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Roar into the Lunar New Year with These Dragon-Inspired Timepieces

 

2024 marks the return of the Year of the Dragon. Returning once every 12 years, this celestial creature is associated with prosperity and is a symbol of luck, strength and wisdom. The dragon is also an imperial icon that embodies life and immortality. In honour of this auspicious creature, LUXUO lists the exclusive festive releases and dynamic timepieces to usher in the Year of the Dragon — from dragon motifs to dragon figurines and every scale inbetween.

Vacheron Constantin

The Grisaille High Jewellery Dragon’s grisaille enamelling technique is objectively rare, and is a first for Vacheron Constantin in this shade of green. Note the 146 baguette-cut diamonds on the bezel and case of the 40 mm white gold watch, which take nothing away from the subtlety at the heart of this unique piece. Absent even a seconds indicator, it might be the most restrained watch on this list…

Ulysse Nardin

To celebrate the Lunar New Year, Ulysse Nardin combines the majestic dragon with the alluring pearl. The Ulysse Nardin Blast Tourbillon Dragon is an embodiment of in-house innovations, métiers d’art and the magic of the Year of the Dragon. This limited edition timepiece is crafted from 5N rose gold with black DLC-coated titanium sections. The two-dimensional enamel dial features an intricate red gold dragon extending across the dial towards a pearl sculpture. The case back’s “X” shape is a signature of the watch and has become a notable feature of the modern Ulysse Nardin.

Piaget

Piaget’s new Dragon & Phoenix capsule collection features 10 daring designs of exceptional watches and High Jewellery pieces – topped off with a pair of extravagantly exclusive, made-to-order high jewellery cuff watches. Each creation brims with emotion and exuberance, joyfully channelling the codes of the Maison while celebrating the house’s unparalleled watchmaking savoir-faire. In the example seen here, the dial features the fine paillonne enamel craftwork of the famed Anita Porchet, framing a engraved gold dragon.

Chopard

Chopard’s L.U.C XP Urushi Year of the Dragon is an 88-piece limited edition in ethical rose gold and boasts a continuation of the brand’s exploration of the traditional Japanese urushi craft; the dial was crafted by a Japanese Maki-e master using urushi lacquer, gold powder and mother-of-pearl inlays. The in-house L.U.C 96.17-L calibre with micro-rotor ensures that a slender profile of just 6.80 mm can be maintained. It mingles technical savoir-faire and artistic flair delivered by Chopard Manufacture.

Breguet

Classique Double Tourbillon Dragon 5345 (Special edition)

Breguet unveils two new exceptional timepieces as a tribute to the emblematic Year of the Dragon. The first is the special edition Classique Double Tourbillon Dragon 5345, which sees a hand-engraved golden dragon twirl between the watch’s twin tourbillons. The dragon is seen clutching a pearl made of mother-of-pearl in its talons. The rhodiumised gold rotating plate is hand-guillochéd with a fan motif. The gold bridge below the mainplate features an anthracite galvanic treatment and Clous de Paris hobnail motif guilloché.

Next is the Classique Dragon 7145 which features a hand-engraved rose gold appliqué dragon standing triumphantly on the dial with the watches Roman numerals, minutes track and clouds finished in a golden powder-pink hue. The manufacture calibre 502.3 beats inside a 40 mm rose gold case which is one of Breguet’s thinnest at just 2.40 mm thick.

Classique Dragon 7145 (Eight Piece numbered limited edition)

Hublot

Drawing inspiration from the traditional Chinese art of paper cutting, the Spirit of Big Bang Titanium Dragon layers its hands, wheels and H-shaped screws to form a 3D silhouette of an eastern dragon. It is a formidable expression of creativity that bridges form and function. Created in collaboration with the Chinese artist Chen Fenwan, this limited edition timepiece of 88 pieces is the perfect fusion of tradition and modernity, combining metaphors and symbols in the spirit of Hublot.

Bovet

Bovet’s artisans combined the art of sculpting miniatures with its established mastery of high horology in the Recital 26 Chapter Two Dragon. The result is a hand-engraved horological objet dárt. A domed blue quartz dial displays the local time zone’s hours and minutes in the upper part of the case. The dome located at 3 o’clock displays a second time zone specifically developed for this timepiece and patented by Bovet.

Roger Dubuis

Roger Dubuis utilised the Year of the Dragon to introduce the Excalibur Dragon Monotourbillon. The timepiece’s watchmaking innovation highlights the dance, complexity, artistry, and symbolism of the festive season all in one. For the sculpture of the dragon, the watchmakers have used 27 individual pieces of brass – each embellished with black lacquer on the sides and a pink gold treatment on the polished top surface. The pieces are then set on 25 different levels, producing a mutli-dimensional vision that is full of volume and vitality, thus enriching the skeletonised movement.

IWC Schaffhausen

IWC Schaffhausen welcomes the Lunar New Year with a special edition release of the Portugieser Chronograph. This timepiece features a 41 mm stainless steel case, a burgundy dial and contrasting gold-plated hands and appliques. Limited to 1,000 pieces, this watch features its rotor in the form of a majestic dragon, visible through the sapphire crystal case back. The watch is powered by the manufacture 69355 calibre.

Bell & Ross

Envoking tattoo artistry, the BR 05 Artline Dragon watch takes on this bold personality, with its own exclusive laser engraving. By adopting this graphic code, the timepiece visually plays on light and shadow through the relative fineness and thickness of each stroke honing in on the precision of line work that is crucial to “transcending the realm of drawing to that of a metal tattoo”. On the BR 05 Artline Dragon’s dial and integrated bracelet, the decorative motif is finely engraved.

Jaeger-LeCoultre

Jaeger-LeCoultre adds a new chapter to this story of craftsmanship and artistry with the Reverso Tribute Enamel ‘Dragon’. The new timepiece pays tribute to the Year of the Dragon, and to the talents of the master enamellers and engravers in the Métiers Rares atelier of the Manufacture Jaeger-LeCoultre. Created to celebrate the Zodiac Year and made only to order, the Reverso Tribute Enamel ‘Dragon’ is testament to La Grande Maison’s vision of culture and creativity, where the artistic crafts merge with the technical expertise of the watchmakers.

Blancpain

In 2012, Blancpain achieved a world-first when it debuted its Villeret Traditional Chinese Calendar wristwatch that spanned East-West with its combination of a complex Chinese calendar and a Gregorian date and moonphase. This year, the Manufacture enters its second 12-year cycle with the introduction of a new limited edition of this grand complication featuring a dragon engraved on the red gold winding rotor in honor of the symbol of the new lunar year. This special limited edition for the first time is executed in red gold with a green enamel dial against a frosted background; the dragon is flanked by a red ruby and a Chinese character engraving of the words “dragon” and “wood”, the element of 2024.

Franck Muller

Franck Muller’s release of special edition timepieces comes every Lunar New Year to mark the procession of animals in the Chinese zodiac. Honouring the mythical dragon, the new Vanguard Dragon Slim Skeleton Limited Edition bears a customised rotor that has been engraved with a dragon, which appears to coil around and protect the timepieces’s movement like a “mystical guardian”. The Vanguard Dragon Slim Skeleton Rouge and Vert are accented in red and green respectively, with the pops of color coming from its tinted sapphire caseback – the special bright hues reflected in said caseback mirror that of the dial. Only 10 pieces will be available of each reference, including the Colour Dreams version (which is distinguished by a transparent caseback) exclusively at Franck Muller boutiques in the Asia Pacific region.

Parmigiani Fleurier

Maison Parmigiani celebrates the Year of the Wood Dragon with a magnificent restoration of a masterpiece from its Métiers d’Art collection, the “Tempus Fugit”. Inspired by the legend of the Dragon and the Pearl of Knowledge, the piece incorporates powerful symbols anchored deep in traditional Chinese culture. This piece is a reference to Parmigiani Fleurier’s vast experience in the restoration of antique clocks and its fascination with kinetic art.

L’Epée

The movement “Swiss Made Caliber 1853” was created entirely by L’Epée 1839, has 124 parts meticulously assembled by the L’Epée 1839’s master watchmakers. Two dragons “protect” on either side of the most precious part of a kinetic object — the gearing mechanism. The dragons with golden or palladium scale adopt mirrored postures, their serpentine body coils protectively around the horological craftmanship.

For more on the latest in luxury watch releases, click here.

Is Scarcity a Justifiable Reason for a Watch’s High Price Tag?

Is Scarcity a Justifiable Reason for a Watch’s High Price Tag?

Image: A. Lange & Söhne

Disruptions to supply caused by the pandemic have exacerbated an existing production issue, which was previously dominated by spurious complaints about brands artificially limiting production. We say spurious here because brands do intentionally limit supply, oftentimes based on their ability to do the kind of watchmaking they want, and to manage quality. Rolex, to use the example of the largest maker of watches above CHF3,000, takes about a year to make one watch, start to finish. This is according to independent estimates from a variety of trade publications, forums, Quora and Watchfinder.com. In any case, this illustration can be scaled down to work with brands that make significantly fewer watches. Keep it in mind when you consider the production information from the brands.

Image: A. Lange & Söhne

Take the example of A. Lange & Söhne, whose Odysseus model is one of the most sought-after in the luxury sports watch category; it sold for almost three times its retail price at a Phillips auction in New York in 2020. The brand continues to emphasise that it produces approximately 5,000 watches annually, and does not intend to go far beyond that. This is despite the fact that the Odysseus model only debuted at the tail-end of 2019.

Image: Piaget

The Glashutte firm has been saying something like this for more than five years, and possibly as long as 10 years. Fellow Richemont brand Piaget has likewise been saying its production levels for watches remain at 20,000 pieces annually since 2008. These kinds of numbers might seem like smokescreens, but we should always remember that contemporary watchmakers prefer to keep their production at optimal levels, rather than going for maximum results. This combines with the fact all brands — including Rolex — sometimes release clunkers or just models that will eventually be retired. When entire collections such as the Audemars Piguet Millenary are retired (at least in a typical gent’s style), the resulting capacity is simply assigned to other collections.

Speaking of retired collections or models, these are the truly rare watches out there. These will hardly ever be present in large numbers on social media, reselling platforms or brick and mortar stores. After all, whatever is discontinued cannot be found in stores brand new, except for whatever stock remains unsold, and brands will probably act to buy those back to protect their brand value. We have mentioned this earlier and will illustrate the point further with some official statements and quotes. In advance of that, we will take a stand here and suggest that if scarcity is the marker you trust best to establish value, then whatever models you do not see for sale are truly scarce. That makes sense from the perspective of Rolex stores without anything to buy… Or is this just a sign that some watches are so popular that watchmakers are having a tough time meeting demand? Indeed, we think that excited watch buyers are confusing popularity for scarcity.

Image: Zenith

All this is well and good, and represents a cursory examination with some random evidence that might appear to be tailored to fit our argument. For the avoidance of doubt, this segment includes all public information and statements from the brands on current market conditions. We begin with the most famous of all official words, from the unlikeliest sources: Rolex.

“The scarcity of our products is not a strategy on our part. Our current production cannot meet the existing demand in an exhaustive way, at least not without reducing the quality of our watches — something we refuse to do as the quality of our products must never be compromised. This level of excellence requires time, and as we have always done, we will continue to take the necessary time to ensure that all our watches not only comply with our standards of excellence, but also meet the expectations of our customers in terms of quality, reliability and robustness. Rolex does not compromise on what it takes to produce exceptional watches.”

“All Rolex watches are developed and produced in-house at our four sites in Switzerland. They are assembled by hand, with extreme care, to meet the brand’s unique and high-quality standards of quality, performance and aesthetics. Understandably, this naturally restricts our production capacities — which we continue to increase as much as possible and always according to our quality criteria.”

“Finally, it should be noted that Rolex watches are available exclusively from official retailers, who independently manage the allocation of watches to customers.”

That was the official Rolex line to Yahoo Finance, and it was picked up by every watch specialist, from Hodinkee to WatchPro, with some additional silliness that seemed to be just for the fun of getting the Geneva firm to open up. The above statement though does a bang-up of telling us all what we already know, albeit in words that we can rely on as canon. Patek PhilippeAudemars Piguet and Swatch Group brands can all say different versions of the same thing (minus the bit about the retailers, because Rolex is the only one to rely exclusives on authorised dealers, without brand-run boutiques).

Image: Patek Philippe

Next up was Patek Philippe President Thierry Stern, who gave a number of important interviews in 2020 and last year, mainly on the subjects of scarcity, production at the manufacture and, of course, the Patek Philippe Ref. 5711/1A.

On the new manufacture building and production: “Today, the building is too big for us but tomorrow, we will need it. My children, if they want to develop the company, they will need it… If we talk about quantity, maybe we will increase by 1-2 per cent (over the course of years) so we need the space for that too. Even with our current production, we have to expect all these watches to return to us for servicing, so that’s another reason I decided on this type of expansion.”

The above is a quote from an interview we published in issue #59. Patek Philippe makes roughly 60,000 watches annually, and the firm will not be running at full capacity in the new building in the immediate future. Even without the pandemic in the mix, the idea is to scale production up gradually. Sustainably even.

On discontinuing Ref. 5711/1A-010 (as told to the New York Times in February last year): “We are doing this for our clients who already own a Patek Philippe and to protect our brand from becoming too commercial. I can continue to make this fantastic product, or sell 10 times more of them. But I am not working for numbers. I am protecting the company for the future, for my children.”

“This is an opportunity to teach a lesson to my kids, who are the first ones to say, ‘Dad, are you crazy?’ They have to learn, just as my father taught me: When you have a fantastic brand like Patek, you have to protect the brand and not just one product.”

And finally, the statement Patek Philippe itself released confirming the end for Ref. 5711/1A-010, edited here for relevance: “We seize this opportunity to reiterate that the priority for Patek Philippe is not to generate short-term profit, but to focus on creating a variety of new models that provide exceptional quality while preserving the value of our customers’ existing timepieces…we will maintain a balance in our collections without focusing on one specific product.” We published this statement in full in issue #60.

Image: Audemars Piquet

As that New York Times article mentioned, besides Rolex and Patek Philippe, Audemars Piguet also has one model in particular (non-vintage) that remains a “wrist-power,” object. This is of course the Royal Oak reference 15202ST, which was also recently discontinued and replaced with reference 16202ST, itself a limited proposition for the 50th anniversary of the watch this year. There will only be 1,000 models of reference 16202ST with the 50th anniversary rotor on the brand new calibre 7121, just like the Series A run of the Royal Oak in 1972. Of course, a production run of 1,000 models in 1972 is quite different to that same number today, but Audemars Piguet has to protect the value of all existing watches in its stable, as well as all vintage propositions as well. CEO Francois Henry Benahmias said as much when introducing the entire new range of Audemars Piguet watches this year.

In response to our challenge to the idea of protecting desirability when it feeds the rapacious flipper mentality, the jocular CEO said the following: “We live in a free world…it is a free market. Who are we to determine what people do with our watches? If someone buys a watch from us and wants to sell it, who are we to stop him? Having said that, if someone buys a Royal Oak from us, sells it on, and comes back to try and buy the same watch from us again the week after, maybe we have a different point of view…”

We take Benahmias’ words to mean that collectors cannot be prevented from buying and selling whatever they want, which is only logical and reasonable. The secondary market (pre-owned and grey market) is estimated to be at least an order of magnitude larger than the primary market (EuropaStar, circa 2020) so shutting it down is certainly impractical. On the other hand, opportunists who see quick profits in iconic wristwatches should be resisted, if for no other reason than self-preservation.

Benahmias and Friedman went on to explain that if Audemars Piguet wanted to make more Royal Oak watches, the firm would have to make less of something else. Other manufactures have made the same point, as we have referenced earlier, and combined with long term growth strategies, all this means that we cannot just have more supply of one or two kinds of watches. Patek Philippe would have to allocate more than 30 per cent of its resources to make more steel watches, and Stern has repeatedly said he does not favour this. It seems logical that Rolex, to use a much larger production business as a counterpoint, would likewise not be interested in growing the volume of its business in steel watches, if it had to do so at the expense of its precious metal watchmaking.

Image: Audemars Piquet

Perhaps if the business in precious metals grows at the same pace, we may yet see more steel watches too, however unlikely it may be that two very different segments would experience the same scale of growth. For the moment, the desire for more of today’s popular models will have to come from the secondary market. This is of course the reason certain older models gain in value over time, when they might have lost a good chunk of the retail value to begin with.

Image: CHING@GREENPLASTICSOLDIERS

To properly conclude here, there are plenty of brands creating similar watches today, chasing the insatiable desire for symbolic statement watches, such as the Royal Oak and the Nautilus, and dive watches. We have already seen the Parmigiani Tonda PF on one end, and the Tissot PRX on the other. This year so far, the Zenith Defy Skyline is making a play for the same wrist-space. No doubt Watches & Wonders will show us even more dive watches at a variety of price points, and plenty of luxury steel sports watches.

And we have not even discussed the heavily-marketed Bvlgari Octo Finissimo and its part here. Head over to the most popular reselling platforms and see how many of the existing watches we have mentioned in this article (minus the most obvious ones) are available, and at what price. If numbers are really your thing, you will see that scarcity does not always equal eye-watering price tags.

For more watches reads, click here.

Tudor

What You Need To Know While Looking For Preowned Watches

Image: Tudor

The business of pre-owned watches is nothing new, no pun intended. In fact, this section might be punctuated by puns but none are intentional, unless otherwise indicated. There is a lot to get through so we will try to play it straight.

The advance in the pre-owned watch business has transformed the watch collecting in unforeseen ways. It has done this primarily by changing the perceived value of watches. Now the idea behind buying a watch that’s got some wrist time on it is the same as buying a used or secondhand car. Everyone accepts that when you buy a car, what you have is an object with depreciating capital value. In fact, you will lose value on your purchase the moment you drive it off the lot, as they say in the movies. This is also true of watches, by and large. Of course there are exceptions, and those typically prove their worth at public auctions over the years. This has been true for so long that only these few lines were necessary to explain buying a watch pre-owned. Things are quite different in 2022.

Image: Omega

There are new fair market prices for many watch models, totally divorced from the recommended retail price, and you might buy a current production watch several years old that has never been worn, from a third or fourth owner. It would have been unimaginable, just five or six years ago, to buy a current core collection watch from a second-hand dealer at anything even close to the recommended retail price. Try getting a new Rolex Submariner with that mindset and see how far it gets you. Welcome to a world where the now-discontinued Patek Philippe Ref. 5711/1A might cost you more at a secondhand dealer than, say, Ref. 3711 (a watch in white gold mind you). For collectors, which Patek Philippe Nautilus reference to acquire is a serious question, to which there could be many answers. There is a simple problem here that we can use our previous automobile example to elaborate on.

READ MORE: Patek Philippe Ref. 5711/1A Sets Auction Record

Sticking with the Patek Philippe Ref. 5711A, let us fast-forward to 2026, which happens to be the 50th anniversary of the Nautilus watch. For this exercise, let us also imagine that Ref. 5711A is your grail watch, and you have come to this decision — or realisation as it may be — after years of consideration. While Patek Philippe itself is inviting you to celebrate the anniversary with a specific reference that marks the occasion, you decide to pull the trigger on Ref. 5711A instead. By chance, in the swirling eddies of the deepest reaches of the Internet, you have found a dealer with the reference you want. It is unworn and still in its box — LNIB or like-new-in-box with factory seals intact. By this time, the premium on this model has achieved stratospheric heights that owners of the Ref. 5711/1A can only smile ruefully at. Would you buy this watch, unseen in the metal, take delivery and actually wear it? If so, take a moment to consider the state of the watch you are buying.

Patek Philippe factory warranties are good for two years so you have passed that mark — as noted previously, time starts ticking on the warranty from the moment it is sold by the authorised dealer. The manufacture recommends service intervals of between three to five years, and this is a standard advice from most watchmakers. Given all this, buying a watch that has been sitting in a safe or something for beyond this period, never having been checked even once by its owner, seems suspect. Would you buy a car that you intend to drive in this way?

Of course, this is an extreme example, and traders certainly do not intend to hold onto their inventory for extended periods (as noted earlier). They are not enjoying their watches, after all. Standard fare such as the Rolex Oyster PerpetualTudor Black Bay or Omega Speedmaster must all be turned around as quickly as possible, while the market is hot. Even something that might be a little special, such as the Audemars Piguet Royal Oak reference 15202ST will be treated the same. Traders are, as Watchcollecting.com’s Adrian Hailwood said, only buying watches because a market exists for them; to them, the watches may have no value beyond the market price.

It is for this reason, if no other, that we prefer to buy from people who actually wear their watches. They will at least know the state of any watches they are selling, and spend a little time taking care of their pieces. They might even be a little sad to sell certain watches, and we can relate to that. To be perfectly clear, we support the idea of collectors selling their own watches, especially if they have stopped wearing them, or any given watch stops being interesting to them. It happens that one falls out of love with a watch, even if that watch is the Patek Philippe Sky Moon Tourbillon, or the Rolex Daytona. Such a watch will certainly be sought-after by plenty of people, and they ought to have a shot at it. And this brings us to a sustainability issue…

READ MORE: The WOW Conversation: Sustainability in Watchmaking

Although it is mainly fashion brands that get the bad press about destroying their own unsold inventory, watch and jewellery brands certainly do the same. Just as Burberry continues to be mentioned for a 2018 decision to destroy US$38 million of unsold goods, Richemont admitted — also in 2018 — to buying back and destroying US$560 million worth of watches from Cartier, Piaget and Vacheron Constantin (according to Forbes). In watches and jewellery, brand executives tell us that they always attempt to recycle their raw materials, and that is the approach they prefer to take with unsold inventory.

Nevertheless, we are gratified to see older watches get their due at Cartier, which now sells restored pieces in their own boutiques. These are limited to watches from the 1970s to the 2010s so it is broad enough to include pieces that have passed their prime. Such services are really quite useful because entire collections have been known to come into their own long after their debuts. This includes the now mighty Cosmograph Daytona of course — in watchmaking, it takes time to build an iconic reputation.

For more watch reads, click here.

10 luxurious jewellery pieces of this Fall/Winter 2021

From Chanel, Chopard to Piaget, these top-of-the-line jewellery pieces definitely will elevate your appearance.

Chanel

It’s the 100th anniversary of the iconic N°5 perfume and Patrice Leguéreau has just the present to celebrate the milestone. The Chanel Fine Jewelry Creation Studio director has crafted over a hundred stunning haute joaillerie pieces for Collection N°5 and they include this Golden Sillage bracelet in yellow gold and platinum with yellow sapphires, spessartite garnets and diamonds.

 

Chopard

Everything in Chopard’s Red Carpet collection is literally breathtaking—one does not simply enumerate the components in each piece without gasping for air. This cuff bracelet, for one, features Mandarin garnets, Paraiba tourmalines, pastel sapphires, white opals, pink quartz, tsavorites, tanzanites, kunzite, amethysts, aquamarines, beryls, topaz, citrines, rubies, tourmalines and diamonds.

 

De Beers

Untamed nature serves as the backdrop for De Beers’ Reflections of Nature high jewellery range. Capturing the maze of waterways, floodplains and islands of Botswana’s Okavango Delta, the Okavango Grace creations, particularly these climber earrings, boast rough and polished diamonds in a true-to-life colour scheme of green, pink, brownish pink, purple and grey.

 

Dior

A decade has passed since Victoire de Castellane came out with her lush Bal des Roses collection. Now, once again paying a tribute to Christian Dior and his favourite flower, the creative director introduces the sparkling new RoseDior range, which brings forth a slew of exquisite designs such as these RoseDior earrings in textured yellow gold with diamonds.

 

Gucci

The oh-so whimsical garden at Gucci continues to grow with the expansion of the Hortus Deliciarum high jewellery collection. Echoing the eclectic quixotism of creative director Alessandro Michele’s kaleidoscopic universe, the new batch is inspired by the mesmeric hues of the sky at various times of the day which is perfectly illustrated by this classic cocktail ring.

 

Louis Vuitton

Diving deeper into its past, Louis Vuitton takes its devotees back to the very beginning—when its founder embarked on that journey across France to realise his dreams—for the Bravery high jewellery assortment. The Arrow ring cleverly narrates this account, serving as a metaphor for his odyssey and a literal interpretation of his legacy with the incorporation of the emblematic V motif.

 

Hermès

An icon at Hermès has received the ultimate star treatment with the brand’s latest jewellery entry. The Kellymorphose line, just as its name suggests, takes after the legendary Kelly bag defined by a strong and assertive form, side straps, clasp, padlock and key-holder—elements that are present in the pieces under the banner notably this Kelly Gavroche necklace.

 

Piaget

Where there’s darkness, there’s light. Promising to illuminate even in the bleakest of nights, Piaget’s Extraordinary Lights high jewellery pieces are imbued with the most spectacular light phenomenon. The Magical Aurora necklace, for instance, is bound to set the sky ablaze with the verdant hue of its emeralds and the unparalleled sparkle of its diamonds.

 

Habib

Springtime stretches all year long at Habib and the blossoming of The Bouquet in the fall season shows us just that. This stunning frangipani-inspired brooch, handcrafted in a restful combination of 18k rose and white gold, exudes the feeling of unfiltered femininity as the pink petals unfurl under the morning sun and unveil 391 pieces of brilliant-cut diamonds.

 

Tiffany & Co.

Nature’s most vivid chromatic displays are turned into mesmerising works of art at Tiffany & Co. as the jeweller releases its 2021 Blue Book collection. Themed Colours of Nature, the new roster is brimming with one-of-a-kind masterworks including this delicate butterfly brooch in 18k yellow gold peppered with purple sapphires and dazzling diamonds.

 

This article was originally published on www.lofficielmalaysia.com.