Tag Archives: Roger Dubuis

Roar into the Lunar New Year with These Dragon-Inspired Timepieces

 

2024 marks the return of the Year of the Dragon. Returning once every 12 years, this celestial creature is associated with prosperity and is a symbol of luck, strength and wisdom. The dragon is also an imperial icon that embodies life and immortality. In honour of this auspicious creature, LUXUO lists the exclusive festive releases and dynamic timepieces to usher in the Year of the Dragon — from dragon motifs to dragon figurines and every scale inbetween.

Vacheron Constantin

The Grisaille High Jewellery Dragon’s grisaille enamelling technique is objectively rare, and is a first for Vacheron Constantin in this shade of green. Note the 146 baguette-cut diamonds on the bezel and case of the 40 mm white gold watch, which take nothing away from the subtlety at the heart of this unique piece. Absent even a seconds indicator, it might be the most restrained watch on this list…

Ulysse Nardin

To celebrate the Lunar New Year, Ulysse Nardin combines the majestic dragon with the alluring pearl. The Ulysse Nardin Blast Tourbillon Dragon is an embodiment of in-house innovations, métiers d’art and the magic of the Year of the Dragon. This limited edition timepiece is crafted from 5N rose gold with black DLC-coated titanium sections. The two-dimensional enamel dial features an intricate red gold dragon extending across the dial towards a pearl sculpture. The case back’s “X” shape is a signature of the watch and has become a notable feature of the modern Ulysse Nardin.

Piaget

Piaget’s new Dragon & Phoenix capsule collection features 10 daring designs of exceptional watches and High Jewellery pieces – topped off with a pair of extravagantly exclusive, made-to-order high jewellery cuff watches. Each creation brims with emotion and exuberance, joyfully channelling the codes of the Maison while celebrating the house’s unparalleled watchmaking savoir-faire. In the example seen here, the dial features the fine paillonne enamel craftwork of the famed Anita Porchet, framing a engraved gold dragon.

Chopard

Chopard’s L.U.C XP Urushi Year of the Dragon is an 88-piece limited edition in ethical rose gold and boasts a continuation of the brand’s exploration of the traditional Japanese urushi craft; the dial was crafted by a Japanese Maki-e master using urushi lacquer, gold powder and mother-of-pearl inlays. The in-house L.U.C 96.17-L calibre with micro-rotor ensures that a slender profile of just 6.80 mm can be maintained. It mingles technical savoir-faire and artistic flair delivered by Chopard Manufacture.

Breguet

Classique Double Tourbillon Dragon 5345 (Special edition)

Breguet unveils two new exceptional timepieces as a tribute to the emblematic Year of the Dragon. The first is the special edition Classique Double Tourbillon Dragon 5345, which sees a hand-engraved golden dragon twirl between the watch’s twin tourbillons. The dragon is seen clutching a pearl made of mother-of-pearl in its talons. The rhodiumised gold rotating plate is hand-guillochéd with a fan motif. The gold bridge below the mainplate features an anthracite galvanic treatment and Clous de Paris hobnail motif guilloché.

Next is the Classique Dragon 7145 which features a hand-engraved rose gold appliqué dragon standing triumphantly on the dial with the watches Roman numerals, minutes track and clouds finished in a golden powder-pink hue. The manufacture calibre 502.3 beats inside a 40 mm rose gold case which is one of Breguet’s thinnest at just 2.40 mm thick.

Classique Dragon 7145 (Eight Piece numbered limited edition)

Hublot

Drawing inspiration from the traditional Chinese art of paper cutting, the Spirit of Big Bang Titanium Dragon layers its hands, wheels and H-shaped screws to form a 3D silhouette of an eastern dragon. It is a formidable expression of creativity that bridges form and function. Created in collaboration with the Chinese artist Chen Fenwan, this limited edition timepiece of 88 pieces is the perfect fusion of tradition and modernity, combining metaphors and symbols in the spirit of Hublot.

Bovet

Bovet’s artisans combined the art of sculpting miniatures with its established mastery of high horology in the Recital 26 Chapter Two Dragon. The result is a hand-engraved horological objet dárt. A domed blue quartz dial displays the local time zone’s hours and minutes in the upper part of the case. The dome located at 3 o’clock displays a second time zone specifically developed for this timepiece and patented by Bovet.

Roger Dubuis

Roger Dubuis utilised the Year of the Dragon to introduce the Excalibur Dragon Monotourbillon. The timepiece’s watchmaking innovation highlights the dance, complexity, artistry, and symbolism of the festive season all in one. For the sculpture of the dragon, the watchmakers have used 27 individual pieces of brass – each embellished with black lacquer on the sides and a pink gold treatment on the polished top surface. The pieces are then set on 25 different levels, producing a mutli-dimensional vision that is full of volume and vitality, thus enriching the skeletonised movement.

IWC Schaffhausen

IWC Schaffhausen welcomes the Lunar New Year with a special edition release of the Portugieser Chronograph. This timepiece features a 41 mm stainless steel case, a burgundy dial and contrasting gold-plated hands and appliques. Limited to 1,000 pieces, this watch features its rotor in the form of a majestic dragon, visible through the sapphire crystal case back. The watch is powered by the manufacture 69355 calibre.

Bell & Ross

Envoking tattoo artistry, the BR 05 Artline Dragon watch takes on this bold personality, with its own exclusive laser engraving. By adopting this graphic code, the timepiece visually plays on light and shadow through the relative fineness and thickness of each stroke honing in on the precision of line work that is crucial to “transcending the realm of drawing to that of a metal tattoo”. On the BR 05 Artline Dragon’s dial and integrated bracelet, the decorative motif is finely engraved.

Jaeger-LeCoultre

Jaeger-LeCoultre adds a new chapter to this story of craftsmanship and artistry with the Reverso Tribute Enamel ‘Dragon’. The new timepiece pays tribute to the Year of the Dragon, and to the talents of the master enamellers and engravers in the Métiers Rares atelier of the Manufacture Jaeger-LeCoultre. Created to celebrate the Zodiac Year and made only to order, the Reverso Tribute Enamel ‘Dragon’ is testament to La Grande Maison’s vision of culture and creativity, where the artistic crafts merge with the technical expertise of the watchmakers.

Blancpain

In 2012, Blancpain achieved a world-first when it debuted its Villeret Traditional Chinese Calendar wristwatch that spanned East-West with its combination of a complex Chinese calendar and a Gregorian date and moonphase. This year, the Manufacture enters its second 12-year cycle with the introduction of a new limited edition of this grand complication featuring a dragon engraved on the red gold winding rotor in honor of the symbol of the new lunar year. This special limited edition for the first time is executed in red gold with a green enamel dial against a frosted background; the dragon is flanked by a red ruby and a Chinese character engraving of the words “dragon” and “wood”, the element of 2024.

Franck Muller

Franck Muller’s release of special edition timepieces comes every Lunar New Year to mark the procession of animals in the Chinese zodiac. Honouring the mythical dragon, the new Vanguard Dragon Slim Skeleton Limited Edition bears a customised rotor that has been engraved with a dragon, which appears to coil around and protect the timepieces’s movement like a “mystical guardian”. The Vanguard Dragon Slim Skeleton Rouge and Vert are accented in red and green respectively, with the pops of color coming from its tinted sapphire caseback – the special bright hues reflected in said caseback mirror that of the dial. Only 10 pieces will be available of each reference, including the Colour Dreams version (which is distinguished by a transparent caseback) exclusively at Franck Muller boutiques in the Asia Pacific region.

Parmigiani Fleurier

Maison Parmigiani celebrates the Year of the Wood Dragon with a magnificent restoration of a masterpiece from its Métiers d’Art collection, the “Tempus Fugit”. Inspired by the legend of the Dragon and the Pearl of Knowledge, the piece incorporates powerful symbols anchored deep in traditional Chinese culture. This piece is a reference to Parmigiani Fleurier’s vast experience in the restoration of antique clocks and its fascination with kinetic art.

L’Epée

The movement “Swiss Made Caliber 1853” was created entirely by L’Epée 1839, has 124 parts meticulously assembled by the L’Epée 1839’s master watchmakers. Two dragons “protect” on either side of the most precious part of a kinetic object — the gearing mechanism. The dragons with golden or palladium scale adopt mirrored postures, their serpentine body coils protectively around the horological craftmanship.

For more on the latest in luxury watch releases, click here.

An Exclusive Interview With Nicola Andreatta

Mr. Nicola Andreatta, CEO of Roger Dubuis

You may not be familiar with Nicola Andreatta as CEO of Roger Dubuis but he knew the company from the era of Mr Roger Dubuis and Carlos Dias – basically right from the company’s origins. A man with watchmaking in his blood, Andreatta has spent his entire career deep in the trade, thanks in part to his family business, Timeo SA.

Based in Mendrisio, Switzerland, the family business is Swiss, through-and-through, and was a supplier to the Roger Dubuis company, back in the pre-Richemont days. Andreatta’s involvement here was far from casual – he was managing Timeo from 2003 till 2013. “My father made one of the first cases for Roger Dubuis,” said Andreatta in a piece published online by the South China Morning Post; Andreatta’s father is the founder of Timeo SA.

Andreatta also started his own watch brand, N.O.A. Watches in this period, and is a familiar face to many collectors and journalists thanks to his stint as Vice President and General Manager of Tiffany & Co, Swiss Watches SAGL. This was when we first encountered Andreatta, as he toured Asia in 2015 and 2016. As it happens, he is also quite familiar with the watch trade here because his first professional engagements were in this region, after he graduated with a business degree in 1997.

In our first interaction, Andreatta told us that he needed 10 years to make watches a successful part of the American jeweller’s business. This figure should not be scoffed at, with no less than Jean-Claude Biver himself noting that it took him a decade to build up Hublot. Fortunately, Roger Dubuis finds itself in a good position already, with previous CEO Jean-Marc Pontrué having left the manufacture a better place than when he found it. Andreatta is certainly not about to change any of that, telling us that he intends to keep the production numbers of Roger Dubuis stable for at least three years.

Armed with an infectious smile and a magnetic personality, Andreatta is the sort of business leader who makes you feel like you can achieve great things. This is precisely the quality a CEO needs to have, which is not something that can be learned. His own history with watchmaking leaves him perhaps uniquely suited to the top job, especially at a firm that is very much of this contemporary age.

Andreatta was in Singapore in late 2019 to officiate the opening of the refurbished Roger Dubuis boutique at ION Orchard.  We caught up with him for a chat about the brand and his plans for its future.

As the new man at Roger Dubuis and Richemont, what’s the welcome been like?

It has been incredible! My family business was connected with Roger Dubuis, right from the beginning (from the era of Mr Roger Dubuis and Carlos Dias), so I know the brand. But I’ve discovered even more. The introduction was fun, because you know, my father came to SIHH this year, and now he sees me on the other side! There’s pride there of course.

You’ve been in watchmaking your entire professional life. How has this helped you at Roger Dubuis?

The good thing about my career is that I know pretty much every single job in a watch company! I know how to manufacture watches physically; I know how to use the machines; I’ve designed watches; I’ve worked in the business of making watches in Switzerland, and in Asia; working with the suppliers… This is an advantage because it allows me to be closer to my team.

Roger Dubuis Excalibur Spider Double Flying Tourbillon

One thing I heard from my team was that they were happy to be able to discuss production with me, which may not have been the case with other CEOs (who don’t have the relevant experience in watchmaking). I know what I’m talking about and this allows me to find the trust and respect I need from my team. (In turn) I’m more useful to them because they find in me a partner instead of a boss.

When I came to Roger Dubuis, I discovered amazing things, yes, and maybe the people who had been there for 10 years (or more) didn’t see those things anymore. They are so focussed on what they do that they don’t change perspectives (so this is where I can contribute).

Roger Dubuis has been described as entrepreneurial. What doe that mean to you?

I say Roger Dubuis is an entrepreneurial brand because of our size, relative to our competitors; there is still a lot of room to grow. In the end, entrepreneurship is all about evolving, learning, growing and improving things. With my team, there’s a lot we can do to take this brand to new heights. With the help of Richemont, we can be entrepreneurial and find the right direction for the brand. As you know, Richemont is the most important watchmaking group in the world.

I hate the idea of chasing customers. I feel like you are successful when they come to you

You’ve spoken about maintaining the direction of the company, but adding your own vision. What is that vision?

I cannot really tell you my vision, because we like surprises at Roger Dubuis! What I can say is that changing completely what Jean-Marc Pontrué (he is currently CEO of Panerai, another firm within the Richemont stable) did, would be a mistake. He traced a very good line with the partnerships between Roger Dubuis and Pirelli as well as Lamborghini; this has been very successful for us. Because of this, we manage to express ourselves in the territory that we want…with all the adrenaline and the style of excess. It is all about evolution for us, rather than dramatic changes. There will be bumps of disruption here and there because that is everything Roger Dubuis is about. For example, there is something coming next year that will (really speak to the brand’s reputation) as a serial innovator. You will see at Watches & Wonders (the new name of the SIHH) in Geneva.

Roger Dubuis calls itself a “serial innovator.” What does that mean?

Innovation is not only in the product for us – it is also about the company. Now, you cannot just go to the staff and say I want 10 ideas from each of you. No, you have to create the environment for creativity and innovation. Innovation can come from anywhere in the company – maybe the cleaning staff have incredible ideas and bring a new perspective. You know, I asked the marketing people to think about production; I asked the finance people to think about the design. Crazy and incredible things came up! I mean, our CFO is a potential client after all!

Roger Dubuis Excalibur Pirelli Automatic Skeleton

All watchmaking brands want to reach young people, but it seems a certain generation is resistant to standard forms of luxury marketing. How does Roger Dubuis address this?

I hate the idea of chasing customers. I feel like you are successful when they come to you. It’s like what Steve Jobs said about creating desire; a need for something (that they never knew they needed). I feel like we’ve been overwhelming people with luxury, inflating products with higher and higher prices…and people tend to understand less and less. My problem isn’t about the price (per se) but to make sure the perceived value is aligned to what they are going to spend. Because that’s when they spend with us.

Why do you want to keep Roger Dubuis’ production to its current levels? Is this to maintain the exclusivity of the watches?

I’m not into selling watches; I’m into creating a brand that people want to come to. It is about having a beautiful experience, and (a Roger Dubuis watch) should be a sign of the life you want to live. (This is) the Roger Dubuis world, where people live the life they want to. Our customers are a sort of tribe.

Our world is connected to hedonism – to seeking pleasure. When customers come to us, they get an experience. It is beyond what money can buy. We create moments for our customers: when they come to Geneva we take them skiing on a glacier via helicopter with a champion skier; we take them flying on an aerobatic plane. We offer sensorial experiences. These moments create emotions, and those emotions are what people will remember.

Roger Dubuis Excalibur Quator Carbon

Given that Roger Dubuis has a certain pedigree, is it dangerous to veer so far from the origins of the manufacture?

These experiences (that I talked about) are not only about (thrill-seeking); they are about things that bring you pleasure, like wine or great hospitality. So we will also be connecting to the very beginnings of Roger Dubuis – our complications. We are going to be redesigning our traditional Excalibur case. We will be looking once more at our tourbillons, our minute repeater, our perpetual calendar…always with a twist!

I want us to stop talking about men’s watches and women’s watches; this is a bit anachronistic today. Why should we limit ourselves in this way?

We also use Mr Roger Dubuis’ quotes with our staff internally all the time. This is the spirit we need because we need to be true to our DNA. Too many brands lose this when they go looking for clients – they try to be the brand for everybody. We are not the brand for everybody; we are the brand for those few who understand who we are and want to be a part of our world.

That’s a very exclusive message. How do you make that fit with raising awareness for the brand?

This is the biggest challenge for us. We don’t need awareness everywhere but we (definitely need it) with our target group. You know, of all the marketing tools out there I think that word-of-mouth might be the best one to make sure that the brand gets renowned in the right circle of friends. I want to extend Roger Dubuis’s circle, invite more people into the tribe; if they find what they like (in our world) they will come back.

Roger Dubuis Excalibur Spider Carbon

Turning back to the world of adrenaline, why is it so much easier to understand the passion for cars than it is to understand the same passion for watches?

A watch is more difficult to understand because a car gets you from place to place, basically. In our world, a car has to be noisy and (provoke) emotions. Watches, on the other hand, when you start talking about complications, (you enter) a very peculiar world. There is something philosophical there. It is about the quest to control time, which is impossible. I love the idea that there is a connection between the (engines of time) and the concept of time. You must also not forget about the metiér – the handwork. When people come to the manufacture, they understand what the Geneva Seal means – that every component has to be finished by hand. This changes perceptions because people realise that it takes (the input) of hundreds of people to develop and produce a movement.

Despite having made many more calibres in the recent past than most other brands, even much larger ones, Roger Dubuis only has two collections now. Will you be changing this?

The beauty about our past is that we’ve been very creative – maybe too creative! We need to choose our battles, and be focussed on how we express ourselves. There were just too many things in the past and (Pontrué) did an amazing job in reducing our collections to just the Excalibur and the Velvet; one for men and one for women.

I want us to stop talking about men’s watches and women’s watches; this is a bit anachronistic today. Why should we limit ourselves in this way? It’s a myth that watches with diamonds (and other gems) are only for women; plenty of Asian customers like this. Who says that women should only wear small watches? I know a lot of women who wear 45mm or 47mm watches! For sure I will stop (defining watches as) men’s or ladies’.

Roger Dubuis, Banjaran Resort and more to join PGRV 2019

We are just a month away from our second ever Penang RendesVous, which is set to take place at Straits Quay in Penang this 11th to 13th October 2019.

And for Penang RendezVous 2019, things are no short of luxury compared to our inaugural event in 2018.

Endorsed by the Penang State Exco For Tourism Development, Arts & Culture (PETACH), Penang RendezVous 2019 is heading for a bigger and better experience for all luxury connoisseurs.

To start, we have luxury watchmaker Roger Dubuis joining our list of exhibitors at the 3-day luxury lifestyle event, where they will be showcasing some of their greatest masterpieces of 2019 including the Excalibur Spider Carbon3 and Excalibur Blacklight Trilogy.

Timepieces aside, we also have The Banjaran Hotsprings Retreat and Eastern & Oriental Group as our returning exhibitors from 2018, who are set to show us their latest offerings from 2019 including new dining experience at Banjaran and new luxury properties from Eastern & Oriental Group.

On the note of dining, Pernod Ricard Malaysia will also be making a comeback with its array of alcohol labels, which are set to tantalise your palates with its unique tasting sessions and workshops.

As for a more philanthropic note, we also invited the World Wide Fund for Nature (WWF) to join us this year to allow our esteemed guests and visitors be educated and enlightened with the latest wildlife-preserving projects and various environment-friendly initiatives.

In the coming weeks, we will also unveil more exciting partners joining Penang RendezVous 2019. So stay to the latest updates right here.

For more information on the event, please contact [email protected].