Tag Archives: Blancpain

Leaps And Bounds: The Alluring Green Dial of Blancpain’s Villeret Quantième Perpétuel Ref. 6656

How often do you think about a leap year? The seemingly innocuous phenomenon that happens once every four years, adding a single day to February. For most of the world’s population it is probably just “oh, there is a February 29th this year” as they see the date on the screen of a smartphone, smartwatch or Google calendar. But, for us watch enthusiasts, on the other hand, February 29th is the day when we finally get to see the perpetual calendar complication go to work. The day when your mechanically driven timepiece can intuitively understand that in 2024, February doesn’t end on the 28th and therefore can automatically compensate for the extra day, and subsequently the arrival of March.

Put to a non-watch person, it may seem that all the research and development and investment from the brand side, along with the hefty asking price of a perpetual calendar, to see it in action once every 1,460 days is probably not justified. However, this is the reason you buy a perpetual calendar. Not an annual calendar or a complete calendar, which is comparatively much cheaper. You buy a perpetual calendar so you can set it once, and if continuously powered, will keep the date until 2100 whereby many of us reading this would no longer be alive.

In honour of the year that will see the Perpetual Calendar complication put to good use, for our Spring 2024 issue, we take a closer look at this complication from Blancpain. More specifically the Villeret Quantième Perpétuel Ref. 6656, a model that represents the confluence between the trifecta of complexity, functionality and design. This model from the manufacture is not new per se but for 2024 it has, for the first time, been given a deep green dial inspired by the fir forests of the Vallée de Joux and paired with an elegant red gold case, giving us the perfect opportunity to revisit the perpetual calendar complication, a complicated that many collectors would probably have on their grail list.

THE DIFFERENCE A DAY MAKES

To understand what makes a perpetual calendar so special, one must first go back to the basics of the date function. At its most basic level, the date mechanism simply follows the advance of the hour hand. For every 24 hours that pass, the date wheel is advanced one day forward. If all months had 31 days this complication wouldn’t have a problem because mechanics thrive on repetition (I recommend playing the video game Opus Magnum to better understand what I mean). However, as we know, some months have 30 days while others have 31. If this was the only variable in a calendar, then, still a perpetual calendar wouldn’t be too difficult to make as the mechanism only has to compensate for two variable factors. Adding on yet another layer of complexity is the fact that February has 28 days which makes this month out of the 12 yet another anomaly which has to be mechanically adjusted.

For each layer of ‘rule’ added to a calendar the mechanics inside have to increase exponentially in terms of complexity to comply. For example, the traditional date complication is simple to manufacture because it follows one rule, and the human (wearer) will manually compensate for the discrepancies between the different days of the month. This means that the date wheel will just automatically advance to 31 every month and five times a year this must be manually corrected.

The next layer of complexity is a movement that can discern between the months that have 30 and 31 days and automatically advance the date as such. This is the function of an annual calendar complication. To achieve this, engineers devised a special cam that takes into consideration the pattern of days in the month within a 1-year cycle. But, as the name alludes, the Annual calendar still requires one manual adjustment to the date every year which is in February, regardless of whether it is a leap year. Interestingly enough, even though the perpetual calendar was invented by Thomas Mudge around the 1760s it was only in 1996 that the simpler annual calendar was invented.

For a perpetual calendar to work, the mechanism within the movement has to be capable of not just ‘understanding’ the patterns of 30 and 31 days within a year, it also has to ‘remember’ that February has only 28 days. And the most important of which, is it has to keep track that every four years, during a leap year, there is an extra day on February 29th. Explaining the mechanism to achieve this would probably take more pages than we have for this article so for the sake of brevity, the ‘memory’ of a perpetual calendar can be boiled down to a cleverly designed cam that records the length of months in a four-year cycle. For this Ref. 6656 specifically, the cam is based on an 8-year cycle recording two consecutive leap years, which can clearly be observed on the subdial at 12 o’clock. On paper, it may seem simple enough to add one day to February every four years, but in reality, the Perpetual calendar is even more complicated than the fan-favourite tourbillon and is probably closer in number of parts to a minute repeater.

Within this new version of the Villeret Quantième Perpétuel Ref. 6656, beats the calibre 5954 automatic movement with its integrated perpetual calendar complication. It is capable of offering a power reserve of 72 hours when fully wound and offers the same anti-magnetic properties thanks to its silicon hairspring.

Even though the word perpetual suggests that the watch need not ever be adjusted, Blancpain’s perpetual calendar, and for that matter almost all perpetual calendar complications are not perfect because they still must be manually adjusted in 2100. If you take the rule that a leap year happens every year divisible by four, then technically 2100 should be a leap year. But it’s not. This is because the exact time that Earth makes a full rotation around the sun is not exactly 365.25 days but rather 365.2422 days. By this logic, if we continue to apply the leap year rule, after a couple of hundred cycles, our seasons will start to get out of sync. Therefore, when the Gregorian calendar (the one we use today) was invented it stated that century years would have to be divisible by 400 for it to be a leap year. Thus 2100, 2200 and so on, will not be leap years to compensate.

BETTER SAFE THAN SORRY

On the subject of manual corrections, the perpetual calendar complication can be notorious when it comes to its adjustments. In perpetual calendars of the past, it has been said that manipulating and adjusting the watch at certain times could easily damage the watch earning it a round trip home to Switzerland and along with it, a large bill for the repairs. And this forbidden period was between the few hours before midnight and the few hours that followed. During this time, the calendar indications are changing, and any manual correction applied could easily damage the delicate gears.

With the Villeret Quantième Perpétuel Ref. 6656 from Blancpain, this is no longer an issue as the watch designers at the manufacture have managed to eliminate this risk entirely. When the user tries to make the adjustment while changes are happening, a clutch disengages the system to prevent any damages from occurring. But the ability to do this doesn’t come without its cost, and according to Blancpain, they needed 40 per cent more components compared to a traditional complication to achieve this. Of course, all of this is hidden beneath the dial so all the wearer sees, is a clean and elegant design on its top side.

Another testament to the usability of Blancpain’s perpetual calendar movements is the fact that since 2005 they have introduced a patented system of manual adjustment – under-lug correctors. Traditionally these manual adjustment mechanisms have always been built into the sides of the cases. In fact, most other perpetual calendars still use these correctors, which appear as small dimples on the case of the watches. The clever use of under-lug correctors by Blancpain enhances the watch in two ways.

The first of which is purely functional where instead of needing a tool to depress the dimples on the case, the lever on the underside of the lugs can be manipulated using one’s fingernails. Secondly, the discarding of these dimples can now allow the watch case to have an entirely smooth surface, adding heaps to the elegance of the watch. This is especially prominent in the case of the Reference 6656 where the beautifully minimalistic dial is complemented by the blemish-free red gold polished case.

MOON FACE INDICATOR

Okay, before you grab your pitchforks protesting this sub-heading, it is indeed quite a literal reference to the little face present on the moonphase indicator on the dial. The moonphase has always been a significant part of Blancpain’s history; One could even say that it is the perfect representation of Blancpain’s ethos as a watch company.

As the story goes, the legendary Jean-Claude Biver said when he bought Blancpain in 1982: “There has never been a quartz Blancpain, and there never will be.” Back then, even the Swiss watch brands were starting to dabble with quartz technology during the era of the quartz crisis. But Blancpain took an opposite stance, instead, doubling down its efforts to cement the mechanical watch’s place in contemporary times by demonstrating how quartz could never replicate the complexity, craftsmanship and history of traditional watchmaking. One of the first complications they decided to make in its modern era was a moon phase indicator in 1983.

Looking at the moon phase indicator on the new Villeret Quantième Perpétuel Ref. 6656, I feel like the face on this moon is portraying something akin to an all-knowing smirk. Perhaps it knows that Blancpain’s choice to make a statement with this complication basically predicted the role of the mechanical watch for contemporary times, not just for Blancpain, but arguably for the entire luxury watch industry that exists today.

The design of the dial is the same Ref. 6656 that was first launched in 2018 which also served as a replacement for the Ref. 6057 which offered a similar design, day, date, month and leap year indicators in three subdials, but in a smaller 38mm case. The new Ref 6656 on the other hand is housed in a 40mm red gold case complete with the collection’s signature double-stepped case. Last but certainly not least, the new look is also defined by the mesmerising, deep green of the dial. The colour along with its sunburst pattern was inspired by the fir forests of the Vallée de Joux that surround the Grandes Complications workshop where the watch is meticulously crafted by its master watchmakers.

Roar into the Lunar New Year with These Dragon-Inspired Timepieces

 

2024 marks the return of the Year of the Dragon. Returning once every 12 years, this celestial creature is associated with prosperity and is a symbol of luck, strength and wisdom. The dragon is also an imperial icon that embodies life and immortality. In honour of this auspicious creature, LUXUO lists the exclusive festive releases and dynamic timepieces to usher in the Year of the Dragon — from dragon motifs to dragon figurines and every scale inbetween.

Vacheron Constantin

The Grisaille High Jewellery Dragon’s grisaille enamelling technique is objectively rare, and is a first for Vacheron Constantin in this shade of green. Note the 146 baguette-cut diamonds on the bezel and case of the 40 mm white gold watch, which take nothing away from the subtlety at the heart of this unique piece. Absent even a seconds indicator, it might be the most restrained watch on this list…

Ulysse Nardin

To celebrate the Lunar New Year, Ulysse Nardin combines the majestic dragon with the alluring pearl. The Ulysse Nardin Blast Tourbillon Dragon is an embodiment of in-house innovations, métiers d’art and the magic of the Year of the Dragon. This limited edition timepiece is crafted from 5N rose gold with black DLC-coated titanium sections. The two-dimensional enamel dial features an intricate red gold dragon extending across the dial towards a pearl sculpture. The case back’s “X” shape is a signature of the watch and has become a notable feature of the modern Ulysse Nardin.

Piaget

Piaget’s new Dragon & Phoenix capsule collection features 10 daring designs of exceptional watches and High Jewellery pieces – topped off with a pair of extravagantly exclusive, made-to-order high jewellery cuff watches. Each creation brims with emotion and exuberance, joyfully channelling the codes of the Maison while celebrating the house’s unparalleled watchmaking savoir-faire. In the example seen here, the dial features the fine paillonne enamel craftwork of the famed Anita Porchet, framing a engraved gold dragon.

Chopard

Chopard’s L.U.C XP Urushi Year of the Dragon is an 88-piece limited edition in ethical rose gold and boasts a continuation of the brand’s exploration of the traditional Japanese urushi craft; the dial was crafted by a Japanese Maki-e master using urushi lacquer, gold powder and mother-of-pearl inlays. The in-house L.U.C 96.17-L calibre with micro-rotor ensures that a slender profile of just 6.80 mm can be maintained. It mingles technical savoir-faire and artistic flair delivered by Chopard Manufacture.

Breguet

Classique Double Tourbillon Dragon 5345 (Special edition)

Breguet unveils two new exceptional timepieces as a tribute to the emblematic Year of the Dragon. The first is the special edition Classique Double Tourbillon Dragon 5345, which sees a hand-engraved golden dragon twirl between the watch’s twin tourbillons. The dragon is seen clutching a pearl made of mother-of-pearl in its talons. The rhodiumised gold rotating plate is hand-guillochéd with a fan motif. The gold bridge below the mainplate features an anthracite galvanic treatment and Clous de Paris hobnail motif guilloché.

Next is the Classique Dragon 7145 which features a hand-engraved rose gold appliqué dragon standing triumphantly on the dial with the watches Roman numerals, minutes track and clouds finished in a golden powder-pink hue. The manufacture calibre 502.3 beats inside a 40 mm rose gold case which is one of Breguet’s thinnest at just 2.40 mm thick.

Classique Dragon 7145 (Eight Piece numbered limited edition)

Hublot

Drawing inspiration from the traditional Chinese art of paper cutting, the Spirit of Big Bang Titanium Dragon layers its hands, wheels and H-shaped screws to form a 3D silhouette of an eastern dragon. It is a formidable expression of creativity that bridges form and function. Created in collaboration with the Chinese artist Chen Fenwan, this limited edition timepiece of 88 pieces is the perfect fusion of tradition and modernity, combining metaphors and symbols in the spirit of Hublot.

Bovet

Bovet’s artisans combined the art of sculpting miniatures with its established mastery of high horology in the Recital 26 Chapter Two Dragon. The result is a hand-engraved horological objet dárt. A domed blue quartz dial displays the local time zone’s hours and minutes in the upper part of the case. The dome located at 3 o’clock displays a second time zone specifically developed for this timepiece and patented by Bovet.

Roger Dubuis

Roger Dubuis utilised the Year of the Dragon to introduce the Excalibur Dragon Monotourbillon. The timepiece’s watchmaking innovation highlights the dance, complexity, artistry, and symbolism of the festive season all in one. For the sculpture of the dragon, the watchmakers have used 27 individual pieces of brass – each embellished with black lacquer on the sides and a pink gold treatment on the polished top surface. The pieces are then set on 25 different levels, producing a mutli-dimensional vision that is full of volume and vitality, thus enriching the skeletonised movement.

IWC Schaffhausen

IWC Schaffhausen welcomes the Lunar New Year with a special edition release of the Portugieser Chronograph. This timepiece features a 41 mm stainless steel case, a burgundy dial and contrasting gold-plated hands and appliques. Limited to 1,000 pieces, this watch features its rotor in the form of a majestic dragon, visible through the sapphire crystal case back. The watch is powered by the manufacture 69355 calibre.

Bell & Ross

Envoking tattoo artistry, the BR 05 Artline Dragon watch takes on this bold personality, with its own exclusive laser engraving. By adopting this graphic code, the timepiece visually plays on light and shadow through the relative fineness and thickness of each stroke honing in on the precision of line work that is crucial to “transcending the realm of drawing to that of a metal tattoo”. On the BR 05 Artline Dragon’s dial and integrated bracelet, the decorative motif is finely engraved.

Jaeger-LeCoultre

Jaeger-LeCoultre adds a new chapter to this story of craftsmanship and artistry with the Reverso Tribute Enamel ‘Dragon’. The new timepiece pays tribute to the Year of the Dragon, and to the talents of the master enamellers and engravers in the Métiers Rares atelier of the Manufacture Jaeger-LeCoultre. Created to celebrate the Zodiac Year and made only to order, the Reverso Tribute Enamel ‘Dragon’ is testament to La Grande Maison’s vision of culture and creativity, where the artistic crafts merge with the technical expertise of the watchmakers.

Blancpain

In 2012, Blancpain achieved a world-first when it debuted its Villeret Traditional Chinese Calendar wristwatch that spanned East-West with its combination of a complex Chinese calendar and a Gregorian date and moonphase. This year, the Manufacture enters its second 12-year cycle with the introduction of a new limited edition of this grand complication featuring a dragon engraved on the red gold winding rotor in honor of the symbol of the new lunar year. This special limited edition for the first time is executed in red gold with a green enamel dial against a frosted background; the dragon is flanked by a red ruby and a Chinese character engraving of the words “dragon” and “wood”, the element of 2024.

Franck Muller

Franck Muller’s release of special edition timepieces comes every Lunar New Year to mark the procession of animals in the Chinese zodiac. Honouring the mythical dragon, the new Vanguard Dragon Slim Skeleton Limited Edition bears a customised rotor that has been engraved with a dragon, which appears to coil around and protect the timepieces’s movement like a “mystical guardian”. The Vanguard Dragon Slim Skeleton Rouge and Vert are accented in red and green respectively, with the pops of color coming from its tinted sapphire caseback – the special bright hues reflected in said caseback mirror that of the dial. Only 10 pieces will be available of each reference, including the Colour Dreams version (which is distinguished by a transparent caseback) exclusively at Franck Muller boutiques in the Asia Pacific region.

Parmigiani Fleurier

Maison Parmigiani celebrates the Year of the Wood Dragon with a magnificent restoration of a masterpiece from its Métiers d’Art collection, the “Tempus Fugit”. Inspired by the legend of the Dragon and the Pearl of Knowledge, the piece incorporates powerful symbols anchored deep in traditional Chinese culture. This piece is a reference to Parmigiani Fleurier’s vast experience in the restoration of antique clocks and its fascination with kinetic art.

L’Epée

The movement “Swiss Made Caliber 1853” was created entirely by L’Epée 1839, has 124 parts meticulously assembled by the L’Epée 1839’s master watchmakers. Two dragons “protect” on either side of the most precious part of a kinetic object — the gearing mechanism. The dragons with golden or palladium scale adopt mirrored postures, their serpentine body coils protectively around the horological craftmanship.

For more on the latest in luxury watch releases, click here.

Blancpain’s latest Ladybird collection is an Ode to Elegance

With this year being the 70th anniversary of Blancpain’s Fifty Fathoms and what that collection means to the watch industry, it is easy to overlook yet another of Blancpain’s novelties for the year, the Ladybird. On the surface, these new and colourful offerings may seem like just another collection that has been given some new colours along with a dazzling array of diamonds to entice female fans. In truth, however, Blancpain’s Ladybird collection is not simply adapted from a man’s watch with the size reduced. Instead, it was created specifically with all the watchmaking savoire faire of this centuries-old brand to cater to the women of today.

If you look back at the brand’s history, women have always been important to Blancpain. In 1933, the manufacture was the first Swiss watchmaking company to have a female CEO and owner after Betty Fiechter purchased the firm. A few years before that, the firm had already created one of the world’s first automatic wristwatches for women under the name Rolls. This paved the way for further innovation in watchmaking for women and in 1956 when the Ladybird first debuted, it was equipped with the smallest round movement ever conceived at the time.

The novelties found within the latest Ladybird collection do not break any records. What is on offer instead is a vibrant range of colour variations including midnight blue, peacock green, forest green, lilac or turquoise set on a backdrop of textured mother-of-pearl on the dial. These coloured Roman numerals are also accompanied by a strap in a matching hue. Additionally, 70 diamonds are set onto the dial to accompany the small seconds and/or moon-phase indicator found there. And on the 34.9mm case, an additional 59 diamonds with a total weight of 2 carats give the watch an extremely elegant exterior.

This is not to say however that the watch is completely devoid of mechanical prowess. The Calibre 1163 movement powering the small seconds version along with the 1163L for the one with the moon phases indicator, both come packed with a relatively long four-day power reserve and a silicon balance spring. Through the transparent caseback, enthusiasts will notice that the movement is fi nished with the Côtes de Genêve decoration. Additionally, the gold oscillating weight of the self-winding mechanism offers circular open-worked patterns that mirror those found on the dial.

Blancpain Fifty Fathoms Tourbillon 8 Jours Is a Collector’s Dream

Image: Blancpain

Originally introduced in 2007 at the time when Blancpain launched the contemporary Fifty Fathoms collection, the Fifty Fathoms Tourbillon 8 Jours is more of a symbol of horological expertise than a tool for hard and abusive use, but of course, no one in their right mind would advocate this watch as a beater. Well, you might beat the on-trend watch buyer with this, particularly those who just would not understand how a tourbillon finds its way into a dive watch.

The Tourbillon 8 Jours is a manifestation of style, possibilities, and sophistication. If you want to own just one Blancpain watch, and you would like it to be a complicated one (and you also wish for it to be a Fifty Fathoms), then you need not look further. If you also want to lord it over the heaving masses, obsessed with certain makes of dive watches, the Tourbillon 8 Jours is also perfect.

Image: Blancpain

For 2022, Blancpain presents two new versions of the Fifty Fathoms Tourbillon 8 Jours watch in red gold and in titanium. The case measures 45mm in diameter and is appropriately given a satin finish; this is typical for the Fifty Fathoms collection, which requires impressive wrists for best results. Unusually, both models share the same deep blue dial with a sunburst finish whose aura serves to highlight the splendid flying tourbillon at the 12 o’clock position. 

Image: Blancpain

That flying tourbillon is idiosyncratic to a tee, having no official business being in a dive watch. Of course, the contemporary dive watch is far more than its humble tool watch origins suggest. It certainly helps that Blancpain is a pioneer in dive watches itself, with the Fifty Fathoms model being based off the original 1953 model that brought the unidirectional bezel to watchmaking. No other manufacturer could produce dive watches with grand complications in quite the way that Blancpain can. It is a point of pride encapsulated in this watch — and beaten only by Blancpain’s own Aqualung minute repeater, but that is a story for another time.

Image: Blancpain

Make no mistake though, the Tourbillon 8 Jours is a proper dive watch, being water-resistant to 300 metres and everything. It also has a full eight days of power reserve, which does make the watch a paragon of reliability and resilience, but altogether too beautiful for those words. The proof is in the movement, visible via the exhibition case back. The self-winding Calibre 25C with a gold rotor displays all the hallmarks of hand-finishing; maybe this watch really is for the dive watch collector on the lookout for the most beautiful example he can find.

Movement: Automatic calibre 25C with flying tourbillon; 192-hour power reserve
Case: 45mm in rose gold and titanium; water-resistant to 300m
Strap: Blue sailcoth, blue NATO or bracelet (titanium only)
Price: From CHF111,400 in titanium

For more watch reads, click here.

Blancpain Fifty Fathoms Bathyscaphe Quantième Complet - Maximum Utility

Blancpain Fifty Fathoms Bathyscaphe Quantième Complet: Maximum Utility

Image: Blancpain

Of the numerous dive watches that exist today, only a handful can lay claim to the title of pioneer that the Blancpain Fifty Fathoms Bathyscaphe does. Created in 1956, the icon of the dive world forged a path for others to follow, defining specifications and requirements that allow watches to reach the deep depths of underwater exploration. Though diving is not as popular compared to its heyday, dive watches are still well-loved to this very day for their functionality and aesthetics. Over the decades, various complications were introduced to the Fifty Fathoms to meet the evolving needs of the wearer, one being the complete calendar as seen in the latest interpretation of the Blancpain Fifty Fathoms Bathyscaphe Quantième Complet.

Built with an indomitable spirit and designed for functionality, the Blancpain Fifty Fathoms Bathyscaphe Quantième Complet is guided by the manufacture’s “Innovation Is Our Tradition” principle as it marries the savoir-faire of Blancpain. The emblematic sporting DNA of the Blancpain Fifty Fathoms Bathyscaphe is tempered with a touch of tradition offered by the complete calendar more commonly seen in the Blancpain Villeret collection. In doing so, the Bathyscaphe Quantième Complet reinforces the principle of everyday utility — a timepiece that is more than capable of handling the rigours of daily wear and offers the calendar information at a glance.

Image: Blancpain

Two iterations of the Blancpain Fifty Fathoms Bathyscaphe Quantième Complet are released in either dress or utilitarian guises. The former is the tried-and-tested formula that pairs an 18K red gold case with a sunburst blue-gradient dial and a blue ceramic bezel with Ceragold scale while the latter is cased in Grade 23 titanium. A tonal colour palette is distinguished by varying shades of grey seen on the sunburst anthracite dial and matte ceramic bezel with a graduated Liquidmetal scale. Both pieces are paired with matching coloured NATO or sailcloth straps with the titanium model available with a titanium bracelet.

Powering the Blancpain Fifty Fathoms Bathyscaphe Quantième Complet is the in-house self-winding calibre 6654.P that offers 72 hours of power reserve and displays the date, day of the week, month and moon phase. Given the fragility of complete calendars in general, a security system is integrated into the movement allowing owners to manipulate the indications without any risk to the movement.

For more watch reads, click here.

Watches and Wonders 2022 Day 3 Highlights

It’s the weekend so we’ll take a different tack to our continuing Watches & Wonders Geneva stories. In fact, Watches & Wonders Geneva is not the only game in town and we dropped in on Time to Watches to check out Corum, among other brands. The temperature outside plummeted but Corum warmed us up with a great conversation about time, and their new Admiral 42 watches, and a wildly luminescent Admiral 45 model.

The Admiral 42 watches sport the 2019-introduced dial decoration called grenadier fendu, which has a historical military inspiration. This decoration is shared across all the Admiral variants this year and speaks well to current appetites and tastes. We applaud the updates and look forward to more of such options. Not that Corum will be making more watches or anything, because the brand tells us that they will actually be making fewer watches, and cutting references even more than they already have. If you love the Bubble watch, as we do, you need not worry there because it is very much in the picture.

Corum

Back in the hallowed halls of the Palexpo, I want to take you through a true aural pleasure, the new minute repeater from A. Lange & Sohne. We spoke with our old friend, Product Development Director Anthony de Haas about it, off camera, and we’ll bring you that story in May. The short story on the Richard Lange Minute Repeater is that you have to hear it for yourself. It has a classical appeal, from its three-part enamel dial to the chiming mechanism that avoids awkward pauses in the absence of quarters, that contrasts strongly with the new Odysseus watch in titanium. More on that last watch later…

For now the new minute repeater serves to connect our day, between A. Lange & Sohne and the Patek Philippe Museum. This is because Richard Lange worked on thermocompensation in the balance spring and the Museum has an excellent showcase of early thermocompensation experiments, in pocket watches, just as Richard Lange would have made. The science and culture of watchmaking cuts across time and space, and it’s nice to have a visceral experience of that here in Geneva.

A. Lange & Söhne

Ok that’s a lot of verbiage and not a lot of watches, but we do have to save some of our coverage for the months to come. A lot of the watches at Watches & Wonders Geneva and Time to Watches for that matter, will be released throughout the year so we have to keep the excitement going for a little while. Of course, the Patek Philippe Museum can be experienced year round, but only in Geneva.

Speaking of strange connections, we managed to surprise our friends at Blancpain with a detail about the Air Command watch, which was not in their press release, and that you can read about in the latest issue of WOW, also online at LUXUO. In a bunker underneath the Blancpain boutique, we also saw a new bracelet for the Bathyscaphe and got a little handsy with the Fifty Fathoms 8 Days Tourbillon. The conversation was a little too animated and exciting so details on that bracelet and the Fifty Fathoms will have to wait. But honestly, these are the kinds of meetings and experiences that watch fairs are about. To us, they are worth a price above any watch. Okay maybe not a Van Cleef & Arpels Automaton but I digress.

Blancpain

Bringing the curtain down on this day of WWG was a private concert called the Sound of Colour by Hans Zimmer, courtesy of IWC. We skipped dinner to make this, and it was well worth it. Experiences like this one are also what watch fairs need, and deliver a visceral edge to the debut of the IWC and Pantone Top Gun watches.

For more highlights on Watches and Wonders 2022, click here.

WOW Malaysia x Blancpain: A Night To Remember

In December last year, WOW Malaysia had the privilege of hosting selected guests and VIPs for an intimate session with Blancpain. The event, held over two days, saw the brand unveiling its 2021 novelties, which is then followed by a dinner session.

Opening the novelty presentation is Carrie Poon, the Regional Brand Manager of Blancpain at the brand’s boutique located in Suria KLCC. Following which, Kelvin Tan, editor-in-chief of WOW Malaysia, gave a short introduction on the timepieces such as the two new models from the Villeret line (the Quantième Complet and the Ultraplate), the Ladybird collection and the latest Bathyscaphe in titanium.

After browsing through the 2021 novelties, the guests then proceed to Marni’s on 57 for dinner. The restaurant is situated in the heart of Kuala Lumpur and has a commanding view of the city’s skyline at night. More than just a gastronomical affair, the evening was also an opportunity for guests to socialise and mingle.

By Joseph Low

 

Commanding Presence – Blancpain Air Command

When we think of Blancpain, the Fifty Fathoms comes to mind immediately, or maybe even the Aqualung (worn by Vladimir Putin). They have always been well known for producing amazing military watches and we are fully aware of their success. However, here is a timepiece that you probably never heard of before… the rare and mysterious Air Command. This should come as no surprise because only a dozen pieces were ever made, making it a true “Phantom,” as they say in collecting circles.

In the 1950s, following the success of the Fifty Fathoms, which was adopted for use in the American Navy, Blancpain had hopes to continue their winning streak. They planned another model for the military, one that was specifically crafted for the US Airforce.

Some may wonder why Blancpain chose to release this new Air Command. Maybe they decided that it was time to give a lovely watch another shot at success, this time for the general public who might be interested in aviation-themed watches. This also marks the first time that the brand has made a homage that mimics the original so closely, although there are key differences.

The new Air Command’s case diameter of 42.5mm is only fractionally larger than the 42mm of the 1950s original. The dial certainly gives off the “vintage” vibes with the clever use of Faux Patina on the Arabic hour markers as well as the hands. The faux patina gives off a yellowish hue which makes it look like it has been aged. It uses a “boxed” shaped sapphire crystal which recalls the look of the domed acrylic crystals of the past while being distinctly different. The glossy ceramic bezel insert adds a whole new dimension to the aesthetics while paying tribute to the original bakelite bezel.

The watch features a symmetric two register chronograph, powered by the Blancpain calibre F388B – a whole new movement, remarkably different from the Valjoux Calibre 222 in the original. The new calibre is based off the Frederic Piguet 1185, and has a flyback chronograph with a vertical clutch column wheel. It beats at a high frequency of 5 hertz, or 36,000 vph, allowing 1/10th of a second precision. (Just like the Zenith El Primero calibres). It has a sapphire caseback (certainly not present in the original) that allows you to gaze in wonder at the intricate craftsmanship and detailed finishing of the movement (this is a Bancpain movement after all). It also boasts a funky propeller-shaped oscillating rotor crafted out of 18k gold.

Blancpain Air Command Specs and Price

Movement Automatic calibre F388B; 50-hour power reserve

Case 42mm stainless steel; water-resistant to 100m

Strap Leather

Price CHF18,500

 

Blancpain Quantième Perpétuel, the new star in the game

Over the years, Blancpain has never stopped building upon the savoir-faire and capability to build marvellous timepieces that astound the world of watch collectors.

And for 2019, the star masterpiece to stun the world is the Blancpain Quantième Perpétuel, a new addition to the Villeret collection, which remains as Blancpain’s most exquisite and finely created watches that house the most sought after complications in horology.

As a boutique exclusive, the Blancpain Quantième Perpétuel (ref. 6656-3440-55B) comes in as an entrant to the esteemed Villeret collection which has already been established as one of the foremost series of dress timepieces in the Swiss watch industry.

This version has a prominent blue dial that contrasts handsomely with the luxurious platinum case of the watch. The blue dial of the watch, of course, displays the true functionalities of the watch –  the perpetual calendar mechanism that is a major complication Blancpain is well known for.

This boutique exclusive release of just 88 limited edition pieces provides accurate time, day and date tracking over the months, years and leap years so that one does not need to remember to correct these indications over the transitions of those periods.

On top of that, the watch also features indications for the moon phase. Ultimately, what the dial showcases is the ability of Blancpain’s watchmakers to create a beautiful and engaging display for all these functions via the Roman hour markers juxtaposed against the subdials that house the registers for the day, month and date.

Best of all is the whimsical smiling moon phase indicator that comes along for the ride anchoring the entire timepiece as though mirroring the smile on the face of the owner of the timepiece as he gazes upon it.

Below the dial lies the in-house Blancpain automatic calibre 5954 which powers the watch for an impressive three days. This masterful creation of haute horlogerie consists of 351 separate parts working in an intricate manner to make the entire timepiece work flawlessly.

One can view this marvel via the sapphire display case back to see it in action up close.

 

For more information about the Blancpain Quantième Perpétuel, visit the Blancpain Boutique KLCC or on www.blancpain.com.

Malaysia’s First Blancpain boutique has opened at Suria KLCC

It is a great news for Malaysia’s watch connoisseur because Blancpain has marched into Suria KLCC with its very first standalone store.

A shopping hub that has high traffic from both locals and international visitors, it is no surprise that Blancpain decides to open its first Malaysia’ boutique in Suria KLCC.

Spanning 84 sqm space, the boutique is adorned with polished cherry woodwork and refined mouldings that bring watch connoisseurs to explore the maxim of the Manufacture: “Innovation is our tradition”.

The luminous setting from Vallée de Joux will lead the visitors to the in-counter displays, where you can witness 280 years of watchmaking expertise from the likes of classic Villeret collection to the iconic Fifty Fathoms diving watches.

 

As revealed by Blancpain, there are more in-store events coming this year. Watch out this space for more updates.