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Transparency and Sustainability in Watchmaking

It may be strange to find this written anywhere, but this moment in time is perhaps still too early to ask questions about sustainability in watchmaking. Not premature mind you, just a little too early to get useful answers. It is the useful answers part there that informed the decision to begin this section with caveats.

On the face of it, given that climate change is progressing no matter our perspective on it, the discussion on this subject is still at the start line. For example, the industry has just about come around to the idea that the origins of the materials used to make the watches are key. As far as we know, the first public discussion of the realities of the supply chain was at the Salon International de la Haute Horlogerie (now called Watches & Wonders) in 2019.

Unfortunately, this is not an indication that watchmaking is ahead of the game here because public reports, including the World Wildlife Fund had already called for greater transparency in this regard as early as 2018, as we dig into elsewhere in this section.

Prior to this, some watchmaking maisons were talking about how their new manufactures were carbon neutral, and of course their support for various causes. These days though, just these steps will fall short of the mark, at best. At worst, they open the industry to accusations of greenwashing. This is really a shame because a lot of good work is being done, or supported by watchmaking brands.

Typically, we avoid watchmaking industry insider stories in favour of those with a stronger relevance to consumers – collectors and enthusiasts like you, in other words. There is a good reason to care about transparency and sustainability for all of us though, and it can summed up in one word: cost.

Not only will prices of Swiss watches likely rise as companies add measures and oversight to cope with regulatory pressures, there may be environmental and reputational costs as well. Just think about how you would feel about your watch if the brand that made it was found to be supporting forced labour in gold mines, or contributing to the degradation of the environment thanks to the practices of some random supplier. It happens in fashion all the time, after all.

Sustainability watch

The Deloitte Swiss Watch Industry Study 2020 notes that more than 50 per cent of consumers surveyed said that sustainability was very important to them, so the cost of not running afoul of this group will certainly be worth it. It seems from the report that the so-called Millenials and Gen Z groups care even more about sustainability than other age groups. We will be referring to this report and its findings quite extensively in this story.

oris divers sixty five cotton candy watch

We pause here for a moment to congratulate Chopard on having the foresight and the will to do better, as far as the gold they are using goes. The brand’s Fairmined initiative back in 2013 was the first effort by a major watch and jewellery house to address the impact of the business on the natural world and marginalised communities. We also congratulate Oris on becoming a climate-neutral company, certified by ClimatePartner, a leading independent climate action expert.

The company not only makes products that are sustainable, but also calculates the impact of its entire business, right down to workers commuting to the office. It earned climate-neutral status by offsetting more than 2,500 tonnes of CO2 through its sustainability initiatives. We will have a little more to say about this elsewhere in this section, but we wanted to single out Oris here as a way to show how other brands might also be doing the same, yet not communicating it directly enough.

This may lead some to draw links with the fashion industry, which recently received a tongue-lashing from firebrand climate-change activist Greta Thunberg. Bear in mind, the fashion industry actually makes raw data available to a variety of authorities to confirm that their supply chains are not contaminated by any evil practices. Even so — or perhaps because of this — it gets a lot of flak.

Clear and present danger

Some may see a certain degree of adjacency in the worlds of watchmaking and fashion [Editor’s note: on LUXUO, watches used to fall under the Style category], with the world’s largest luxury conglomerate LVMH running iconic names such as Louis Vuitton and TAG Heuer. Of course, it also runs Moet Chandon and Glenmorangie and no one suggests any adjacency there.

For our part, it seems clear that all industries will have to see that they are not causing harm, at the very least, so some standards might apply across the board. Setting such standards is a challenge, of course, and poses all kinds of political risks.

This was on show at the World Economic Forum this year, as global business leaders cited climate action failure as a major risk for the economy, and one with the best chance of being mitigated by a coordinated global response. The key point here is that risk, which is not acting in a harmful manner, but in merely failing to prevent harm.

Accountants everywhere are now working to integrate this particular risk into their formulas, especially with regards to multinationals. One relevant example here was called the Responsible Business Initiative, which was rejected by Swiss voters last November, but this is not the end of that story.

Fast fashion certainly receives the lion’s share of the wrath of climate activists, and it probably deserves it, if news reports are anything to go on [Editor’s note: too many to cite]. Any so-called luxury brands using child labour for any reason ought to be tarred and feathered (and probably fined into oblivion). So far, there has not even been a whiff of scandal in watchmaking, but this might come down to the subject that preoccupies us in this issue: transparency. But we are racing ahead of ourselves again, and risking getting tripped up by our own feet.

The realistic view

Backing up again to our opening assertion, by too early to discuss, we mean to say that there are many industries that have to grapple with their impact on the planet – tier one players, if you will – and watchmaking firms (especially those with a mechanical focus) are nowhere near that level.

We take the view that it is pointless to tear into watch firms when coal-fired power plants are still merrily burning away like there is no tomorrow. Actually, more are being built to meet tomorrow’s demands, according to The Economist, the Financial Times and many more mainstream sources.

There is some understanding within the trade of this obvious fact, with executives still claiming that mechanical watches are sustainable products, because they are not disposable. This is not a false statement, of course, but it does tend to lead to some unearned praise. H. Moser & Cie made quite a memorable joke about this some years ago with a statement watch, but we will hear more from the brand directly and candidly on the subject of sustainability later in our conversation with CEO Edouard Meylan.

To refer back to our earlier praise of Oris, CEO Rolf Studer put it most succinctly in a comment related to the climate neutral news, as delivered to WatchPro: “A mechanical watch has a very low impact on the environment because it’s designed to last. But that’s not enough,” he says. The first part of Studer’s statement is echoed by many watch industry executives, high and low. The second part, not so much, with a number of executives concerned about trade secrets and competitive advantages.

cartier watches

Walking the talk

Cartier CEO Cyrille Vigneron addressed this directly with us as he explained the brand’s drive towards greater transparency in its entire operations. “The transparency I am talking about has nothing to do with trade secrets. It is about the raw materials that go into our products, and our supply chain.”

He publicly explained during Watches & Wonders earlier this year that the brand was deeply concerned about the world, and the impact of its business on the same. Vigneron noted that brands could not just say they were sustainable, they had to prove it. Richemont, the parent group of Cartier, has been talking the talk, and walking the walk for perhaps longer than any other group, which is why its brands rank highest in the WWF report.

cartier ceo cyrille vigneron

To frame this admittedly long narrative, we must add an expected caveat. If you love watches but are concerned about the environmental impact of current industrial practices, then you must turn to vintage watches. Aside from the obvious (you are extending the lifespan of a watch), you also do not have to trouble yourself with any thoughts about how the contemporary company making watches with the same badge conducts itself.

This is important because it is often impossible to be sure watchmaking firms are doing all the right things if you do not want to take their word for it. This brings us back to sustainability, and that law that will go before Swiss legislators in place of the aforementioned Responsible Business Initiative.

The sustainability conversation in watchmaking tends to coalesce around the unfortunate subject of transparency. Well, transparency is the most significant roadblock, and is thus the most well-known and persistent problem. It goes back to the debate over Swiss Made standards, and to third-party movement suppliers working surreptitiously for a few major brands.

It all sounds very suspicious, like some sort of Tom Clancy novel, but really it is all quite pedestrian. Like the business of making hairsprings, there really is not much to shout about here but to prove that we would need to supply evidence.. which is lacking. As you will have guessed, the Swiss watchmaking trade tends to be opaque by tradition.

Coming changes

This is where Swiss legislators hold the reins as they consider a law next year that will force even private companies to make certain non-financial disclosures. These include the following, according to Deloitte:

  • Environmental concerns
  • Social and employee concerns
  • Respect for human rights
  • Combating corruption

Reportedly, this legislation cannot be shrugged off by even private and family-owned firms because every Swiss firm will be called to order, as long as they meet the following criteria:

500 full-time positions or CHF 20 million balance sheet total and/or CHF 40 million in sales (source: Deloittes). The New York Times reports that affected companies will have to “ensure the traceability of their supply chains, and make their reports publicly available for 10 years…” We need not spell out exactly which companies will be taking notice here.

As watch enthusiasts, collectors, traders and even hobbyists, we know that these will include the biggest and most powerful names in watchmaking. As mentioned, watchmaking firms are not specifically targeted, and are certainly far from being tier one players, which we repeat for clarity.

That being said, climate change rhetoric is heating up, thus lighting a fire under the feet of watch industry executives. In 2018, the WWF report called out a startling number of brands for their alleged lack of transparency in a widely cited public document.

You can easily find these stories — and the report itself — online by searching for sustainability in watchmaking, but despite the attention, the topical subject remains largely difficult to discuss. The expert sources we found for this special section mostly pointed to one chief area: the supply chain, specifically where and how watchmakers get their raw materials.

To outline the problem more succinctly, consider all the metal that gets used to make wristwatches, cases, movements, bracelets and all. Most of the world might be shocked to learn that the average watch in stainless steel already uses a significant percentage (up to 50 per cent) of recycled iron.

This varies from material to material, with titanium and aluminium on the higher end of the scale, while ceramic hugs the bottom at zero percent. This is because of material properties and engineering challenges, not some sort of conspiracy, to be clear. Indeed, the ceramic used in your typical higher-end watch might very well be eternal — well everlasting and evernew as a sapphire anyway.

No silver bullets

For the purposes of transparency, we will acknowledge a few points before moving on. First and foremost is that this magazine urges better transparency for Swiss watchmaking, in general. Having said that, dear readers, you may detect sour notes of cynicism throughout this section, but what you are sensing is our pessimism.

Pessimism is a little more honest than cynicism, and we hope to blunt this by making a few active recommendations. Transparency is the most important thing, for the same reason we asked CEOs how their manufactures were coping with the pandemic. Watches are fun, and they are meant to be.

Something that is fun should not be hurting anyone, at the very least. No one should be suffering so that we can have fine timepieces, in other words. This article alludes to this point, but it should be made explicit. This, we think, is the most basic position we can take. Indeed, this should be the starting position for any firm that makes watches.

Secondly, we should be wary of arbitrary standards. One such example is illustrated by the Panerai Submersible eLab-ID, which would be currently the most sustainable watch in the world, if it were a full production model, which it is not. In any case, Panerai had found a way to make this watch out of 98.6% material.

To be more precise, that is the percentage of recycled material in the watch, by weight. So, the obvious question is why not go the extra mile? “To get that last 1.4%, we would have to use so much energy that it wouldn’t be saving anything…Our idea isn’t to do something at an idotic level, just to say we did it,” Panerai COO Jerome Cavadini told us. In other words, the cost of doing something positive for the world should not result in a negative for the environment. That would be idiotic, and yet it may well be the result of reductionist thinking. Sustainability is a complex matter that will not be solved by overly simplistic approaches.

On that note, we have to move to the unknowns, which is the most vexing aspect of sustainability. For example, are Richemont brands so highly regarded by the WWF report because they are better communicators than some independents? While we do try to present each major group’s position on sustainability elsewhere in this section, often there is no news to report.

Even the very positive Oris news does not mean it will rank highly in the next edition of the WWF report, assuming the brand is included, which it was not in 2018. How you feel about the Oris achievement depends on what you think of ClimatePartner, an organisation you may never have heard of.  We have a compromise solution to suggest, which we will get to in the second part of this section.

By Ashok Soman

 

5 Ways How Luxury Fashion Affects Society in a Positive Way

Alexander McQueen RTW Fall 2018

Fashion has always been there to unite a generation among diversity, taking inspirations from everything and anything, creating crafts imagined from the simple and mundane to the complex and avant-garde. Whether these are womens straight leg jeans or loose dresses, it’s your choice how to represent yourself to this world.

But how does fashion help shape society? Why is fashion so deeply engraved in our community that it is here to stay and influence our way of living? How does fashion affect our society in a way that it enhances our experience?

It promotes innovation.

5 Ways How Luxury Fashion Affects Society in a Positive Way

With the continuous change the world has gone through and will continue to be in, it is necessary in the field of fashion to discover something new to give to its consumers. New unveilings pique interest and boost sales. And with this fact, fashion brands are always looking for ways to advertise innovation and elevate creativity without the need to sacrifice valuable resources.

Nike Flyleather Cortez

1- The Use of Recycled Materials
Also called upcycling, repurposed clothing, reuse clothing, or recycled clothing. Introducing recycled materials for the fashion industry means using old, damaged, or worn-out supplies and turning them into fresh new pieces.

This type of remaking is approved and admired in the contemporary fashion industry, where the price is reasonable, and the style is acceptable to the general public. More pressing concerns such as those that involve the environment support innovations like upcycling because this method uses few raw materials to produce new cloth pieces, preserving the resources, and answering the call of environmental conservation.

PARIS, FRANCE – SEPTEMBER 04: LVMH Prize 2019, Thebe Magugu attends the LVMH Prize 2019 Edition at Louis Vuitton Foundation on September 04, 2019 in Paris, France. (Photo by Bertrand Rindoff Petroff/Getty Images)

2- The Opportunity of Forward-Thinking
Many fashion brands also hold competitions and programs, so less known artists can present their own designs. These contests do not only give aspiring designers the chance to get their name out but also generate brand new ideas that can help the industry, the consumers, and the environment.

It emphasizes sustainability. The world is changing fast, and it’s both for the better and for worse. Not only because of economic development that paves the way for new technological products to make life easier but also because of what these advancements’ effects in the environment are.

Fashion brands are mindful and working with the reality that it is impossible to keep the luxuries of today without striving for sustainability. Sustainability is the ability to exist continuously, and this will be a tough feat if there is no balance in both the economic and environmental departments of the world. Fashion brands join the movement of making their clothing line collections without the need of sacrificing the future.

Adidas Futurecraft Loop

3- The Use of Sustainable Materials

Eco-friendly materials like organic cotton and linen, Tencel that’s made of wood pulp, and bamboo fabric are now picked over man-made textiles such as nylon and polyester that take years to disintegrate.

These campaigns are getting more and more attention as sustainability becomes the priority of fashion brands in their mission to help the world keep its natural resources. This effort can be seen in campaigns with the objective, such as saving the ocean or defending animals that lost their habitats because of global warming.

4- The Art of Repurposing Old Clothes

Some fashion brands promote prolonging clothing materials and opt to redesign instead. These brands don’t launch new collections every season; some choose to present a collection only once each year.

This course not only makes the collection more valuable since they are the special release of the brand for the whole year but also helps save resources used in making the pieces.

Some fashion brands also utilize surplus fabrics or fabrics that are cut and essentially thrown away in making a clothing piece. These are gathered and are repurposed. Patchwork designs with these surplus fabrics have been a unique style fashion brands are taking pride in.

Gucci ‘Off The Grid’ 2020 Collection

5- The Focus of Sustainable Living

Fashion is not the only concern a person has. Aside from staying on the latest trend, people have a lot of other dynamics to take care of, such as their work and family. All of which demands expenses and other costs.

In a mutual understanding of helping the fashion industry stay afloat and for the clothing lines to keep their businesses, brands are always finding ways to assist their customers in fitting fashion expenditures among their budgets.

The sale of plain, yet ethically produced garments are not only revolutionary as it keeps the materials needed at a minimum, but also prudent.

Promos such as take-back schemes where consumers send their used wares for a discount in their next purchase are also becoming popular to encourage consumers to stay on their allowance without being out of style.

It brings awareness to social issues.  Fashion brands also shine more light on advocacies such as cancer awareness, support for the LGBTQ+ community, and many other concerns. Educating the public about these social issues has been a central part of modern fashion.

Among the social issues in the world, today is the matter of pollution, including its short-term and long-term effects that do not only pose a great threat to the economy but more on health and sustainability.

Initiatives like the usage of materials like plastic from polluted seas to create fashion drives learning of what the world is facing, urging humanity to help and start the change Earth desperately needs. Some brands even dedicate a percentage of their profit to help in the following efforts, among others:

  • Cleaning the ocean
  • Funding food programs
  • Donating to charities
  • Understanding mental illnesses

It encourages respect for the culture. The younger generations are thrust into society with various sets of beliefs that it’s easy for them to get lost in the turmoil of current standards. Fashion brands introduce these cultures, so others will be able to appreciate these heritage items properly. Some brands turn vintage clothes and update them to modern designs to bridge the gap between the past and the present.

By Julia Roxan 

 

Toyota Constructs Japan’s First Sustainable City of The Future

Occupying at least 70 hectares of land at the foot of Mount Fuji, is Japanese carmaker, Toyota’s latest technological endeavor. Announcing its detailed plan of building a sustainable ‘city of the future’ at the 2020 CES technology show in Las Vegas on 7th January, – Toyota has named its project, the Woven City.

Toyota Constructs Japan’s First Sustainable City of The Future

Powered by hydrogen fuel cells, the prototype city is expected to be an environmentally sustainable space, facilitating the use of renewable energy whilst increasing overall power efficiency. Through utilizing these hydrogen fuel cells, which are also known as, Proton Exchange Membrane (PEM) cells, water, electricity and heat energy are the derived byproducts of using hydrogen gas and oxygen as fuel.

Designed by Danish architect, Bjarke Ingels, who is revered for his housing complexes in Ørestad, Denmark – the Woven City will serve as a functioning laboratory for autonomous cars, smart homes, robotics, artificial intelligence and other technologies – accommodating up to 2,000 people including Toyota employees, retirees and their families, the city will feature the necessary emergency amenities such as a police force, fire and ambulance services, and schools.

Aiming to create a safer, cleaner and tremendously more fun environment with a minimal carbon footprint, the city’s buildings will be predominantly constructed from natural materials such as wood with roofs covered in photovoltaic panels to generate additional solar power. Prioritizing a drastic cut in carbon dioxide emissions from vehicles and buildings, Toyota intends to significantly incorporate internet technology in every aspect of every day ‘Woven City’ life.

Though only recently announced, plans for Toyota’s Woven City have been in the works for over a year, with construction expected to begin by early 2021. The company has also expressed interest in future collaborations to expand its knowledge and research abroad.

By Julia Roxan

 

Bentley EXP 100 GT Electric Grand Tourer: A Glimpse of an Extravagant Future

Celebrating its 100th birthday in grand style, Bentley created a strikingly modern, intensely opulent EXP 100 GT. More importantly, for such a luxurious symbol for high end automotive manufacturing, the Bentley EXP 100 Grand Tourer joins the high technology of artificial intelligence with the more earthly considerations of sustainability, using recycled rice-husks and wine-production waste. In short, Bentley’s all-electric grand tourer is a glimpse of an extravagant yet enduring future.

Exquisitely designed, Bentley’s electric Grand Tourer dominates any space it inhabits visually but at 5.8 meters long and almost 2.4 meters wide, it is also an undeniably formidable presence. The EXP 100 GT demands to be seen and experienced.

While the Bentley electric grand tourer looks unmistakably an automobile of the future, there are enough signature Bentley aesthetic leitmotifs which render the futuristic EXP 100 GT instantly recognisable as a product of the British luxury marque.

While the Bentley EXP 100 GT follows the very contemporary (albeit extrapolated) trends of ever increasing massive mesh grilles, the all-electric grand tourer’s grille is no ordinary point of air intake, instead, the mesh is high-tech “illuminating matrix” comprised of 6,000 LED bulbs, complementing the more traditional Bentley two-rounded “eyes” for lighting those twilight roads. Despite its undeniably futuristic countenance, this design element is actually a hat-tip to an amazing milestone in the brand’s history – the 1930s Bentley Blower. Then of course, everything is topped off with the signature hood-mounted Flying B for those who aren’t really car aficionados.

Powered by four motors, the Bentley’s electric Grand Tourer enjoys full torque vectoring, making efficient use of its peak 1100 lb-ft. torque output. Completing its century sprint in 2.5 seconds, Bentley’s all-electric grand tourer is no slouch, hitting a maximum of 300 kmh. Commanding an impressive range of 700 kilometres thanks to its super energy-dense batteries. But that’s not the kicker, the real trick is that these batteries can be charged to 80% in just 15 minutes. Comparatively, it takes existing Tesla Roadster batteries 6 to 9 hours to achieve a full charge or 4 kilometres range per hour of charging. Not exactly “charge and go” for competing car marques and ideally, the Bentley electric GT comes closer to daily functional use akin to combustion-hybrids.

Despite its looming presence, the EXP 100 GT weighing 1,900 kg is relatively lightweight thanks largely to the use of aluminium and carbon fibre for its exterior shell. The sophisticated gold-hue cabin interior is the result of 5,000 year-old copper-infused riverwood sourced from eco-organisation – The Fenland Black Oak Project, while the iconic quilted “leather” isn’t really leather but 100% bio-based leather-like materials upcycled from wine making waste products, complemented with British wool carpets and organic cotton surfaces.

The Bentley EXP 100 GT portends a concept for an extravagant future but also a sustainable one.