guests then proceed to Marni’s on 57 for dinner. The restaurant is situated in the heart of Kuala Lumpur and has a commanding view of the city’s skyline at night. More than just a gastronomical affair, the evening was also an opportunity for guests to socialise and mingle.
The Only Watch 2021 charity auction concluded this weekend at the Palexpo in Geneva, raising close to CHF30 million for research into Duchenne muscular dystrophy (DMS). This means that over the course of nine auctions, Only Watch has raised more than CHF100 million. This year, the top lot was the Patek Philippe Complicated Desk Clock, which sold for CHF9.5 million. Patek Philippe holds the crown for the highest bid realised at CHF31 million for the Grandmaster Chime in 2019. That happens to be the world’s most expensive watch.
This remarkable watch aside, Only Watch 2021 was probably even more successful in terms of individual watches beating estimates. Some notable examples are the F.P. Journe x Francis Ford Coppola FFC Blue (CHF4.5 million) and the Tudor Black Bay GMT One (CHF650,000, beating an estimate of CHF4-8,000). That Tudor is probably one of the best performers of this auction.
These watches were all amongst our favourites (as noted here), which also include the TAG Heuer Only Watch Carbon Monaco (CHF290,000), Breguet Type XX Only Watch 2021 (CHF250,000), Blancpain Tribute to Fifty Fathoms No Rad for Only Watch (CHF130,000) and the Girard-Perregaux Casquette Only Watch 2021 (CHF80,000). These are not the only lots to outperform expectations this year, with the auction overall outdoing the last one, as previously noted. In any event, it is gratifying to see such an outpouring of support for research into a cure for DMS. It is worth remembering that a prodigious 99 per cent of all proceeds go to the cause.
Malaysian rapper Namewee became a millionaire overnight after his new single named Fragile, which was released as a non-fungible token (NFT), was sold out within three hours of its launch. The song is a collaboration between Namewee, whose real name is Wee Meng Chee, and Australian singer Kimberly Chen.
According to the news report by Taiwan News, the rapper earned his newfound fortune by gaining 209 ETH (Ethereum) or an equivalent of RM4 million (approximately S$1.3 million).
However, Namewee has said that he will not be converting the virtual currencies into real money and plans to release more NFTs. The Muar native’s NFTs are available for purchase on the NFT marketplace OpenSea.
“I sold out the song in three hours and when I woke up, I was a rich man,” he wrote in a Facebook post. “Honestly speaking, I’m at a loss for words.”
Despite the new financial gains, Namewee’s new song did not last long in China as the local authorities have removed it. The Chinese government found the song to be insulting and has even banned Namewee and Chen’s Weibo accounts.
In an article published on Singapore’s news portal, Today, the song was banned as it contains lyrics that took jabs on sensitive topics such as Covid-19, censorship, cancel culture and the Uighurs. The Chinese president Xi Jinping was also mentioned through a reference to Winnie the Pooh — social media has likened the Chinese leader to the cartoon character as they look alike.
One line from the song reads, “dogs, cats, bats and civets”, which could be alluded to the pandemic while another line, “It’s illegal to breach the firewall,” could be a reference to the Great Firewall in China. As a result, the Chinese government had banned the song.
The ban, however, did not diminish the popularity of the song as it was played more than 10 million times in a week. Its views mainly came from Taiwan, Hong Kong and Malaysia.
It may be strange to find this written anywhere, but this moment in time is perhaps still too early to ask questions about sustainability in watchmaking. Not premature mind you, just a little too early to get useful answers. It is the useful answers part there that informed the decision to begin this section with caveats.
On the face of it, given that climate change is progressing no matter our perspective on it, the discussion on this subject is still at the start line. For example, the industry has just about come around to the idea that the origins of the materials used to make the watches are key. As far as we know, the first public discussion of the realities of the supply chain was at the Salon International de la Haute Horlogerie (now called Watches & Wonders) in 2019.
Unfortunately, this is not an indication that watchmaking is ahead of the game here because public reports, including the World Wildlife Fund had already called for greater transparency in this regard as early as 2018, as we dig into elsewhere in this section.
Prior to this, some watchmaking maisons were talking about how their new manufactures were carbon neutral, and of course their support for various causes. These days though, just these steps will fall short of the mark, at best. At worst, they open the industry to accusations of greenwashing. This is really a shame because a lot of good work is being done, or supported by watchmaking brands.
Typically, we avoid watchmaking industry insider stories in favour of those with a stronger relevance to consumers – collectors and enthusiasts like you, in other words. There is a good reason to care about transparency and sustainability for all of us though, and it can summed up in one word: cost.
Not only will prices of Swiss watches likely rise as companies add measures and oversight to cope with regulatory pressures, there may be environmental and reputational costs as well. Just think about how you would feel about your watch if the brand that made it was found to be supporting forced labour in gold mines, or contributing to the degradation of the environment thanks to the practices of some random supplier. It happens in fashion all the time, after all.
Sustainability watch
The Deloitte Swiss Watch Industry Study2020 notes that more than 50 per cent of consumers surveyed said that sustainability was very important to them, so the cost of not running afoul of this group will certainly be worth it. It seems from the report that the so-called Millenials and Gen Z groups care even more about sustainability than other age groups. We will be referring to this report and its findings quite extensively in this story.
We pause here for a moment to congratulate Chopard on having the foresight and the will to do better, as far as the gold they are using goes. The brand’s Fairmined initiative back in 2013 was the first effort by a major watch and jewellery house to address the impact of the business on the natural world and marginalised communities. We also congratulate Oris on becoming a climate-neutral company, certified by ClimatePartner, a leading independent climate action expert.
The company not only makes products that are sustainable, but also calculates the impact of its entire business, right down to workers commuting to the office. It earned climate-neutral status by offsetting more than 2,500 tonnes of CO2 through its sustainability initiatives. We will have a little more to say about this elsewhere in this section, but we wanted to single out Oris here as a way to show how other brands might also be doing the same, yet not communicating it directly enough.
This may lead some to draw links with the fashion industry, which recently received a tongue-lashing from firebrand climate-change activist Greta Thunberg. Bear in mind, the fashion industry actually makes raw data available to a variety of authorities to confirm that their supply chains are not contaminated by any evil practices. Even so — or perhaps because of this — it gets a lot of flak.
Clear and present danger
Some may see a certain degree of adjacency in the worlds of watchmaking and fashion [Editor’s note: on LUXUO, watches used to fall under the Style category], with the world’s largest luxury conglomerate LVMH running iconic names such as Louis Vuitton and TAG Heuer. Of course, it also runs Moet Chandon and Glenmorangie and no one suggests any adjacency there.
For our part, it seems clear that all industries will have to see that they are not causing harm, at the very least, so some standards might apply across the board. Setting such standards is a challenge, of course, and poses all kinds of political risks.
This was on show at the World Economic Forum this year, as global business leaders cited climate action failure as a major risk for the economy, and one with the best chance of being mitigated by a coordinated global response. The key point here is that risk, which is not acting in a harmful manner, but in merely failing to prevent harm.
Accountants everywhere are now working to integrate this particular risk into their formulas, especially with regards to multinationals. One relevant example here was called the Responsible Business Initiative, which was rejected by Swiss voters last November, but this is not the end of that story.
Fast fashion certainly receives the lion’s share of the wrath of climate activists, and it probably deserves it, if news reports are anything to go on [Editor’s note: too many to cite]. Any so-called luxury brands using child labour for any reason ought to be tarred and feathered (and probably fined into oblivion). So far, there has not even been a whiff of scandal in watchmaking, but this might come down to the subject that preoccupies us in this issue: transparency. But we are racing ahead of ourselves again, and risking getting tripped up by our own feet.
The realistic view
Backing up again to our opening assertion, by too early to discuss, we mean to say that there are many industries that have to grapple with their impact on the planet – tier one players, if you will – and watchmaking firms (especially those with a mechanical focus) are nowhere near that level.
We take the view that it is pointless to tear into watch firms when coal-fired power plants are still merrily burning away like there is no tomorrow. Actually, more are being built to meet tomorrow’s demands, according to The Economist, the Financial Times and many more mainstream sources.
There is some understanding within the trade of this obvious fact, with executives still claiming that mechanical watches are sustainable products, because they are not disposable. This is not a false statement, of course, but it does tend to lead to some unearned praise. H. Moser & Cie made quite a memorable joke about this some years ago with a statement watch, but we will hear more from the brand directly and candidly on the subject of sustainability later in our conversation with CEO Edouard Meylan.
To refer back to our earlier praise of Oris, CEO Rolf Studer put it most succinctly in a comment related to the climate neutral news, as delivered to WatchPro: “A mechanical watch has a very low impact on the environment because it’s designed to last. But that’s not enough,” he says. The first part of Studer’s statement is echoed by many watch industry executives, high and low. The second part, not so much, with a number of executives concerned about trade secrets and competitive advantages.
Walking the talk
Cartier CEO Cyrille Vigneron addressed this directly with us as he explained the brand’s drive towards greater transparency in its entire operations. “The transparency I am talking about has nothing to do with trade secrets. It is about the raw materials that go into our products, and our supply chain.”
He publicly explained during Watches & Wonders earlier this year that the brand was deeply concerned about the world, and the impact of its business on the same. Vigneron noted that brands could not just say they were sustainable, they had to prove it. Richemont, the parent group of Cartier, has been talking the talk, and walking the walk for perhaps longer than any other group, which is why its brands rank highest in the WWF report.
To frame this admittedly long narrative, we must add an expected caveat. If you love watches but are concerned about the environmental impact of current industrial practices, then you must turn to vintage watches. Aside from the obvious (you are extending the lifespan of a watch), you also do not have to trouble yourself with any thoughts about how the contemporary company making watches with the same badge conducts itself.
This is important because it is often impossible to be sure watchmaking firms are doing all the right things if you do not want to take their word for it. This brings us back to sustainability, and that law that will go before Swiss legislators in place of the aforementioned Responsible Business Initiative.
The sustainability conversation in watchmaking tends to coalesce around the unfortunate subject of transparency. Well, transparency is the most significant roadblock, and is thus the most well-known and persistent problem. It goes back to the debate over Swiss Made standards, and to third-party movement suppliers working surreptitiously for a few major brands.
It all sounds very suspicious, like some sort of Tom Clancy novel, but really it is all quite pedestrian. Like the business of making hairsprings, there really is not much to shout about here but to prove that we would need to supply evidence.. which is lacking. As you will have guessed, the Swiss watchmaking trade tends to be opaque by tradition.
Coming changes
This is where Swiss legislators hold the reins as they consider a law next year that will force even private companies to make certain non-financial disclosures. These include the following, according to Deloitte:
Environmental concerns
Social and employee concerns
Respect for human rights
Combating corruption
Reportedly, this legislation cannot be shrugged off by even private and family-owned firms because every Swiss firm will be called to order, as long as they meet the following criteria:
500 full-time positions or CHF 20 million balance sheet total and/or CHF 40 million in sales (source: Deloittes). The New York Times reports that affected companies will have to “ensure the traceability of their supply chains, and make their reports publicly available for 10 years…” We need not spell out exactly which companies will be taking notice here.
As watch enthusiasts, collectors, traders and even hobbyists, we know that these will include the biggest and most powerful names in watchmaking. As mentioned, watchmaking firms are not specifically targeted, and are certainly far from being tier one players, which we repeat for clarity.
That being said, climate change rhetoric is heating up, thus lighting a fire under the feet of watch industry executives. In 2018, the WWF report called out a startling number of brands for their alleged lack of transparency in a widely cited public document.
You can easily find these stories — and the report itself — online by searching for sustainability in watchmaking, but despite the attention, the topical subject remains largely difficult to discuss. The expert sources we found for this special section mostly pointed to one chief area: the supply chain, specifically where and how watchmakers get their raw materials.
To outline the problem more succinctly, consider all the metal that gets used to make wristwatches, cases, movements, bracelets and all. Most of the world might be shocked to learn that the average watch in stainless steel already uses a significant percentage (up to 50 per cent) of recycled iron.
This varies from material to material, with titanium and aluminium on the higher end of the scale, while ceramic hugs the bottom at zero percent. This is because of material properties and engineering challenges, not some sort of conspiracy, to be clear. Indeed, the ceramic used in your typical higher-end watch might very well be eternal — well everlasting and evernew as a sapphire anyway.
No silver bullets
For the purposes of transparency, we will acknowledge a few points before moving on. First and foremost is that this magazine urges better transparency for Swiss watchmaking, in general. Having said that, dear readers, you may detect sour notes of cynicism throughout this section, but what you are sensing is our pessimism.
Pessimism is a little more honest than cynicism, and we hope to blunt this by making a few active recommendations. Transparency is the most important thing, for the same reason we asked CEOs how their manufactures were coping with the pandemic. Watches are fun, and they are meant to be.
Something that is fun should not be hurting anyone, at the very least. No one should be suffering so that we can have fine timepieces, in other words. This article alludes to this point, but it should be made explicit. This, we think, is the most basic position we can take. Indeed, this should be the starting position for any firm that makes watches.
Secondly, we should be wary of arbitrary standards. One such example is illustrated by the Panerai Submersible eLab-ID, which would be currently the most sustainable watch in the world, if it were a full production model, which it is not. In any case, Panerai had found a way to make this watch out of 98.6% material.
To be more precise, that is the percentage of recycled material in the watch, by weight. So, the obvious question is why not go the extra mile? “To get that last 1.4%, we would have to use so much energy that it wouldn’t be saving anything…Our idea isn’t to do something at an idotic level, just to say we did it,” Panerai COO Jerome Cavadini told us. In other words, the cost of doing something positive for the world should not result in a negative for the environment. That would be idiotic, and yet it may well be the result of reductionist thinking. Sustainability is a complex matter that will not be solved by overly simplistic approaches.
On that note, we have to move to the unknowns, which is the most vexing aspect of sustainability. For example, are Richemont brands so highly regarded by the WWF report because they are better communicators than some independents? While we do try to present each major group’s position on sustainability elsewhere in this section, often there is no news to report.
Even the very positive Oris news does not mean it will rank highly in the next edition of the WWF report, assuming the brand is included, which it was not in 2018. How you feel about the Oris achievement depends on what you think of ClimatePartner, an organisation you may never have heard of. We have a compromise solution to suggest, which we will get to in the second part of this section.
As the 25th James Bond movie arrives in cinemas this week, we say goodbye to Daniel Craig as he retires from the 007 role. However, there is some good news for James Bond fans as “No Time To Die” features an extremely exciting car chase scene.
One of the most iconic aspects of James Bond movies is the various cars that make their way onto the silver screen. While fans everywhere would like to debate who the best Bond is, we’re wondering which Bond had the coolest car?
1. Aston Martin DB5 – Goldfinger (1964)
Image: MGM
Arguably the most famous Bond car of all, Aston Martin’s DB5 made its first appearance with Sean Connery in “Goldfinger” — a movie that would catapult the James Bond franchise into its legendary status.
It introduced audiences to the famous suite of gadgets: machine guns, tyre slashers, hydraulic rams, and the ejector seat. The DB5 was also launched only three months prior to filming the movie.
2. Lotus Esprit S1 – The Spy Who Loved Me (1977)
Image: MGM
Another car also made iconic by the film franchise, the Lotus Esprit first appeared in 1977’s “The Spy Who Loved Me” starring the late Sir Roger Moore. This car was especially unique as it was a fully functioning working submarine with anti-aircraft missiles.
The actual vehicle right now is owned by Elon Musk, CEO of Tesla.
3. Aston Martin V8 Vantage – The Living Daylights (1987)
Image: MGM
Another Aston Martin, this time for Timothy Dalton in 1987. Gadgets included a control panel under the armrest for wheel lasers, missiles, pop-out spiked tyres, a rocket booster, and a police radio receiver.
The car was also bulletproof. If all the gear were real, the car would weigh in at an estimated 800 million kilograms.
4. Tuk-tuk – Octopussy (1983)
Image: MGM
Technically not really an actual “car”, this Bajaj RE, or tuktuk or autorickshaw was driven by Roger Moore for the 13th 007 film, “Octopussy”.
The scene involved Bond winning a high-stakes backgammon game against an Afghan prince, and then hooking up with MI6 agent Vijay for a sharp exit. The duo is then pursued by said prince’s goon, wielding a shotgun in a similar-looking vehicle.
5. Renault 11 TXE – A View To A Kill (1985)
Image: MGM
The car became famous for its ability to soldier on after suffering a mortifying injury: the roof being removed as Bond drives under a lorry, and the rear half of the car being cut off after being hit by another vehicle. Funnily enough, both halves of the car went on sale just a couple of years ago. Watch the iconic scene below:
6. Mercury Cougar XR7 – On Her Majesty’s Secret Service (1969)
Image: MGM
This one isn’t technically a Bond car. It belonged to Tracy di Vicenzo (played by Diana Rigg), Bond’s (played by George Lazenby) wife. The Mercury Cougar was the brand’s take on the Ford Mustang, fitted with a ram air hood scoop, rally wheels, high-backed bucket seats, and a full gauge kit.
7. Citroen 2CV – For Your Eyes Only (1981)
Image: MGM
While it was lacking in gadgets, this car more than made up for it in boldness. While Roger Moore’s Bond escapes from villains in more powerful Peugeot 504s, the little yellow car manages to escape bullets and drive down the side of mountains without breaking. It also survives being inverted and then thrown back onto its wheels by helpful bystanders.
Porsche ranks as the world’s most valuable luxury brand. Image: Porsche
The total value of the world’s top luxury and premium brands has declined by 3 per cent, or approximately US$7 billion.
According to Brand Finance’s Luxury & Premium 50 2021 report, the value of the top 50 luxury brands in the world shrunk from US$227.1 billion in 2020 to US$219.5 billion this year as markets grapple with the Covid-19 pandemic.
Brand Finance defines luxury as “brands that are well known for high quality but are not widely considered or purchased due to price”. This means high brand awareness and a strong reputation for quality but low purchase conversion.
World’s Top 10 Luxury Brands
Germany’s Porsche tops the list as the most valuable brand with a value of US$34.3 billion. The brand ranks considerably ahead of Gucci (second-ranked), whose brand value went down 12 per cent to US$15.6 billion.
Synonymous with timeless class and luxury, Porsche is striving to push the boundaries and redefine the future of the sportscar. The auto giant has been undertaking the shift towards sustainability through the launch of their Taycan. Porsche celebrated strong sales with this model, totalling over 20,000 units sold last year. This impressive result means more than 10 per cent of Porsche’s sales are now from its electric vehicle models.
Image: Brand Finance
Fashion Brands Dominate Rankings
Clothing brands are prevalent throughout the ranking, accounting for 62 per cent of the total Top 50 value of US$219.5 billion. Performances have been impacted by the pandemic as a majority of the brands have recorded a loss this year.
Coach has recorded the biggest drop in brand value this year, falling 31 per cent to US$4.7 billion. Coach’s parent company, Tapestry, has cited that forecasts across its brands are looking more positive than anticipated thanks to the e-commerce growth in the Chinese market.
Opposing this trend, however, French brand Celine is the fastest-growing luxury brand this year. It recorded a 118 per cent brand value growth jumping 13 spots to 34th in the ranking.
Hotels Check Into Ranking For The First Time
For the first time, the Brand Finance Luxury & Premium ranking includes two hotel brands: Shangri-La and Intercontinental. Both brands stand at 29th and 35th spot respectively. The hospitality industry had come to a standstill as people cancelled holidays and work trips due to the pandemic.
Shangri-La — which owns five-star luxury properties across the Middle East, Asia, North America, and Europe — is the highest-ranking hotel brand.
Ferrari is the world’s strongest luxury brand. Image: Ferrari
Ferrari is Sector’s Strongest Brand
Brand Finance evaluates the relative strength of brands, in addition to their value. Ferrari (US$9.2 billion) is the world’s strongest luxury brand and the second brand in the world according to the Brand Finance Global 500 2021 ranking. Ferrari has a Brand Strength Index (BSI) score of 93.9 out of 100 and an elite AAA+ brand strength rating.
The next strongest luxury brand is Rolex. With a BSI of 89.6 out of 100 and an AAA+ brand strength rating. Despite the pandemic, the market for luxury watches has shown resilience.
The Macallan has launched Tales of The Macallan Volume I, the first in a new series of rare single malt Scotch whiskies.
The new series is a nod to The Macallan pioneers and their legacy of whisky-making, and Volume I pays homage to Captain John Grant. In 1700, Grant realised the potential of Easter Elchies Estate, which has been the home of The Macallan Distillery since 1824.
Tales of The Macallan Volume I
Crafted by Lead Whisky Maker Sarah Burgess, Tales of The Macallan Volume I is a single malt whisky distilled in 1950 and bottled in 2021. According to Burgess, the rare and exclusive whisky extends notes of wood spices, sweet wood smoke and antique oak, complemented by hints of ripe fruits and spices.
Tales of The Macallan Volume I also comes in a package that befits its distinguished status. The whisky is encased in a handcrafted crystal decanter, concealed in an Almanac book that recounts Captain John Grant’s remarkable story.
For the decanter, The Macallan collaborated with a long-standing partner and master French crystal maker Lalique. The exquisite glasswork is etched with an illustration done by renowned artist Andrew Davidson. It also features a bespoke transit stopper by artisan craftsmen J.C. Ribiero.
The book for Tales of The Macallan Volume I was created by traditional London-based bookbinders, Shepherds, Sangorski & Sutcliffe and Zaehnsdorf. The firm specialises in fine binding, restoration, and conservation of books. The Tales of The Macallan Volume I book is handcrafted with luxurious leather and 24 ct gold leaf.
As expected, Tales of The Macallan Volume I is highly limited, with only 350 decanters available worldwide. It carries a retail price of S$107,600 (US$80,147).
“Tales of The Macallan tells of remarkable individuals and an exceptional spirit, a story of The Macallan’s incredible pioneers,” Lead Whisky Maker Sarah Burgess said in a release. “Each of these people left their mark on The Macallan with their unique contribution and legacy alive in our brand’s DNA and in every drop of our whisky to this day.”
This historical Breguet table clock exhibits all manner of clever mechanisms, including a constant force escapement and a detent escapement. In relatively immobile timekeepers, the detent escapement would have hit its stride. Image: Breguet
The story of the wristwatch escapement spins hard and fast, not always aiming for absolute precision. In presenting the basics of the beating heart of the mechanical calibre, we have only covered the basics. Considering that watch brands keep throwing research and development into this area, there will likely always be more to cover. No one expected the Zenith escapement when it was first announced, for example. Even in 2020, there is a new escapement in play, thanks to Seiko — but more on that specific development later. Believe it or not, there is more to cover in terms of escapement approaches already out there in the world.
In this story, we will be covering the natural escapement and the detent escapement. These two are somewhat related, which is why we opted to group them together. We will not be covering single-beat escapements overall, instead folding this type of regulating organ into the detent section. The reasons will become obvious once you get into the detent escapement, if you do not already know them.
As we previously noted in our coverage of the verge escapement, there were a few escapement ideas that preceded the Swiss lever, including a number that were in use before Christiaan Huygens pioneered the balance spring, ultimately perfecting it in 1675. We pause here for a moment to be clear that English scientist Robert Hooke (of Hooke’s Law) also has a claim to the balance spring but Huygens definitely had one built to his specifications.
While we pause to take stock, we also note that this story works best with an understanding of the basics of the escapement. A short summary is included here, for convenience.
The rest of this story is divided into a few parts, including the aforementioned sections on the two related escapements. We had planned to include a section on contemporary watches featuring these somewhat archaic and quite rare technologies, but it was not to be. It is a fact that these sorts of escapements are the rarest of all non-Swiss lever escapements out there.
As mentioned earlier, Grand Seiko is debuting an original escapement this year, but we will reserve that for our next story on escapement, when it can shine as the star of the show. To our knowledge, it is the only new type of escapement for 2020, a year that will definitely be the most unbalanced (so far) in the new millennium. It is important to note here that the new 9SA5 calibre features a dual-impulse escapement. So although it might remind some observers of variations on the detent escapement theme, it is most assuredly not that type of escapement.
A contemporary illustration of how the Earnshaw detent escapement works. Image: Cvetkovic, Stojicevic, Popkonstantinovic
We end this introduction with a note about pricing. Pioneering escapement technology is no easy matter, and the costs can be significant. Every press release about the development of such exotic regulators as the Girard-Perregaux Constant Escapement or the Zenith Oscillator implies tremendous research and development expense.
To illustrate this point, let us take a look at a specific example relevant to this story. The Urban Jurgensen 1140C, is an excellent case in point. This watch has a recommended retail price of EU48,100 in rose gold (excluding VAT). This contrasts with the 1140 RG Brown also in rose gold, which goes for EU28,200 (excluding VAT); this version has a regular Swiss lever escapement.
While there is no way to know if the difference in prices is down to the movement, you can certainly expect to pay a premium for special escapements. They are certainly worth more, being far from vanilla, but how much more depends on where you stand on the value such developments add.
Détente: the most reliable mechanical systems for watches
The famous Harrison H4 chronometer
The escapement with the most poetic name, it is also one of the most reliable mechanical systems for watches in motion. So, in anything that is not a pendulum clock, the detent escapement is the precision winner. If you take it further, put a pendulum clock on something that rocks about, like a ship, and its accuracy takes a major hit. The timekeeper with the detent escapement does not have this problem. Indeed, Huygens came up with the pendulum clock in part to create a precise and accurate marine chronometer. Once the clock was tested upon the high seas, it was back to the drawing board, and to some cross-Channel rivalry.
John Harrison had developed a marine chronometer regulated by a verge escapement that worked well in theory. His H4 watch won the longitude race between English and French watchmakers, but it was difficult to reproduce. Larcum Kendall, the watchmaker engaged by the Board of Longitude to reproduce Harrison’s design, found it impossible to mass-produce while keeping costs down. Part of the problem was Harrison’s exotic parts for the time — he used diamonds for the pallets — but the other was the sensitivity of the verge escapement.
In France, watchmaker Pierre Le Roy had delivered a promising escapement as early as 1748 that could have been the solution to making the chronometer easier to produce. English watchmakers John Arnold and Thomas Earnshaw (likely separately) got hold of this design and improved upon it to create what would be called the detent escapement.
The verge and lever escapements both work based on the gear train giving and receiving energy through two contact points, which is easy enough to understand given that the anchor has two arms that contact the escape wheel of the gear train at two points. That also means that the balance receives energy in the form of dynamic force twice — once per swing. This is an indirect way to deliver a way to impulse or power the balance. What if the balance spring and wheel could interact directly with the escape wheel, without an intermediary?
Arnold, Earnshaw, Le Roy and Ferdinand Berthoud knew that friction was the main enemy of accuracy in the mechanical timekeeper. All these watchmakers were key figures in the chronometer side of watchmaking i.e. the pursuit of chronometric excellence. Le Roy, Arnold and Earnshaw’s innovation here was figuring out how to reduce contact between the balance and the escapement; Berthoud’s achievement was a double balance wheel construction, as reported by Su Jia Xian for WatchesbySJX. As a consequence of their pioneering work in reducing friction in mechanical regulating organs, Arnold and Earnshaw developed (independently) the pivoted detent escapement (1773).
The pivoted detent escapement controls the movement of the escape wheel by allowing it to advance one tooth at a time by means of a helical spring (separate and distinct from the balance spring, which is still in play). This helical hairspring allows for a direct impulse on the balance because there is no anchor or lever here. This makes the detent escapement a single-beat escapement because there is only one impulse for each oscillation of the balance wheel. The to-and-fro motion of the balance here thus includes one oscillation without an impulse.
Imagine, dear reader, for a moment a balance wheel and spring whose staff could both receive and deliver force to the escapement. There are still two pallets here, but only one is dynamic; the other acts as a brake for the escape wheel. A special note here is that there is a version of the detent escapement that uses a flat spring rather than a helical one.
The short of all this is that the detent escapement did indeed work as intended, produced great results in marine chronometers, but had some trouble in both pocket and wristwatches. Berner’s Illustrated Dictionary of Horology provides a concise sense of the problem, describing the detent escapement as “a costly, delicate (solution).”
Overcoming the problem in every mechanical escapements
Portrait of Abraham-Louis Breguet. Image: Breguet
The natural escapement, or to use its formal name, echappement naturel, was a significant and early attempt to address the shortcomings of the detent escapement while realising its benefits. Abraham-Louis Breguet (yes that Breguet) was a peer of Arnold and Earnshaw so he inevitably had to play his part in the escapement as well. His echappement naturel took its final form in 1808, and uses two escape wheels. The idea was to make the single-beat nature of the detent escapement more stable, and thus less prone to stoppage due to sudden shocks. The natural escapement does this not by adding a lever (although a sort of lever is present), but via the usage of two escape wheels meshed together. Crucially, this also makes the balance self-starting.
Just as the lever impulses the balance in two steps, so do the dual enmeshed escape wheels. Because the wheels are enmeshed, one drives the other in the opposite direction. In Breguet’s design, both wheels have additional protrusions in a different plane to the teeth of the escape wheels. Basically, this is a double-decker of gearing teeth; this second level of teeth impulses the balance in both directions. In this way, the motion of the escape wheels are regulated by the balance.
Now, there is an obvious problem here: all those gloriously friction-loving gearing teeth. To address that, the meshing of the wheels has to be a bit loose. Unfortunately, this results in a lot of backlash in the unpowered wheel. Breguet could not figure out how to get around this problem, and it was thought that the state of manufacturing at that time could not get the tolerance right. However, it is more than a matter of tolerances — for any alternative to the lever system to be effective, it must offer significant benefits. In the current state of mechanical escapements, that does not seem to be the case.
Indeed, it seems the industry has settled on a particular architecture for the regulating organs, and is content to focus on material innovation to realise gains.
Basics of a mechanical escapement
There are three components to the mechanical escapement, typically. This includes the hairspring, balance wheel and anchor-escape wheel. The anchor or lever receives energy from the mainspring via the escape wheel at the end of the gear train. It sends this to the balance, causing it to spin. The hairspring reacts against this motion, forcing the balance to move in the direction opposite to its initial motion. This to and fro motion is the regulated energy that drives the hands of time, again via the anchor and escape wheel.
Contemporary watches and the detent escapement
Reverso Grande Complication à Triptyque. Image: Jaeger-LeCoultre
The fact that the detent escapement is so easily perturbed by sudden movements makes it unsuitable for the contemporary wristwatch. In the form used by marine chronometers, the detent escapement was also not self-starting, which is also far from ideal in a wristwatch. Nevertheless, the beguiling detent escapement has lured watchmakers in the current era with its promise of better precision, less friction and improved accuracy in timekeeping rates. Pierre Maillard, writing for EuropaStar almost 10 years ago, called this escapement “one of the Grails of chronometric precision.” After all, 21st century engineering solutions should be able to resolve the deficiencies of the detent escapement.
According to Vincent Daveau, writing for Journal Haute Horlogerie (2019), a number of brands have attempted to revive the detent escapement, including big names such as Breguet, Jaeger-LeCoultre and Audemars Piguet. The various editors of World of Watches have experienced these developments directly, but it is certain that none of these promising watches are still in production today. Indeed, Daveau confirms that the Breguet example was merely a prototype, revealed in 2005.
The Jaeger-LeCoultre version of the detent escapement, called the Isometre a Ellipse, was a deeply fascinating experiment that the manufacture deployed in the Reverso Grande Complication a Triptyque. It was a proper pivoted detent escapement, but with a feature that allowed for indirect unlocking of the escape wheel. This seems like an approach that brings a feature from the lever escapement into the picture. For whatever reason, Jaeger-LeCoultre has not used this escapement in any other watch since 2006.
It is a similar story with at Audemars Piguet, which revealed a new escapement to the world based on the detent escapement, also in 2006. This escapement was based on the work of 18th century watchmaker Robert Robin, which also attempted to bring together the advantages of the lever and detent escapements. Unfortunately, the Robin escapement of 1791 was as delicate and difficult to manufacture as the detent escapement, and indeed the natural escapement. Audemars Piguet also did not pursue this escapement for much longer, instead going in a different direction. Hopefully, we will be able to get into that in another issue.
Back in 2011, it seemed only one name in watchmaking wanted to connect strongly with the detent escapement, and it is still amongst the first names one encounters when doing a Google search on the “detent escapement.” The Urban Jurgensen 1140C uses a contemporary version of the detent escapement, and it is still listed on the brand’s website. David Chokron, writing for WatchAround, reported that this version of the detent escapement was finally suitable for use in a wristwatch, if still rather “experimental.”
Rolls-Royce has displayed two of its bespoke commissions at Salon Privé 2021, an exclusive Concours d’Elégance held at Blenheim Palace, Oxfordshire. The two cars on display are the Black Badge Wraith and the Black Badge Cullinan.
Black Badge Cullinan
The Black Badge Cullinan features a plethora of bespoke appointments, the most notable of which is a highly contemporary Bespoke Verde Ermes green for the coachwork. It also has a dark chrome Spirit of Ecstasy, blackened stainless steel exterior treatment and exclusive 22-inch part-polished Black Badge wheels to give the Cullinan a very bold feel. The interior features Havana trims on the seats, contrasted by Tan panels and Cashmere Grey accents on the seat piping.
Black Badge Wraith
The Black Badge Wraith also features a dark chrome Spirit of Ecstasy, however, it opts for 21-inch part-carbon fibre Black Badge wheels instead. Its coachwork is finished in a bold Iced Premiere Silver, which provides a delicious monochromatic contrast against its dark wheels and Spirit of Ecstacy. To give this Wraith a bit more depth, the interior incorporates a vivid Mugello Red.
Salon Privé 2021
As in the previous iterations of the event, Rolls-Royce Motor Cars will lead the Tour Privé. This year’s rolling concourse will include a 120-mile (193km) tour of the Cotswolds, led by the Rolls-Royce Ghost. Deemed the latest iteration of the marquee’s most successful product, the Rolls-Royce Ghost leading the tour is presented in Salamanca Blue.
Apart from the Tour, visitors will be able to enjoy a host of other events over five days. This includes a display of some of the finest automotive brands today, including Aston Martin, Bugatti, Lamborghini, McLaren, Porsche and many more. Salon Privé 2021 will also play host to numerous classic car specialists such as DK Engineering, Everrati, Jensen International Automotive and more. While the main focus of the event is automotive excellence, Salon Privé 2021 will also have various other luxury displays. Salon Privé TIME will showcase a selection of luxury watches from IWC, Montblanc, Panerai, Piaget, Roger Dubuis and Vacheron Constantin. The Luxury Retail Village is another highlight visitors should check out if they need a break from cars. Check out the brands on display here.
The Rolex Oyster Perpetual Lady-Datejust is in the lineage of the Datejust, the emblematic model that has been a byword for style and accurate timekeeping. Image: Rolex
For an object of such diminutive stature, the wristwatch often has an outsized presence. The bon vivant will absolutely love these four outstanding Rolex watches — while the captivating shine of their diamonds and precious materials will draw in everyone else. The Oyster Perpetual Lady-Datejust, Oyster Perpetual Pearlmaster 39, and two Oyster Perpetual Day-Date 36 watches all demonstrate the wondrous pairing of diamonds and precious metals found in the finest of watches by Rolex.
Precious metals such as gold and platinum come to us from the stars, literally. They were born in the hearts of giant stars that exploded and scattered the particles across the universe. Diamonds, by way of contrast are born in the depths of the Earth over the course of a billion years. Through their unique brilliance and the extreme care taken in their setting, the high-quality precious stones selected by Rolex endow gem-set watches with unbridled prestige.
Using only the highest quality gemstones, Rolex own in-house gemmologists and gem-setters work in perfect harmony to reveal the diamond’s radiance. The process begins by sourcing the most striking stones, and then deciding how best to showcase them. As the art of gem-setting lies in ensuring that the sparkle and beauty of each stone is fully revealed, the Rolex gem-setter expertly sets each stone, one by one, taking care to ensure symmetry in size and placement — Rolex tolerates variances of no more than 2 hundredths of a millimetre, which is around a quarter of the diameter of a human hair. A final polish makes the tiny metal settings shine, intensifying the watch’s splendour.
Rolex Oyster Perpetual Lady-Datejust
The Oyster Perpetual Lady-Datejust is Rolex’s classic feminine watch par excellence. It is one of the most varied lines in the Oyster Perpetual collection, distinguished by its elegance and refinement. Image: Rolex
The classic Rolex feminine watch, the Lady-Datejust benefits from all the attributes of the Datejust, the emblematic Rolex watch that has been a byword for style and technical performance ever since its launch in 1945. The feminine version of the iconic chronometer, the Oyster Perpetual Lady-Datejust first appeared in 1957, showcasing the elegance of the Datejust in a small 28 mm size perfectly suited to a slender wrist, and it has retained its iconic size since that time.
Available in Oystersteel, in 18 ct yellow or Everose gold, or in Rolesor versions that combine both Oystersteel and 18 ct gold, the Lady-Datejust comes in a wealth of versions to perfectly reflect the different personalities of its wearers. The range of materials of the Lady-Datejust is equalled only by a stunning range of bracelets and subtle dials that enhance its style.
A fluted, domed or diamond-set bezel? Exclusive, shimmering dials paved with diamonds or the fascinating hues of mother-of-pearl? Simple or gem-set hour markers, or even Roman numerals? The many faces of the Lady-Datejust make this model one of the most varied in the Oyster Perpetual collection.
Rolex Oyster Perpetual Lady-Datejust in 18 ct yellow gold fitted with a diamond-paved dial and a diamond-set President bracelet
A showstopper of a wristwatch unveiled this year, the Lady-Datejust is paved with sparkling diamonds, with its 18 ct yellow gold case and President bracelet just peeking out between the prongs. The case sides and lugs of the new Lady-Datejust are set with 158 brilliant-cut diamonds as well as 44 brilliant-cut diamonds on the bezel. The President bracelet sparkles with a further 596 brilliant-cut diamonds. Showcasing the captivating shine of the diamonds that adorn every surface, the dial is fully paved with 291 diamonds. For an added touch of splendour, the dial also features 18 ct yellow gold Roman numerals that bear a lustrous black finish.
The function of timekeeping itself is uncompromised in the Lady-Datejust, with the watch carrying the Superlative Chronometer certification. This new version of the Lady-Datejust is equipped with calibre 2236, a movement at the forefront of watchmaking technology, entirely developed and manufactured by Rolex. It boasts several patents and offers outstanding performance in terms of precision (+/-2 seconds per day), power reserve (approximately 55 hours), resistance to shocks and magnetic fields, convenience and reliability. Especially notable here is the fact that calibre 2236 uses the Syloxi hairspring, which was patented and produced by Rolex. This silicon hairspring remains up to 10 times more precise than a traditional hairspring in case of shocks, and its patented geometry ensures the calibre’s regularity in any position.
The Rolex Oyster Perpetual Pearlmaster holds a special place in the Oyster collection; it represents the height of exquisiteness with precious metals and gemstones. Image: Rolex
The pearl in the Oyster collection, the Pearlmaster is synonymous with elegance and brilliance. First introduced in 1992, the Pearlmaster shares some characteristics with the Datejust. This descendant of Rolex’s emblematic Datejust model displays the date, magnified by a Cyclops lens, in a window at 3 o’clock. Only available in 18 ct white or Everose gold, the Pearlmaster is a vivacious blend of watchmaking expertise and artful gem-setting, with its own defining hallmarks. Precise and lavish gem-setting is one such element, with a harmoniously contoured Pearlmaster bracelet being another. All in all, the collection is an exquisite expression of refinement with gently rounded styling.
With its softly curved lines, the Pearlmaster bracelet, entirely set with diamonds, contributes to the distinctive character and sophistication of the watch and offers the wearer maximum comfort. Created especially for the Pearlmaster in 1992, this solid gold bracelet with round five-piece links is fitted with a concealed Crownclasp — which is opened using a Rolex crown-shaped lever — adding to the watch’s aesthetic appeal and ease of use. The bracelet includes ceramic inserts inside the links to enhance its flexibility and longevity.
Rolex Oyster Perpetual Pearlmaster 39 in 18 ct Everose gold with dial paved with 713 diamonds, featuring a diamond-set bezel, case and signature Pearlmaster bracelet
The Oyster case of the Pearlmaster 39, guaranteed waterproof to a depth of 100 metres (330 feet), is a paragon of robustness and elegance. The middle case is crafted from a solid block of 18 ct white or Everose gold. Its case back, edged with fine fluting, is hermetically screwed down with a special tool that allows only certified Rolex watchmakers to access the movement. The Twinlock winding crown, fitted with a double waterproofness system, screws down securely against the case. The crystal, with a Cyclops lens at 3 o’clock for easy reading of the date, is made of virtually scratchproof sapphire. The waterproof Oyster case provides optimum protection for the Pearlmaster’s movement.
The Rolex Oyster Perpetual Day-Date was the first calendar wristwatch to indicate, in addition to the date, the day of the week spelt out in full in a window on the dial — a technical feat at the time. Image: Rolex
Launched in 1956, the Day-Date was the ultimate watch of prestige, and remains so to this day. Watches in the Day-Date range are made only of precious metals — 18 ct yellow, white or Everose gold or 950 platinum. If the spotlight gravitates to you, the Day-Date is a fitting companion, as demonstrated by the many US presidents and eminent figures who have chosen it. The appeal of the collection first captivated President Lyndon B. Johnson in 1965, leading the Day-Date to be known as the “president’s watch”. All Day-Date watches are equipped with the President bracelet, which was specially created for the watch.
Rolex Oyster Perpetual Day-Date 36 in 18 ct yellow gold, with a turquoise dial, diamond-set bezel and a President bracelet
Resplendent at every angle, the turquoise stone dial and diamond-set Roman numeral hour markers give this Day-Date 36 an air of elevated sophistication, with its diamond-set bezel acting to draw the eye of every onlooker. The middle case is crafted out of a solid block of 18 ct yellow gold, as is the fluted caseback, and the President bracelet. Its distinctive dial features hour markers in 18 ct gold, set with 32 diamonds, and a Roman VI and IX in 18 ct gold, set with 24 diamonds accompanied by the instantly recognisable President bracelet represents the ultimate in refinement and comfort. Like all Rolex watches, the Day-Date 36 s covered by the Superlative Chronometer certification redefined by Rolex in 2015.
Rolex Oyster Perpetual Day-Date 36 in 18 ct white gold, with a diamond-paved dial, diamond-set bezel and a diamond-set President bracelet
The dial of the opulent Day-Date 36 features 10 baguette-cut, rainbow-coloured sapphires that function as the hour markers. These contrast brilliantly with the diamond-paved dial, creating a sparkling symphony to enhance the watch and enchant the wearer, and everyone around her. To deliver this alchemy of sublime grandeur, Rolex gem-setters have to work carefully and meticulously. They finely carve the precious metal to hand-shape the seat in which each gemstone will be perfectly lodged. Besides the intrinsic quality of the stones, several other criteria contribute to the beauty of Rolex gem-setting: the precise alignment of the height of the gems, their orientation and position, the regularity, strength and proportions of the setting as well as the intricate finishing of the metalwork.
Fuelled by a storied legacy, no efforts were spared in crafting the new-generation movement, calibre 3255. Developed and manufactured by Rolex, calibre 3255 boasts 14 patents and, thanks to its barrel architecture and the escapement’s superior efficiency, the power reserve of this movement extends to approximately 70 hours with an accuracy of +/-2 seconds a day.
Iconic Swedish pop group, ABBA, has just reunited to release their first album in 40 years, titled “Voyage”. The album is set to release on November 5 with 10 new original tracks.
Along with that, the Swedish legends have also announced they will hold a series of virtual concerts using digital avatars of themselves in a specially built venue in London next year. Fans can look forward to hits such as “Mamma Mia” and “Waterloo”, as ABBA teams up with a 10-piece live band.
ABBA ARE BACK with ‘Voyage’, a brand new album and revolutionary concert. Listen to two brand new songs now and pre-order ‘Voyage’ from the official store for first access to tickets. For more info, link in our bio. @ABBAVoyage#ABBAVoyage#ABBA
Ahead of the album’s release, the band shared two new tracks “I Still Have Faith in You” and “Don’t Shut Me Down” on Thursday.
The last album ABBA released prior to this was in 1981 was titled “The Visitors”. The band broke up just a year later. Reunion rumours swirled for years, with ABBA turning down numerous offers. It was only in 2018 that they first teased the lead single for “Voyage”, “I Still Have Faith in You”.
This gorgeous 1946 Delahaye Type 135M Cabriolet is set to go on auction on September 8 by H&H Classics at the Imperial War Museum Duxford. It is reportedly estimated to fetch between £250,000 to £300,000.
Believed to be only one of two ever made, this Grande Routiere would be a proud addition to any classic car collection. Its sister car, chassis 800320, was offered for sale with a guide price of US$450,000 to US$650,000 in 2017.
The one about to go on auction, however, was beefed up with a more powerful Type 12S 103 engine at some point in its life. According to H&H Classics, it’s rumoured to have been installed by the factory. The engine features three inlets and six exhaust ports plus triple Solex carburettors. This configuration is said to allow the Type 135M to “keep up with modern traffic”. This car is also fitted with Cotal’s unique electromagnetic four-speed gearbox, which is designed for a comfortable yet engaging driving experience.
Image: H and H
Since Delahaye lacked its own coachbuilding facilities, the company entrusted this part of the process to a laundry list of top French ateliers. This led to some of the most flamboyant bodywork seen at the time. The 1946 Delahaye Type 135M Cabriolet above, however, had coachwork done by Swiss coachbuilder Graber. Conscious of the masterpieces created by their French counterparts, Graber decided to go with a more elegant design instead. That’s why this model features more complex panel curvature than flashy chrome accents.
The car was supplied new to Lucerne, Switzerland before migrating to Bern in 1956. Two years later, it was moved to Thun, where it would remain under single ownership until 1998. Over the years it received high-quality restoration work, including bodywork refurbishment, an interior re-trim as well as a new hood. Under current ownership, it received further cosmetic enhancements and was even invited to attend the world-famous Pebble Beach Concours d’Elegance in 2017.
Image: H and H
History of the Delahaye Type 135
The Type 135, arguably Delahaye’s most popular model, was first launched at the 1935 Paris Salon. It has seen numerous iterations over the years, including the Type 135M above. When the Type 135 first arrived, it was noticeably stiffer and lower-slung than its predecessors, and its chassis featured box-section side rails.
Its suspension system was also unique, featuring an independent front suspension with a lower transverse leaf spring and upper wishbones connected to longitudinal torque arms. The live rear axle, on the other hand, was supported by semi-elliptic leaf springs mounted outside the main chassis rails.
The Type 135’s obvious competition potential has seen various accolades over the years. It was a successful racing car in the 1930s, with outright wins at the Coupe d’Automne, Mont Ventoux hillclimb (1936), Donington 12-hours (1937) and Le Mans 24-hours (1938). Furthermore, in 1939, esteemed racing driver and whisky heir Rob Walker’s Type 135S outran Alfa Romeo 8C 2900 and Talbot T150SS competition to claim the title of ‘Britain’s Fastest Road Car’ at the Whit Monday Brooklands meeting.
In 1903, when Cartier first began to develop wristwatches, it found itself in a unique space. Few jewellers had ventured into watchmaking — the two fields, while related, were rather distinct. Jewellery was ornamental and stylistic in nature, and while the brand had created mantel clocks and mystery clocks, watches to be worn on the wrist were an entirely new segment. Over the next few decades, the brand would introduce a plethora of unusual watch designs, including two highly memorable pieces — the Asymétrique and the Cloche.
I say they were memorable because they literally turned heads. To look at the dial properly, you had to tilt your head. The Asymétrique was designed for drivers: if your hand was at 2 o’clock, the dial would appear straight. But the Cloche was meant to be read in a resting position. The bell-shaped design of the watch case recalled traditional mantel clocks, except this was meant to be worn on a wrist. Presumably, the idea was this: if you were at work, you took off your watch, and thus the Cloche de Cartier could be read as if it were a desk clock.
This certainly made sense in the early 20th century, when the idea of a 9-to-5 job existed. But with our work and personal lives increasingly entangled these days, does the Cloche de Cartier still hold its appeal? Turns out, it does.
I’ve often wondered how a modern interpretation of the Cloche de Cartier would look, and more than once in the past, brought it up with Pierre Rainero, the head of heritage and style for Cartier. He held firm to its perpendicularly-turned form and case design; I imagined a vertical, slimmed-down Cloche with a stepped case design, almost like a bell jar. Mr Rainero’s foresight is far more accurate, but the Cloche de Cartier Skeleton brings forth a very modern-looking wristwatch.
The pink gold model bears a modern slate-grey sunburst dial; the yellow-gold edition has a champagne dial and the platinum an eggshell one. The two latter options have a distinctly vintage feel, and will definitely find interest in Cartier aficionados.
It is the Cloche de Cartier Skeleton models — in pink gold, platinum and diamond-set platinum — bearing the calibre 9626 MC that truly stand out. The Art Deco Roman numerals, joined at their base in a ring under which the gears are positioned, rendering them nearly unnoticeable, makes this the most stylish skeleton movement from Cartier (and there are plenty from the watchmaker, believe us, or else, believe Google). Because of the design of the 9626 MC, the movement is framed in a smaller “cloche” set into the case and secured with screws, which gives it a clear association with another famed Cartier model: the Santos.
These models are all limited: the classic Cloche de Cartier at 100 each, the pink gold and platinum Cloche de Cartier Skeletons at 50 pieces and the diamond-set version with just 10 watches. We’re certain they will be sold out, if they aren’t already.