Tag Archives: Singapore

Jacyln Chan, Country Manager of Technogym Singapore on prioritising a holistic, bias-free approach with her management style

With a career spanning more than 15 years, Jacyln Chan has dabbled her hands in many reputable lifestyle and luxury brands regionally and globally. She has worked in leadership consultancy roles and even had her hand in managing property investments. But her eye on the wellness and fitness industry really pushed her passion to engage in this industry as a certified spin and yoga instructor. Her current role as Country Manager for Technogym Singapore has made her prosper in her career pursuit. Also, her passion for people development and fostering a culture of generosity, humility, and respect among her employees have allowed her to lead the charge of this renowned fitness equipment brand.

Being Singapore’s country manager for Italian luxury wellness company Technogym, she’s constantly bent on positively impacting her team and those she works with within her sphere. She desires to bring out the best traits in people while being result-oriented. So, when it comes to what she views as important traits for a modern woman to excel in today’s business climate, she quips, “I believe confidence is based on knowing your own worth and what you can value-add to your work in terms of skill sets. Confidence is also your own ability to hustle to achieve your goals.”

Jacyln also deems self-awareness in recognising biases because bias is prevalent in people and organisations; therefore, an organisation’s culture to help shape or reinforce these biases is critical. “It’s imperative to bring this self-awareness to the team,” explains Jacyln. Then, there is the difficult conversation one must require bravery to speak up such as unacceptable behaviours, and to ensure the conversations take a positive turn.

When it comes to men dominating the fitness industry, Jacyln believes women can be the change and even accomplish things that men can’t tackle. She emphasises that the fitness and wellness industry has evolved a lot with more women taking up leadership and influential positions. Fitness in many people’s minds is all about buff men lifting weights in the gym. The fitness spectrum has expanded so much, even going beyond the realm of physical health. From HIIT exercises to Pilates, people have more to indulge in their fitness pursuits. Women have also become more present in these spaces, too. She wants to see this path of equity for women in the fitness industry as leaders or influencers.

Jacyln enthuses, “I also consciously remind myself and other leaders that having diversity isn’t just about needing to meet an arbitrary ‘inclusion’ target mix number. Instead, the approach should be to select the best candidate for the job based on a rigorous and bias-free selection process, to build a workplace culture that is fair and a team comprising of objective-based people who ‘culture-add’ and not simply ‘culture-fit’.”

So, what can women bring to the table that men cannot? She says employers should recognise that women can also bring the same things to the table as men. Their mindsets and ideal attitudes should be embraced and celebrated regardless of their gender. She adds that women have been stereotyped as overly empathetic or sensitive, or even ‘soft’. But as we now know, pigeonholing traits to gender is to paint an unduly simplistic picture with a broad brush. She stresses the need to recognise individuals for who they are and the lenses they carry into the workplace, which can add a different dimension and value to the organisation. This can apply to all genders.

When asked about how the younger generation will reshape the future of the workforce while balancing career and family, Jacyln proudly opines, “I think it’s possible to have both a career and a family. The traditional thinking and something that’s imbued perhaps in an Asian value system, that still to this day has remnants of patriarchy, is that women would be the ones to choose family over career. Personally, I’ve found that this choice hits all genders in varying degrees.”

She stresses what matters most is that women and men understand the value of time and it is finite. There are windows of opportunity for each priority in life and effective time management allows space to balance priorities well. She knows of a managing director with five kids in tow and men who had given up their careers to make time for their families. She believes that a forward-thinking workforce should not be tied to time in the office; it should be focused on outcomes and goals. All gender should be given the respect when they are managing both careers and families because it is not an easy feat. They can choose to manage their time whether working at home or in the office, but it’s the outcome of their work that should be noted.

She also adds some of the essential abilities and attributes that modern working women should have, including embracing the spirit of reliability, relentlessness, resourcefulness, and respect for themselves and others. Without these qualities, any human being, regardless of gender, won’t be able to stand their ground and showcase their true worth.

Not forgetting, every woman needs to inculcate an attitude of curiosity, love for growth and follow through with concrete steps and action, and not grow for growth’s sake. Do what’s best for you in your present situation. Sometimes staying still and recalibrating brings about more transformative change.

On the right advice to give to women aspiring to become leaders in the workforce, Jacyln emphasises, “Allow yourself to feel, embrace the pain, shame, and anger. We owe it to ourselves as humans to feel. But more importantly, be mindful not to stay in that state for too long. Pick yourself up, recalibrate, let go and move on.”

Jacyln also stresses some of the essential health pointers to own in terms of today’s fitness for busy working women. She encourages women to be active as mobility is crucial for the health and an essential ingredient to ageing gracefully. Physical activity is vital for a wellness lifestyle and is considered medicine for our bodies, minds, and health. Pursuing its mission, Technogym can provide people with bespoke training programs directly from equipment consoles and Technogym App even when they are cooped up at home during the pandemic.

 

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On the type of woman Jacyln admires, she mentions her buddy, Victoria Cambell. Not only was she a triathlon champion, swam for Germany, a Nike-sponsored athlete, and her previous line manager, but she also became her best friend along the way. Jacyln cites, “In one race, she was blocked by two male swimmers in open water. Instead of going either left or right and slowing down, she chose to instead power through and squeezed in between them. In that triathlon, she won first place among both males and females. She embodies the spirit of relentlessness despite the odds!”

As for how she would like Technogym Singapore to be in the next five years, the country manager wants to see the brand be the gold standard for fitness equipment and wellness solutions in Singapore. She says, “I want our customers in Singapore to recognise the credibility and dependability of the brand’s superior innovation and design as well as how all that comes to life is a result of the positive working relationships that my team will undoubtedly bring.

I believe that every successful company is backed up by the people driving the business and it is my goal to enable customers to be able to differentiate us from our competition through a sincere, efficient, and creative approach to how we do business. Technogym with its unique ecosystem made of connected smart equipment, software and apps is the only brand able to offer a complete wellness experience, from the equipment to digital contents.”

Van Cleef & Arpels opens “Poetry of Time” exhibition in Singapore

From February 12 to 20, Van Cleef & Arpels will bring its ‘Poetry of Time’ event to Marina Bay Sands’ Expo Hall B​. We take a look at four major themes that have shaped the world of Van Cleef & Arpels since 1906, referencing pieces that will be on display at the exhibition — read on to discover the creations, and to find out how to visit the exhibition.

Love stories, modern and mythical

Alfred Van Cleef and Estelle Arpels were said to have shared one of those legendary romances – the sort that has inspired sonnets and plays throughout time. It’s little wonder that so much of the Maison’s has been informed by love stories: Take the Aïda & Radamès secret watch, for example. Inspired by Aida – a famous opera that has been sung over a thousand times since its premiere in 1871 – this fascinating piece of high jewellery belies the legend of the tragic romance between an Ethiopian princess and an Egyptian commander.

The watch is wrought of diamonds, mirror-polished gold and a deluge of blue sapphires, turquoise and lapis lazuli – echoing the warm sands of Egypt, and the famed Nile. The watch’s crowning jewel, a 5.93 ct Madagascan sapphire, hides a sliding dial adorned with fine stone marquetry – a subtle nod to the lovers’ secret romance.

 

Enchanting fairies, ethereal ballerinas

 

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Louis Arpels – one of the House’s original co-founders – was famed for his love of ballet. He would often bring his nephew and future scion Claude to performances at the Paris Opera. Later, Claude would continue his uncle’s legacy by collaborating with George Balanchine to create Jewels, a three-act ballet that premiered at the New York State Theatre in 1967.

Fairies, likewise, hold the same sort of ethereal fascination for Van Cleef & Arpels – as seen in the diaphanous Lady Féerie watch. But delicate muses do not preclude extraordinary technological additions: In 2021, the Lady Féerie watch won the Ladies’ Complication Watch Prize at the Grand Prix d’Horlogerie de Genève, a ceremony that many have called the “Oscars of watchmaking.” The diamond-studded fairy uses her wand to indicate the minutes, thanks to a retrograde movement developed exclusively for the brand, while a window of mother-of-pearl indicates the passing hours.

 

Messages from the stars

 

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In 2019, the Maison introduced the Lady Arpels Zodiaque Lumineux watches, the feminine counterpart to an existing collection – inspired by the 12 signs of the Western zodiac – for men. Like the original collection for men, the Lady Arpels Zodiaque Lumineux watches utilise a special light-on- demand module that allows electrical energy to be generated mechanically: At the press of a button, the translucent enamel beads on the watch face illuminate, lighting up the corresponding constellation.

These symbolic figures are adorned with precious stones and enamel, using shades that correspond to each sign’s element: Water signs, like Pisces, are glided with blue sapphires and translucent blue enamel beads, while fire signs like Aries are given stones like yellow sapphires and spessartite garnets.

 

Of flora and fauna

 

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It’s not just the beauty of nature that Van Cleef & Arpels is enthralled by – it is the constant state of metamorphoses of both flora and fauna that they admire, and aim to encapsulate. See the wondrously complex Dahlia secrète watch, where dozens of corollas in yellow gold and diamonds wrap ensconce a central diamond; the high jewellery watch required over 1,000 hours of work to complete. A system of subtle articulations give movement to each individual petal when touched, giving the watch the illusion of being a live, quivering flower.

 

Visit this link to book your visit to The Poetry of Time.

This article was originally published on www.lofficielmalaysia.com.

 

Augmented Reality at Retail Destinations shows the Future of Luxury Consumption

Almost four months into the COVID-19 pandemic, businesses across international markets face the fact that whatever “new normal” is, it remains uncertain. For the fashion industry, stopped orders and supply chain disruptions have resulted in high street brand losses and some bankruptcies.

With the lockdowns and threats of a second virus wave, customer travel both domestic and overseas are at an impasse — whether it’s weekend shopping at your local mall or destination shopping — brands need to discover new strategies to attract and retain homebound shoppers. As countries move into latter stages of the pandemic, so too has media consumption increased across all in-home channels: web browsing is up 70%, followed by 63% increase in  (traditional) TV viewing increasing while social media engagement has rocketed by 61%.

Overseas travel constraints present a particular problem for luxury brands targeting the Chinese market, in which a large proportion of luxury spending occurs overseas. In 2018, roughly 70% of Chinese luxury consumption took place at travel destinations according to McKinsey’s China Luxury Report 2019.

Phase 1 of New Normal: “Going Dark”

According to data intelligence consultancy Kantar, many brands and manufacturers are considering ‘going dark’ in order to save costs with the reasoning that since consumers are tightening their belts, consumption is at its lowest. However, Kantar believes that a six-month absence from TV is going to result in a 39% reduction in complete brand communication consciousness, possibly delaying recovery in the post-pandemic entire world. Having said that, a potential new out-growth of nascent augmented and virtual technology have noticed a recent shot in the arm since brands experiment with new channels beyond conventional advertisements in an effort to re-discover lost ground ceded to the coronavirus pandemic.

Ms. Bell Beh started Buzz AR, while studying Technology and Law at UC Berkeley, and recently, she’s been the pioneer in implementing this emerging technology at Singapore’s premier luxury shopping destinations with participation from the Singapore Tourism Board.

Augmented Reality at Retail Destinations shows the Future of Luxury Consumption

Retail shopping has been enduring a reckoning over the last 10 years and the coronavirus pandemic only served to quicken the growing trend towards digitisation of luxury shopping experiences: Stores will be like websites and websites will be like stores. Several emerging technologies will play a predominant role in shaping the way that people experience shopping. Augmented Reality (AR) is just one of those technologies, but it’s one that will take a central point. Why? Because if you’re trapped at home or reluctant to enter high traffic locales with strangers (whose potential viral loads are unknown, you’re going to want brand flagships to bring themselves to you. Given the ubiquity of high-speed internet and the highest household computing device penetration rates in modern history, the powerful combination of Augmented Reality (AR), Virtual Reality (VR), and Artificial Intelligence (AI) will make the future of luxury shopping a reality.

Phase 2 of New Normal: Post Pandemic Retail blurs Offline with Online

Sears and Toys-R-Us were the two greatest profile retail failures of 2018, but since the pandemic struck we’ve seen giants like JC Penny and Macy’s follow suit. In Southeast Asia, Singapore’s retail sales have fallen for the seventh consecutive month in August, compared to a year ago. Against a backdrop of e-commerce growth with Amazon Prime at Singapore, Lazada, and Shopee, spending a cool $1 million for Cristiano Ronaldo to star in a 10-second advertising spot, conventional retailers and direct-to-consumer manufacturers will have to adapt to an increasingly complex retail environment. With this being the greatest recession since the Great Depression, brands and businesses will need to rethink the use of their shopfronts, while utilising technology and data in smart ways.

 

How bricks and mortar can survive and thrive

Some of Singapore’s pre-eminent luxury shopping destinations are showing a potential way forward by adopting the emergent technology provided by Ms. Beh. Buzz AR is implementing AR wayfinding, a process of introducing fun, unique elements of guiding footfall in one of Singapore’s labyrinthine luxury shopping complexes. Whether it’s a simple matter of Mario or a game of Mario Kart guiding you to interesting shopping destinations, Buzz AR is but one element of a growing body of apps that have seen brands adopting. Most recently the absence of runway shows have driven designers like Marc Jacobs, Sandy Liang and Valentino to showcase their latest styles in Animal Crossing, the recent Nintendo smash hit game.

Direct-to-consumer brands understand they’re not only selling a product, they are adding value to their customers’ lives.

Even post-pandemic, AR and VR technology like the kind that retailers and retails points are adopting through Buzz AR also raises to the next level other physical retail elements, further blurring the line between offline and online interaction – this truly is the futuristic vision where shopping is a matter of 24-hour convenience independent of operating hours and physical dimensions (visiting one is a matter of choice, and no consumer has ever been unhappy about more choices):

  1. Point of purchase technology: “where brick and mortar shops create unique, one of a kind experiences for shoppers,” states CEO of MVP Interactive. “Whether conveniences are subtle like additional lounge furniture or more sophisticated like focal point of sale technology, the encounter will need to feel unique and distinctive to the shop.
  2. increase engagement digitally: retailers have to perfect the craft of participating with their audience digitally — creating seamless shopping experiences, believing mobile-first (like their viewers ), building a sense of community and mastering content development to foster loyalty. The focus now is about bringing the new experiences to life in the physical universe.
  3. Through the use of AR Billboards: a true shopping experience is created engaging and relevant through User-Centric advertisements, an improvement over the one-dimensional content-centric advertisements, where consumers are continuously bombarded with exactly what they do not wish to see.

While some Singapore luxury malls are implementing AR Wayfinding during the initial rollout, the next stage includes the use of AR Billboards and this is where Ms. Beh truly believes the future of luxury retail lies. Think of it as Silicon Valley ‘Big Data’ meets luxury retail: in a universe of large data, new digital channels such as AR Billboard collects (1) user-level information; (2) location-based data from consenting users. This data set further allows these luxury retailers to project overlay data onto consumer mobile devices that just flash what users want to see if they enter a shopping mall, even in the restroom waiting areas or storefront, even since they navigate from point A to B.

As a result, the ads are still immersive, interesting and targeted. It increases footfall, user experience while simultaneously understanding customers’ spending behaviour and preferences. Once users launch partner’s mobile apps, like Trip Advisor, the user can navigate while catching codes/ flash links on the augmented overlay billboard.

Gucci, an early adopter of Augmented Reality

Kering Group flagship, Gucci has been persistent with updates and new features to drive direct e-commerce. Since launching version 6.0 two months ago, the app has already had five updates, the latest being the unveiling of its new Augmented Reality feature. Upon going into the interface, users can view exactly what Gucci’s new shoes, eyewear, hats, and lipsticks appear like on themselves through AR try-ons, which they can also use to explore decorating their fresh workspace/home with Gucci furniture. Additionally, users can also play arcade games and view a gallery of places that have cultural connection to the fashion house.

That said, the luxury industry is steeped in centuries of tradition and technology remains a blind side as East Asia, in particular China, continues to drive the industry both as its growth engine and as its second-largest group of consumers (in terms of the East Asian region). Since 2017, big e-commerce players like Alibaba have made AR and VR in-roads into a “new retail era,” where online and offline merchants learn from each other and provide a brand new shopping experience for consumers.

Augmented reality would also improve the process of buying and selling homes — luxury realtor Sotheby’s International Realty is bringing AR into its international listings. Working in partnership with VR/AR developer Rooomy, Sotheby’s Curate is a virtual staging app that enables an empty home to be filled with the prospective buyer’s choice of interior decor and furniture, then viewed in real-time 3D.

Technology enablers and the in-store encounter

The most innovative brands are already using technology to enrich and curate the customer experience in-store, and those which haven’t, will be playing catch-up. Now, brands can display product information and inventory on tablets, and can use their understanding of customers to customise the encounter in-store, by way of example, taking away the requirement for physically processing payment.

Using touchscreens to discover more about a particular product, AR and VR tech like those of Beh’s Buzz will take away the awkwardness of the sales experience where a customer can be potentially perceived as difficult if they happen to be fickle or unsure of what they really want. An integrated purchasing experience as well as the pairing augmented reality experiences means that consumers get the benefit of not feeling the pressure of taking up a sales person’s time with the added benefit of browsing and trying (albeit virtually) multiple product categories. While self-checkout kiosks will eventually be commonplace in regular retail, with cellular point of purchase choices similar to what is used at Apple stores, the last step of a consumer’s journey in luxury retail could be simply either to have a white-gloved service deliver to your home or to summon a sales associate to wrap up your item to go.

“Luxury brands will survive based on their clientele and those who will fail are ones that don’t reinvest dollars into experience inside their stores or ones in which their products can be found heavily discounted online.”

What’s Going to separate Successful merchants from the Pack

  • Early adopters will win this game: The brands which realise this soonest will benefit the most; those who choose to ignore it will face the same fate that travel agents faced when airlines started selling tickets online. Most major retail brands seem to be aware of the imminent transition and are already studying how and when to innovate. As Bridget Dolan, head of Sephora Innovation Labs explained, “we want to stay ahead of our customers in digital technology — but not too far.”
  • User-centric information: Successful retailers will be the individuals who can comprehend the varying requirements and expectations of their clients — whether in the digital or physical world. Leveraging consumer-centric data and putting customer experience at the heart of decision-making is the key to creating powerful, omni-channel (instead of cross-device) journeys. In addition, he stresses the use of data. “For the mid to high end of retail that the expectations from store experiences are high, and it’s not just about the usage of technology, but also how it becomes seamlessly incorporated to the shopper’s journey. One which can begin in any channel and culminate in a different. Having the capability to cross correlate the shopper across all accessible interaction stations, and supplying store staff with the relevant data and actionable information that might assist them influence a purchaser greater, is what’s going to set them up for success.

 “A significant portion of the population of developed countries, and eventually all countries, will have AR experiences every day, almost like eating three meals a day.” – Tim Cook, Apple CEO

Engagement now, Revenue over time.

AR brings content which is designed to keep our attention spans for longer periods through visually immersive articles and conversational talking points. .AR advertisements also drive earnings directly. AR lenses are developing in a way that allow consumers plant and picture products in their immediate surroundings. These can be demonstrable and extremely engaging advertisement experiences on Facebook and Snapchat, such as attempting on fashion accessories.

While Loewe en Casa is running an ongoing series of online workshops and events through Instagram Live. The project, which concentrates on arts and crafts, including artistic collaborators, and Loewe Foundation Craft Prize alumni is still very much a passive experience. Using Facebook’s Camera Effects stage, Michael Kors built a campaign which lets users jump out of a News Feed ad to some front-facing camera activation which almost strives on sunglasses. Nike spotlighted a new shoe release by allowing users put it virtually in their space then walk around (and purchase ) the shoe.

 

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Topic II of #PradaPossibleConversations is “Love in the Time of Coronavirus,” a candid discussion between artist/filmmaker #FrancescoVezzoli and philosopher #EmanueleCoccia that took place on #InstagramLive on April 21, at 6pm CET. Now on IGTV. The conversation comes ahead of Vezzoli’s newly announced @FondazionePrada project, “Love Stories,” an exploration of emotion through the language of social media.⠀ “Love in the Time of Coronavirus” is part of a series of closely considered conversations that focus on the cultural impacts of our quickly changing world.⠀ With each conversation #Prada will donate to @UNESCO – an organization whose work during the #covid19 pandemic focuses on over 1.5 billion students worldwide who have been affected by school closure.⠀ ⠀ ⠀ Discover more via link in bio. ⠀ ⠀ ⠀ #StaySafe #StayHome

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That said, Loewe’s project provides customers a rare look into the artists’ studios and skills, Loewe finally wishes to demonstrate how far it cares about craftsmanship and the people behind it and that still is a real emotional connection provided by a virtual experience of live demonstrations revealing ancient Galician basketry and weaving techniques by the likes of Chilean jewellery artist Rita Soto, and Spanish artist Álvaro Leiro.

Aside from doing workshops and tours like Loewe, Prada has initiated a string of digital discussions connecting great minds in style, art, architecture, theatre, and thought to converse with one another, creating a romantic user-experience much like a Zoom call.

Foot Locker along with Jordan Brand similarly invented an AR effort to run on Snapchat. Utilising Snapchat’s “Advertisement to AR” format, users up on a related story to show a lens that is branded. In this case, the lens featured an AR animation to get a new shoe release, and ability to purchase the shoe.

This makes AR a “complete funnel” advertisement format such as brand awareness and direct-purchases. This attracts increasingly data-hungry and ROI-oriented advertisers, and breaks down AR adoption barriers. The Singapore luxury retail scene is simply ahead of the curve.

 

REVIEW: M Social Singapore, a stay turned adventure that you need to experience

As Malaysians, Singapore is a destination we frequent a lot – for its close proximity and countless lifestyle excitement – and for that, we constantly look for a unique hotel experience to enhance our trip there.

That’s when M Social hotel comes into play with its impeccable service and ambience that can turn a simple hotel stay into an adventure. Nestled in the buzzing neighbourhood of Robertson Quay, where a multitude of entertainment, dining hotspots and cultural experience find their home, there’s no reason not to pay this hotel a visit.

Team L’Officiel has the opportunity to pay a visit recently to indulge in all it has to offer and here’s why we think a stay in M Social can very well turn into an exciting adventure for you!

CHECKING IN

Upon arrival at M Social, the first thing that got us excited was the visual presentation of its lobby and reception area. Vibrating with chic modern vibes, each element within the space is planned with care and incorporated with various contemporary art pieces – from the tiles to its centrepiece and even wallpaper.

Like many modern contemporary hotels, check-in is made extremely convenient where you can expedite the process with its self-check-in counter that will scan your travel documents, track your room reservation and prepare your room keys instantaneously.

Of course, there will also be staff stationed at the lobby to assist you, should there be any questions, and to send your luggage straight to your room.

YOUR ROOM

When we talk about rooms available, M Social has plenty of variations prepared including the Alcove rooms, (a room designed with an alcove ceiling to mirror an attic-like experience) and the Loft rooms (a two-storey space that separates the sleep and lounge experience).

Even within the two options, you can further select whether you want a scenic view or a terrace setting, where you get a miniature personal garden to enjoy some peace and quiet.

For us, we opted for the Loft Gallery Room, where you have your bath, sleep and closet on the ground level and a cosy study area on the mezzanine level. Compact, yet spacious (thanks to the two-level setting), you get a spectacular floor-to-ceiling window for an elevated view of the surrounding neighbourhood. Rest assured, sleek blinds are installed for your privacy.

Another thing we appreciate of the loft setting is how clever M Social plans its interior where each nook and cranny is utilised to its potential without wasting space – a sentiment fit for the new generation of minimalist.

DISCOVERING M SOCIAL

After settling down and unpack, it is time to go on a mini excursion to discover the many facilities of the hotel. First stop, we have to highlight the outdoor swimming pool. Being further upstream of the Singapore River and on the edge of Downtown Singapore, M Social provides the perfect escape for you to enjoy a quiet and relaxing day by the pool.

Even if you are not up for sunbathing or a swim, you can lounge with a book and cocktail in hand for a sweet R&R.

After the quick session at the pool, maybe it is time to grab a bite and their resident eatery Beast & Butterflies is a favourable option where they serve an array of Modern Asian Cuisine that combines Eastern and Western flavours. Chic, well-decorated and stocking up a delectable menu, Beast & Butterflies is also a hotspot where locals gather for a quick Happy Hour and dinner.

Beast & Butterflies aside, you have plenty of dining options for every meal of the day, thanks to M Social’s location. Along the stretch at Robertson Quay, you can find an array of bars, bistros, cafés and restaurants to choose from including the popular PS Cafe, Common Man Coffee Roasters and Super Loco.

Or if you are looking to head out to the city, many tourist spots are within 10 – 20 minutes of walking distance including Chinatown, Clarke Quay and National Gallery Singapore. There is also a free shuttle bus provided to chauffeur you to Harbourfront and Buona Vista areas.

 

AN AUTOMATED SERVICE TO YOUR DOORSTEP

After a long day out and it is time to head back to your room to unwind and if you are are in need of simple amenities from a bottle of water, a can of coke or an extra towel, you can utilise the AURA robot, an automated room service robot that can deliver itself right to your doorstep.

M Social is actually one of the world’s first hotel to deploy this kind of room service and while it sounds simple, to see it in action during your stay can be a rather fascinating and novel experience!

For more information to make a reservation at M Social, visit www.millenniumhotels.com.

This article was originally published on www.lofficielmalaysia.com.

TENCHA – Savouring Luxe Cha

For tea aficionados, TENCHA will be a brand to look out for in the coming months. Launched by OxytocinGroup, it will be an exclusive window into the world of drinking ultra-luxe “cha” (Chinese for tea) and indulging in some spa sessions centred on tea-based products.

The bright green hue of TENCHA

The Singapore-based OxytocinGroup, a portfolio of brands built around the ethos of reimagining the status quo, has launched a new pan-Asian luxury wellness brand – TENCHA. The brand has tea experts to cull the very best in matcha tea to those who have a fine palate. TENCHA will introduce an avant-garde experience around organic ultra-luxe Cha grown on volcanic terroirs of Kagoshima, Japan. Its inaugural range of Chaman ceremonial matcha is uniquely granite-ground in Germany, to express a new dimension of quality. It redefines the luxe end of the matcha spectrum with rich umami sweetness, intense konbu notes and charred undertones. Fertilised naturally by volcanic ash from Sakurajima, it is exceptional in taste and dimension as Cha can be.

Using a chasen to stir the matcha drink

Manufacturing, purity and radiation tests from Germany create a perfect unison with the Japanese art and science of growing intensely flavourful shaded teas. TENCHA sources exclusively from the very first tea garden to meet EU-organic certification in 1995, making it a pioneer in its field. This visionary foresight enables the creation of 100 per cent pure teas that could surpass the very best conventional makes in taste and phytochemical properties.

Philipp Kristian Diekhöner, Founder, Tencha

As someone who travels 250+ days a year, I believe wellbeing is the greatest of all luxuries. TENCHA organic matcha is an exceptional, all-natural journey to our best self: mentally and physically, inside and out.” – Philipp Kristian Diekhöner

TENCHA sources exclusively from the very first tea garden to meet EU-organic certification in 1995, making it a pioneer in its field. This visionary foresight enables the creation of 100 per cent pure teas that could surpass the very best conventional makes in taste and phytochemical properties.

TENCHA reaches beyond Cha itself, creating an ultra-luxe world of Cha and Spa. Natural skincare aficionados and conscious beauty seekers can soon enjoy an all-natural edible matcha spa line hand manufactured in Bali. Designed around the purpose of enabling lasting everyday wellness, TENCHA is focused on beautiful, guilt-free rituals nurtured by the wonder of nature.

TENCHA can be combined with tipples

TENCHA will make its first appearance in Singapore and Stockholm this August, collaborating with Dapper Coffee at Amoy Street to bring a new dimension of matcha to local palates. TENCHA is accepting individual pre-orders now via its digital flagship store (www.tencha.life) for Asia and via We B Tea (www.webtea.co) for Europe. Follow TENCHA @tenchalife and @tenchamatcha.

Philipp Kristian is also author of The Trust Economy, read about his story here.

By Joe Lim

 

180 years of watchmaking artistry at Patek Philippe’s “The Art of Watches” Grand Exhibition in Singapore

The historic Patek Philippe Salon in Geneva, lovingly maintained and kept true to its 18th century roots

Patek Philippe is holding their 5th and largest “The Art of Watches” Grand Exhibition in Singapore. From Saturday, September 28 till Sunday, October 13, 2019, the world of Patek Philippe makes landfall for the first time in Asia, bringing the exquisite heritage and legacy of the historic salons on Rue du Rhône in Geneva, the manufacture in Plan-les-Ouates, or the Patek Philippe Museum.

Taking place during the Singapore Bicentennial year, Patek Philippe’s Grand Exhibition brings 180 years of artisanal watchmaking craft to to the city-state’s iconic Marina Bay Sands, underscoring the diminutive country’s unique importance as world’s 7th largest watch market (first if you adjust by per capita) and in general, Southeast Asia for Patek Philippe.

Patek Philippe and Singapore has had a historically close association. This table clock was specially created to celebrate SG50, Singapore’s 50th year of independence, in 2015 and it was inspired by the William Farquhar collection of natural history drawings from the National Museum of Singapore. Farquhar was the first Resident and Commandant of Singapore

Spanning 1800 square metres at Marina Bay Sands (comparatively, the New York Grand Exhibition was 1200 square metres), The Art of Watches Grand Exhibition recreates the world of Patek Philippe in Singapore via ten themed rooms, rooms, each with its own distinctive ambiance. Visiting the Patek Philippe Grand Exhibition in Singapore  is akin to visiting the hallowed grounds of the Patek Philippe Salon, factory and museum in Geneva – an immersive movie of the maison’s history provides context for what curious guests and watch aficionados are about to experience in each of the rooms where watchmakers and artisans demonstrate their skills live on site, offering insights into horological artistry and the finesse mastered by specialist artisans such as enamel painters, a large foundational craft for the Geneva manufacture.

Enamel painting demonstrated on this Patek Philippe Ref. 5531R was specially made for New York’s Grand Exhibition and it retails for US$561,341.

The Grand Salon will be replicated in part at Singapore’s The Art of Watches Grand Exhibition

A comprehensive array of Patek Philippe’s current collection will be present as well as an amazing range of rare and unique high complications and other stunning calibres. Celebrating Singapore’s Bicentennial, a a specially themed Singapore 200th Anniversary room will present selected timepieces and milestones of Patek Philippe’s history together with key milestones of Singapore’s rich history since Sir Stamford Raffles’ arrival in there. When you’re done with exploring all 1800 square metres of amazing watchmaking artistry, you can finally take a breather in the Patek Philippe lounge café.

The museum section is divided into two departments, as is the case in Geneva. The “Antique Collection” provides a wonderful historic panorama of the history of watchmaking with some of the very first portable timepieces from the mid-16th century, richly enameled pocket watches, musical automata, and technical timepieces crafted by Europe’s most gifted watchmakers. The “Patek Philippe Collection” offers a selection of the manufacture’s most splendid creations from 1839 to the present day. Notable among them are the royal watches (particularly a piece presented to Queen Victoria in 1851 during the Great Exhibition at the London Crystal Palace), the first Swiss wristwatch (1868), and some of the most famous Patek Philippe “supercomplications”.

Since 2012, Patek Philippe has held its Art of Watches Grand Exhibitions around the world, beginning with Dubai, heading to Munich in 2013 and then to London in 2015 before heading to New York in 2017 where 27,500 visitors convened at Cipriani 42nd Street to gain an intimate look at the last independent, family-owned watch manufacturing company.

The 2017 The Art of Watches Grand Exhibition New York, was a gathering of 450 timepieces, among them 128 exceptional exhibits were on loan from the Patek Philippe Museum, including a selection of historic timepieces with USA-related backgrounds. For the exhibition, Patek Philippe also created 9 limited editions, including a World Time Minute Repeater that had its global debut in New York, as well as 17 Rare Handcrafts creations(pocket watches, wristwatches, and dome table clocks) that paid tribute to America and New York.

Singapore’s Art of Watches Grand Exhibition in 2019 is held over 16 days, making Patek Philippe’s “love letter” to the market not just its biggest but also its longest. With such an expansive space, the maison can receive as many as 1000 guests at a time and for such a lengthy period, visitor numbers are expected to eclipse the other Grand Exhibitions held in other parts of the world.

The Art of Watches Grand Exhibition’s Ten Rooms

  1. Cinema: The historic Patek Philippe film is screened here.
  2. Current Collection Room: This room is reserved for the presentation of the current collection. Its interior was inspired by the appointment of the Patek Philippe Salon on Rue du Rhône in Geneva.
  3. Napoleon Room: The seductive effect of this room is that it spirits visitors away to the Patek Philippe Salon in Geneva, treating them to a fantastic motion-picture panoramic view of Lake Geneva. This is also where the limited special editions created explicitly for the South-East Asia market are displayed.
  4. Museum Room: Like the Patek Philippe Museum in Geneva, this room is subdivided into two departments, one for the Antique Collection, the other for the Patek Philippe Collection.
  5. Rare Handcrafts Room: Artisans demonstrate techniques, especially enameling, with which wristwatches and table clocks are decorated. A selection of watches that would be unthinkable without ancestral skills underscores Patek Philippe’s commitment to rare handcrafts.
  6. Watchmakers Room: Master watchmakers from Patek Philippe invite visitors to take a close look at the inner workings of mechanical timepieces.
  7. Grand Complications Room: A unique overview of the most complicated and innovative Patek Philippe timepieces concentrated in one place. They contributed considerably to the reputation of the manufacture.
  8. Movements Room: This space is dedicated to the extensive range of Patek Philippe movements – from simple calibers to highly elaborate ones developed for the world’s most complicated watches.
  9. Interactive Room:  This room allows visitors to experience a hands-on, in-depth tour of the Patek Philippe manufacture and gain insights into caliber engineering.
  10. Singapore 200th Anniversary Room: This area showcases selected timepieces and events from Patek Philippe’s timeline alongside key milestones in Singapore’s history.

The Art of Watches Grand Exhibition 2019 Singapore

When: 28 September to 13 October 2019
Where: Sands Theatre, Marina Bay Sands, 10 Bayfront Ave, Singapore 018956
Open: Monday to Sunday from 10am to 7pm
Admission is free

 

Summer’s Up – TWG Tea’s range of new delish teas to cool you down!

TWG Tea’s latest teapots and delish iced teas demonstrate that the brand is always in tune with customers’ needs and trends. These new items are perfect to turn down the heat!

The blue-tinted tea Carafe from TWG Tea

Enjoy a bona fide summer spread with TWG Tea’s bevvy of 15 new and refreshing iced teas from their tongue-pampering Iced Teabag Collection (i.e. includes flavours such as Eternal Summer Tea, Moroccan Mint Tea, Pink Flamingo Tea and Cocktail Hour Tea). The beverages can be poured delicately from the brand’s eight, new coloured Iced Tea Carafes made of lightweight but sturdy Plexiglas sporting a baroquestyle handle. This is serious business for ultimate tea lovers everywhere!

Apple-infused tea from TWG Tea

TWG Tea’s Pomme Prestige iced tea offers a fruity, luscious note of summery apples that greet your palate with freshness. Believe it or not – a single teabag makes a 1L wholesome jug of delicious iced tea!

Stylish new teapots from TWG Tea

Tea lovers unite! TWG Tea’s iconic ceramic teapots now come in nine divine shades of pastels and metallic hues (i.e. red, yellow, pink, turquoise, green, sea green and violet) that are protected by their polished, feltlined stainless steel warmers, making the Design Orchid Teapots a real showstopper when you serve them for tea! These uber-stylish teapots come in two sizes – 500ml and 900ml – where specially-designed, removable filters allow tea leaves to develop their delectable aromas. Now, pouring tea can be elevated into an art form!

TWG Tea orchid teapots

Our pick of TWG Tea’s Design Orchid Teapots are clearly red, yellow, and violet. Their uplifting colours will definitely inspire you to whip up a refreshing tea-time treat for friends and family. Even when not in use, they will add a delightful accent to your kitchen space! TWG Tea’s Design Orchid Collection and Iced Teabag Collection are now available at all TWG Tea locations in Singapore. Read more about TWG Tea’s 10th anniversary

 By Joe Lim
This article was originally published on www.luxuo.com.

 

Billionaire James Dyson Buys Singapore’s Most Expensive $73 million Wallich Penthouse

The view from the pool at Wallich Residences

Having paid US$54 million (S$73 million) for the prime Wallich Residence penthouse in Tangong Pagar Centre, Singapore, British Billionaire Industrialist James Dyson is currently the owner of Singapore’s most expensive luxury real estate. When Dyson, the UK-based company best known for its vacuum cleaners and hairdryers had announced that Singapore would be home to its new electric car factory, industry pundits weren’t wondering whether Mr. Dyson would buy a slice of Singapore real estate, they were wondering just how premium and which exclusive luxury development.

Wallich Residence is an exclusive and limited collection of 181 luxury residential units, within the heart of the ambitious 5 in 1 vertical city, one of the tallest buildings in Singapore. At S$73 million, the ultra-luxurious penthouse pips June’s Boulevard Vue penthouse which transacted for S$52 million and eclipses another billionaire, Facebook co-founder Eduardo Saverin’s 2017 penthouse.

Mr James Dyson, inventor of the bagless vacuum

The living area of Wallich Residence super penthouse

Money is no object when it comes to the inventor of the bagless vacuum cleaner; Singapore, largely recognised as one of the most expensive markets in the world to live (according to the Economist Intelligence Unit 2019 report, tied with Paris and Hong Kong) and do business (especially when space for a car factory costs a premium in the diminutive city-state).

SC Global’s The Marq penthouse pool

Therefore it stands to reason that Dyson would be looking at some of the territory’s most premium real estate developments. According to List Sotheby’s International Realty (List SIR), Singapore is home to six of the world’s 11 “super” penthouses. The biggest of the lot is GuocoLand’s Wallich Residence 21,108 sq. ft. penthouse spanning three floors across levels 62-64, with five bedrooms, a family room, a viewing deck, a private garden, a 12-metre pool, a cabana, a jacuzzi, an entertainment room, bar facilities and epic views of the Marina Bay Sands skyline.

Hermes interiors at The Marq

That said, the swankiest of super-prime Singapore penthouses is said to belong to The Marq, a luxury real estate development with cantilevered pools for each apartment and the world’s first condo interiors completely furnished with Hermes furniture, fixtures and fittings replete with crystal chandeliers by Saint-Louis Cristalleries – a glass-making company owned by Hermes. Obviously, space was a bigger consideration for the man who could afford his own Hermes interiors had he so desired.

SC Global’s Hilltops

The breathtaking spiral staircase flanked with generous foliage

SC Global’s Hilltops

Aside from The Marq, SC Global’s other lavish development is the botanically themed “Hilltops”, a verdant oasis right at the heart of Singapore’s premier shopping district at the crossroads of Paragon, Takashimaya and Ion Orchard. Featuring four two-storey penthouses, each with its own private pool and roof terrace, each Hilltops penthouse is dominated by one unusual, artistic feature – a spiral staircase filled with greenery.

The private wine cellar on floor 63 of Wallich Residence super penthouse

Needless to say, despite close competition among equally opulent and soul-enriching spaces, Dyson and his wife purchased the 99-year leasehold Wallich Residence penthouse on Jun 20. The property was launched in 2017 with an asking price of S$108 million but in recent years, Singapore luxury property prices have fallen. In April 2019, Bloomberg reported that  private residential values decline for second straight period with prices in prime districts tumbling the most among all regions, particularly Sentosa Cove, where prices dove 30%. According to sources, Dyson ended up forking out only S$73 million for his Wallich Residence penthouse.

 

Here’s what you can expect at the coming Affordable Art Fair in Singapore

With even more art galleries representing works from around the world, the Affordable Art Fair is back in Singapore for its ninth Autumn Edition.

The fair will be open to the public from 16th to 18th November at the F1 Pit Building. Special exhibitions including the Young Talent Programme, #SPOTLIGHT Showcase, and Special Projects will be on display along with works from 600 artists.

Originally launched in the UK back in 1999, the Affordable Art Fair now takes place in nine countries and includes major cities such as London, Hong Kong, Singapore, and New York. The unique and friendly environments are paired with art priced below $15,000, while 75% can be purchased from less than $7,500.

The key to its longstanding success has not only been the affordable prices which bring out newcomers and seasoned collectors, but also Affordable Art Fair’s ability to present emerging artists next to the superstars of the art world.

This year will see an increase in the number of galleries from 70 to 80, along with 22 galleries from Singapore, out of a total of 48 representing Asia. There are 21 galleries exhibiting for the first time at the Affordable Art Fair along with 240 new artists.

Works range from painting and sculptures to everything from photography, new media, drawings, interactive installations, edition prints, street art, assemblage, contemporary calligraphy, to name but a few. Anything you see at the fair can be purchased on the day.

One of the highlights of the fair is always the Young Talent Programme. Launched in 2012 in association with ION Art, it has showcased 45 talented young artists. Each applicant must be below the age of 35 and be born or reside in Southeast Asia. Eight artists have been selected to showcase their art at the Affordable Art Fair this year.

On the upcoming Affordable Art Fair, Ms. Camilla Hewitson, Regional Manager Director of Affordable Art Fair said, “It is an honour to work in partnership with ION Art and to have experienced first-hand the determination and extraordinary talent of young artists living throughout Southeast Asia over the past six years. We look forward to continuing our support to enable this next generation of artists to develop their practice whilst helping to connect them with the art industry, collectors and the public for many more years to come”.

View some of the art pieces featured at the Art Fair below:

 

For more information, please visit www.affordableartfair.com.

 

Five Things We Love About Formula 1 Singapore Grand Prix

There’s a reason why the Singapore Grand Prix attracts more than 200,000 spectators each year, with almost 400 million more watching on TV globally. Known as the heart of Asia racing, the Singapore GP isn’t just Asia’s premier racing event, it’s an all-encompassing bonanza with fantastic live music, entertainment, dining and a festival atmosphere unlike any other. We had a chance to experience the prestigious event and here are five reasons why it’s a top race to go to.

 

The Night Race

F1 race under lights at night is one of the most amazing things you’ll ever see, with lights and sparks dancing off the multi-million dollar cars as they go wheel-to-wheel racing up to 320km/h. We know the paddock goes on about it every year but you have to see it to believe it. The experience is utterly different to the traditional European circuits and the track is lit up by 1,600 lights projectors with a total power output of over 3 million watts. It’s a thing of beauty and when you add to that the stunning city and harbour, it makes for a truly unique racing experience.

 

A-list Entertainment

Singapore was the first F1 race to sign top stars for race weekend concerts and this year’s entertainment lineup was one of the best the city has ever seen. Fans were treated to incredible live performances from 27 acts this year, featuring headliners Martin Garrix, The Killers, Liam Gallagher, Jay Chou, Dua Lipa and Simple Red.

The action-packed weekend also saw international acts such as Young Fathers, The Sugarhill Gang, Sekai No Owari and Bjorn Again. You can expect 2019’s entertainment line-up to make news when it’s released, with the past headline acts at the event including Rihanna, Calvin Harris, Bon Jovi, Ariana Grande, Maroon 5, Kylie Minogue, Linkin Park and more. There’s something for everyone.

 

Culinary Feast

Singapore’s reputation for good food runs deep and this year, Singapore GP recruited some of the best in the industry for the fans. Neil Perry’s Rockpool restaurant made its debut in the Formula 1 Paddock Club, the world-famous super luxe hospitality precinct that also featured Nobu, Hong Kong-based bar and restaurant Stockton, and international star Como Cuisine.

There was another debut happening further down the pit straight with new VIP party precinct dubbed as Twenty3. Named after the final turn where it’s located, it houses over 3,000sqm with three five-star restaurants, four bars, a 10-metre long dessert bar and, to top it off, a two-storey nightclub named as the Apex Lounge – complete with a kinetic light installation, which was specially brought in from Germany.

 

Glam Parties

Singapore really comes alive at night on race weekend. There’s no shortage of bars, clubs and rooftop hotspots where you can party until the small hours. At the higher end, the Amber Lounge put on an F1 fashion show on Saturday night and party with F1 drivers and celebrities after the race on Sunday. In a similar vein, The Podium Lounge took over the grand ballroom of the Ritz Carlton for F1-themed parties all weekend. Meanwhile, 1-ALTITUDE at the top of the 1 Raffles Place skyscraper for “The Circuit” parties or CE LA VI at the top of Marina Bay Sands offered the best rooftop views for post-race drinks.

 

World-class organisation & fantastic crowd

Singapore GP organisers did such a good job of providing useful information to the fans and visitors. From survival guides to a detailed website and useful app, not to mention thousands of young crew members all over the circuit grounds, the organisers went out of their way to make sure fans have the best experience possible. So, it’s not a surprise the Singapore GP always attract a fantastic crowd.

The street circuit is popular with international and local fans, who can watch the action on their own doorstep and it’s also hugely popular with Malaysians racing fans, being not too far away from this homeland. One thing’s for sure in Singapore – you can expect an awesome vibe from the crowd when F1 comes to town.

A trip to the Singapore Grand Prix becomes both an unforgettable and magical experience. The effort made in to organising the venue, the entertainment, outstanding food and a positive vibe around the whole of Marina Bay takes considerable effort. No other circuit captures the speed and excitement of GrandPrixx racing as much as Singapore does, and the atmosphere is something that F1 fans should savour at least once.

 

Interview: Singaporean Photographer Nguan Discusses His Latest Book, “Singapore”

Nguan’s photographs of Singapore are meant to be savoured. Awashed in a rainbow of saccharine pastel colours, they present, in loving detail, ordinary moments in the lives of Singaporeans as they go about an uneventful day, such as taking a nap at the neighbourhood playground or reading the newspaper while waiting for the train to arrive.

A keen observer of his surroundings and the human condition loneliness is a recurring theme in his work Nguan deftly captures a side of Singapore that is familiar to those who have grown up in the island city, and revealing for anyone who is curious about what Singapore is really like under the polished, prosperous veneer usually presented to the rest of the world.

ART REPUBLIK spoke with Nguan on the occasion of his book launch, ‘Singapore’, a collection of photographs taken over a decade from 2007 to 2017, his methods of working, and what he has up his sleeves in the coming year.

Why have you decided to put together this collection of images of Singapore? And how did you decide what to include in the book?

I’d been working on these pictures for a decade, and a book had been planned from the very start. I kept putting off its publication though, and in the intervening time the proliferation of the images on social media made me question if the book was necessary at all. In the end I decided that it was important to organise the pictures to give the work structure and clarify its purposes, because those can get lost when images are seen singly rather than as part of a coherent whole.

There is neither introduction nor captions in the book. Why the decision to omit texts?  

I did write a short introduction, but I threw it out two weeks before going to press.  I love working with photographs because of their subjectivity, I love how a photograph’s meaning can mutate over time, and I’m wary of how words can fix the reading of an image or a set of images. I also left out specific dates and other contextual information because they can be distracting.

There is a languor in the images, from a man sleeping on the slide at a playground to another crossing the road seemingly oblivious to the oncoming traffic. This is different from the busy urban-life, developed-city photographs that are typically associated with contemporary Singapore. Why are these scenes attractive to you?

I distinctly remember writing “languor of the day” early on in my notes. It was just something that struck me as unique about here: the unvarying length of our afternoons all through the year, the perpetual stickiness in the air and on our skin, the stillness. I wanted to convey all of this in my pictures. I have so many photographs in this series of people sprawled on the floor or across a bench, as if they were paralysed by the humidity.

Do you think much has changed in the day-to-day life of ordinary folk in Singapore in the past decades? Do you consciously make the images appear to come from yesteryears?

My wish is for Singapore to appear somewhat mythical in the pictures, and it was a lot easier to achieve this by working in older parts of the city. Though I did look to my personal memories of Singapore for inspiration, the perceived nostalgia in my work is mostly a by-product of my location choices, the fact that I still shoot on film, and my contention that photography is an inherently nostalgic medium – it’s impossible to take a picture of the future, and the present becomes the past once you release the shutter.

For the most part, do the subjects of your photographs know you are taking pictures of them? (Are they always candid? Are any posed?) And if so, what are their reactions?

All but one of the pictures in the book are candid. The reactions are in the photographs: they range from bemusement to startlement to indifference. Not everyone is aware of their picture being taken, even though I’m always up front about it. I use a relatively massive camera  — they call it “The Texas Leica” because of its size  — and I hold it up to my face every time I take a shot. Someone recognized herself in a print at my last show; she told me she liked the photograph but she wasn’t comfortable with it being in a show, so I took the print down.

There are humorous juxtapositions in the book, such as a man prostrate on a void deck floor, followed by a cat in a similar position on a tiled bench. Was it a coincidence that you happened to have these two similar photographs to use in this way, or did you have this pairing in mind when taking one or both of the shots?

It was just something that I noticed and put together while going through my umpteenth edit of the book. Being able to choose from thousands of photographs makes editing hard as well as easy. I know that some photographers find it difficult to edit their own work, but I enjoy the process thoroughly, possibly because I went to film school, and montage is a basic skill for any filmmaker.

How did you decide on the general sequence of the images in the book? There seems to be several groupings: staircases, the act of cleaning up, the use of communication devices, cats, chairs, growing plants, construction/destruction.

There are eighty-two pictures inside the book, which is quite a lot if a cohesive body of work is the aim. So I settled on the idea of having informal “chapters”  — loosely sorted according to theme, subject or colour — as an organising principle for the book. Not all of these chapters are meant to be easily distinguishable, and in fact it might be ideal if someone went through the entire book without becoming aware of its construction. But I am pleased with how each segment segues into the next, particularly in the second half of the book.

Relating to the previous question, you seem to have put many of the images from the book (in a different order) on your webpage about the book. How do you work straddling between the digital space (website, Instagram) and in print? What are the freedoms and the restrictions in each for you, and also working in both at once?

They’re each extensions of the other. Social media and smartphones are altering the way in which art enters our being. It’s one thing to experience art in a museum or library when you’re girded for it, and quite another while you’re lying in bed, or when you’re in the middle of a brutal WhatsApp argument, or as you’re waiting for your crush to text back. We all know why we put on earphones to listen to music in a darkened room, and perhaps art comes inside us now in a similar way to how pop music does. It reaches us when our guards are down, in our most vulnerable moments. As a possible consequence the messages and reactions I get on platforms such as Instagram and Weibo are so fervent and emotional, and I suspect it’s the same or amplified for other artists who are prolific in the digital sphere.

What’s in the pipeline for you for 2018?

If social media is the radio and books are albums, I’d liken exhibitions to concerts – they should be immersive, transcendent experiences, and you should always feel as if the artist is in the room with you. We had so many people come out to my show at FOST, which was really gratifying. I’d love to mount an exhibition in 2018 for the Singapore work, but I’m going to need a suitably large venue.

From: Art Republik. Visit nguan.tv for more on ‘Singapore’.